Macbeth Flashcards

(77 cards)

1
Q

FIFAFIF
fair is

A

Fair is foul and foul is fair - witches
* alliteration of “f” - sinister uneasy tone
* sounds like a magical spell - audience would fear it
* paradox - Shakespeare uses this to unsettle the audience
* foreshadowing macbeths journey - he goes from fair to foul
* boundaries between good and evil are blurred
* meaning = dont trust appearances
* context = james I wrote Daemonologie stating all magic was evil - this sounds like a chant
* Speak in trochaic tetrameter, childlike, no real power, M is responsible

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2
Q

SHYFLNLSMDADD
stars

A
  • Stars hide your fires, let not light see my deep and dark desires
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3
Q

Stars hide your fires, let not light see my deep and dark desires analysis

A
  • imperatives “hide” “let not” - shows he is actively attempting to control forces beyong his control - urgency, he feels powerless in the face of his dark desires and seeks external forces to suppress them
    *
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4
Q

SFAFADIHNS - Macbeth
so foul

+ analysis

A

So foul and fair a day I have not seen
* mirros words of witches
* foreshadows evil as words are like witches
* foreshadows inner conflict

first words

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5
Q

Stars hide your fires, let not light see my deep and dark desires ideas

A
  • unsure
  • internal struggle
  • foreshadows the layer corruption - by seeking darkness he is metaphorically choosing to align himself with evil - suggesting that his desires grow more dangerous as he suppresses his own conscience
  • consumed by ambition
  • disruption of natural order - cosmic imagery reflects jacobean belief of orderly universe
  • aware of immorality of his ambition - can corrupt morals
  • he attempt to manipulate fate, by doing so he seals his tragic fate - witches have foretold his rise to power, its his own ambitions and choices = downfall
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6
Q

TATAT
LBAWS,APP
SAF
IIATTBAI,FOSAF,SN

A
  • Tomorrow and tomorrow and tomorrow
  • life’s but a walking shadow, a poor player
  • Struts and frets
  • It is a tale told by an idiot, full of sound and fury, signifying nothing
  • repetition - endlessness and monotony of time, trapped in a cycle with no resolution - hopelessness, grief, empitnes
  • metaphor of shdadow - “shadow” - his life is fleeting, temporary, cannot stand on its own - his life is insignificant, a mere illusion, no lsating impact
  • metaphor of life being like a poor actir - life is a performance but meaningless
  • nihilism
  • rather than this being reflective, it could be his desperation - could be attempt to convinvce himself that although heis now trapped, there is no escape from the fate he has sealed for himself
  • “tale told by an idiot” - loss of faith in God - suggest world is without divine purpose
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7
Q

Tomorrow and tomorrow and tomorrow
* life’s but a walking shadow, a poor player
* Struts and frets
* It is a tale told by an idiot, full of sound and fury, signifying nothing
IDEAS

A
  • contrasts with earlier parts when he was driven by ambition
  • Hightlight psychological and emotional consequences of unchecked ambition
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8
Q

WAGNOWTBCFMH
will all

A

Will All great Neptunes oceans wash this blood clean from my hand? - Macbeth
After murdering Duncan
* Turns away from Christianity - suggesting he knows he has sinned against the divine right of kings and is beyond redemption in the eyes of society - turns guilt into a kind of spiritual exile
* hyperbole of his guilt - no amount of water can cleanse him suggests his guilt is permanent and spiritual, not just physical
* metaphor - blood represents guilt
* contrasts with LM who thinks a little water
* irreversibility of action - knows this
* By invoking Neptune, he connects his actions to forces beyond the human - hinting at the desruption of the natural and divine order
* hints at how guilt will continue to haunt them

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9
Q

IHNSTPTSOMI,BOVA,WOIAFOTO
i have no

A

I have no spur to prick the sides of my intent, but only vaulting ambition, which o’erleaps itself and falls on the other - Macbeth
* contemplating whether to murder Duncan - lack of motivation, doubts
* metaphor
* tension between his unwillingness to move ahead with his plan and his acknowledgment that his ambition is leading him down a perilous path
* His intent is like a horse thats going to vault, but when it lands he is going to fall, jump is too great, spurs help him to jump
* LM fuels that ambition giving him the final push, its not fully active in him until she takes control
* Shakespeare - ambition when unchecked becomes self-destructive
* personalification “vaulting ambition” - has power over Macbeth like a hamartia he cant control
* ambition though imagery is dangerous force not just thought
* BASICALLY saying he has no reeason to kill only his ambition driving him - knows the consequences = diaster

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10
Q

WDID
whats done

A

Whats done is done
* LM trying to console Macbeth after Duncans murder
* she doesnt want to face the true extent of what they have committed - regicide - ultiamatte sin in that era
* trying to convince herself and macbeth that their actions are final - shows her attempt to maintain control over siutation and prevent Macbeth feeling guilty
* foreshadows their downfall, as their inabaility to acknowledge the weight of their crime leads to psychological torment

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11
Q

ALWCUOTD
a little water

A

A little water clears us of this deed
* After Duncans murder
* undermining of this guilt
* trivialising this guilt
* irony - huge sin - regicide
* “little” - insignificant
* interpretations = is she confident or is she trying to hide her fear?

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12
Q

HPMNFHBGADTBO
have plucked my

A

Have plucked my nipple from his boneless gums. And dashed the brains out - LM
* When LM tries to shame Macbeth for questioning their plan
* __________________________________

  • violent and brutality - shows how far shes willing to go to achieve power
  • “bonesless gums” - vulnerable infant - more disturbing
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13
Q

LLTIFBBTSU
look like

A

Look like the innocent flower, but be the serpent under’t
* when plotting Duncans murder

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14
Q

TDIMS
theres daggers

A

There’s daggers in mens smiles - Donaldbain
* after Duncans murder
* metaphor - smiles can hide hidden malice - 2 faced
* smiles - symbol of friendship or kindness - now are false and dangerous - revealing duplicitous nature of ppl around him
* “daggers” -violence death - weapen - their intentions may be as deadly as a dagger

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15
Q

MDMS
macbeth does

A

Macbeth does murder sleep - Macbeht
* After killing Duncan
* personification - sleep symbol of peace and innocence - murder also disrupts natural order of the world symbolised by peace
* he has murdered his peace of mind
* sleep could be a metaphor from clear conscience and moral peace - murder - loss of innocence
* “murder” - permanent loss of peace - irreversible

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16
Q

OVC,WG
o valiant

A

O valiant cousin, worthy gentleman - Duncan
* after the battle of heroic Macbeth
* high status - courage and bravery - show a man is good in jacobean society personality like kindness is ignored, as long as one is brave = god
* blind trust - adds to tragic irony of murder - he was too trusting

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17
Q

ITADWISBM
is this a

A

Is this a dagger which I see before me - Macbeth
* contemplates murder of Duncan

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18
Q

AABS,TTBF
anegls are bright sitll

A

Angels are bright still, though the brightest fell - Malcolm
* convo with Macduff, where he is testing Macduffs loyalty

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19
Q

TIODTUT
the instruments of darkness

A

The intruments of darkness tell us truths - Banquo
* skepticism about witches prophecies
* “instruments” aren’t powerful, simply tools of evil, not power
* Macbeth is too becoming an instrument of darkness

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20
Q

IWHB,TS;BWHB
it will have blood

A

It will have blood, they say; blood will have blood - Macbeth
* after seeing Banquos ghost
* lack of accountability for his actions
* repeition - feels trapped in a cycle of mruder - intensifies sense of inevitability - he believes that once the cycle of violence begins, it cant be stopped, especially due to the fact that he gains power by violence wheras lm and witches - words
* personificaiton - blood actively seeking retribution - it will demand revenge - shifts blame

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21
Q

O,DS!O,IS
out

A

Out, damned spot! Out, I say
* washing imaginary blood from hands
* motif of blood - physical manifestation of their guilt
* tarnishing her mentally and physcially - consumed by this guilt

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22
Q

FOSIMM,DW
full of

A

Full of scorpions is my mind, dear wife - Macbeth
* after Duncans murder
* metaphor - covesy intensity of hi smental turmoul
* dangerus, venomous mind filled with toxic thoughts and agitation
* animal imagery - violence and primary intincts - emphaises loss of self control
* regardless he carried on
* scorpions repsrents his fear and unease - yet he resists through this discomfort

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23
Q

TCSIDI;NSTGLAM
thou canst

A

Thou canst say I did it; never shake thy gory locks at me - Macbeth
* banquet scene when he sees ghost of Banquo

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24
Q

HIM
hell is

A

Hell is murky - LM
* washing hands,
* “murky” - unclear, obscured reflects her conscience thtat has become clouded by guilt- lack of clarity about the natural of the evil she has comitted
* “hell” - eternal suffering
* metaphor for internal corruption - her mind filled with confusion ann d guilt

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25
FFMHWTFHDK false face
False face must hide what the false heaart doth know - macbeth * Decides to go through the plan to murder Duncan * marks descent into villainy * alliteration "f" - sharp, sinister rhym, secretive deceptive nature ofhis thoughts * "false"- repetion - becoming 2 faced, "heart" is corrupt with murderous intent "face" facade that hides it * Shakespeare emphasises internal conflict but ambition forces him to hide that * "must" - convince himself- shift LM has infleucned him and now her is persuading himself to follow with the murder * fake innocence - deception
26
UMH, AFMFTCTTTTODC unsex me here
Unsec me here, and fill me from the crown to the toe top-full of direst cruelty * awaits husbands arrival, before duncans murder * * remove her feminity - it constrains her in a patriarchal society - sees herself as inferior - unsexed - more masculine and tyrannical * context - against patriarchal expectations of jacobean women who were meant to be gentle, obedient * Context - this shows how ambition and guilt make her want to espace the emotional "weakness" that society links to women * Shakespeare - powerful women like LM feel they have to reject their femininity to gain power in a patriarchal society
27
TFOTMOHK too full of the
Too full o' the milk of human kindness - LM * reading letter from Macbeth * She thinks the best way for her and Macbeth to become leaders is by emasculating him - making him feel insecure, challenges him _____________________________________________ * metaphor - "milk" - nurtuirng, motherhood, innocence - used to insult macbeth - she sees kindness as a weakness * "too full" - so much that it stops him from achieving greatness - implies being too good can be a flaw in a ruthless world * rejects traditional feminiity - shocks jacobean audience - flips trad roles - challenges the idea of what a woman "should" be + unnatural disturbing * shows her moral corruption - encouraging recigide * jacobean audience - see her as a threat to the natural order - dangerous, unfeminine and unnatural - her dominance over macbeth - warning about dangers of ambition and disorder
28
MHAOYC,BISTWAHSW my hands are
My hands are of your colour, but I shame to wear a heart so white - LM * after Duncans murder * ridiculing macbeths guilt * patroniising and emasculating him
29
ATPOAWNSTLH all the perfumes
All the perfumes of Arabia will not sweeten this little hand - LM * sleepwalking * their ambition is their hamartia
30
WYDDI,TYWAM when you durst do it
When you durst do it, then you were a man - LM * manipulates Macbeth to commit regicide
31
DDTATFBACB double double
Double double toil and trouble fire burn and cauldron bubble
32
AAOYHLFTWTDD and all our
And all our yesterdays have lighted fools the way to dusty death * When M finds out about LM death
33
HN,YS,B,AMH? how now
How now, you secret, black and midnight hags? - M * further guidance of future
34
Role of Banqu
* antithesis of macbeth * both given the same info but have diff pursuit of power * macbeth = evil banquo = christian virtue * banquo waits for future to unfold * macbeth - regicide and great chain of being * king james- descendent of banquo
35
AHSLLLUM RIMTCT MP a heavy summons
**A heavy summons like lead upon me Restrain in me the cursed thoughts + Merciful powers** - Banquo * talking to fleance, cant sleep, affected by witches words, temptations * Simile - emphasises weight and seriousness - possibilty the emotional weight of anxiety/fear * praying to good forces ti oritect him - morally strong * Highlights inner conflict - Shakespeare uses this to create a clear contrast - Banquo is noble and loyal to king even when tempted * psychological burden of ambition Alt: * He is already tempted - asks for "merciful powers" to restrain his thoughts - suggests desires are alr strong within him * Coud be experiecning inner battle with ambition like M * the fact that his cursed thougths exist - prophecy feeply affectin ghim * fear of sleep - fearing what he might dream or desire deep down * Shakespeare - ambition is natural human feeling - makes Banquo complex and realistic
36
S,YIS, TMM + idea stay you
Stay you imperfect speakers, tell me more - M * After king prophecy * words are impactful, not actions * "imperfect" - suggests what they say isnt what he wants, wants witches to say what he wants - delusional + tryanny begins at the start * commands them - against great chain of being because above witches are demons angels and god - ego exceeds and is sustained throughout play * witches and LM use words as their power but macbeth chooses violence as power - uneccessary
37
ICWHMK,WCMCM,WMS if chance will
If chance will have me king, why chance may crown me, without my stir - Macbeth * He believes in witches prophecy * He feels entitled uses witches words as an excuse for his entitlement - interprets it as a promise - he deserves the crown - this belief in his own destiny fuels his ambition * Shakespeare - ambition + belief in entitlement can distort morality and self-control Shakespeare - highlights how easily ppl can manipulate fate to justify their actions -LM believes this too
38
IYCLITSOTASWGWGAWWN analysis if you look into the
if you can look into the seeds of time and say which grain will grow and which will not - Banquo * with witches THEMES: * Ambition, fate/freewill/guilt/supernatural/consequences * literal = asking if wiches truly have the power to predict future ________________________________ * metaphor suggests time holds many possibilities, future is like a field where events are planted, no one knows which ones will grow ie come true. = pretdermination on the other hand - autonomy - we have control which seeds we plants and nurture * **audience questions whether witches are reevealing a predistined future or influence him to take action?** * Macbeth illustrated the tension between fate and free will Banquos cautious response contrasts with Macbeths impulsiveness Shakespeare - provoke the audience to consider how much control they truly have over their lives * contrast between him and Macbeth - he is curious but cautious but Macbeth is obsessed - foreshadows conseuqences of m's ambition, audience builds trust and respect for banquo
39
DILAM dispute it
Dispute it like a man - Malcolm to Macduff when his family is killed
40
T,H-H, T turn
Turn, hell-hound, turn - Macduff - ending
41
THIH;TCAAO theres husbandry in
There's husbandry in heaven;their candles are all out - Banquo + fleance walking at night
42
TBIDC to betray in
To betray's in deepest consequence - Banquo when he meets witches
43
UHFTNTTC unseamed him from
Unseamed him from the nave to th'chops - Captain - About Maceth in the battle * visceral image - dehumanisation
44
HHNRMFAHS,IHDT had he not resembled
Had he not resembled my father as he slept, I had done't - LM before King Murder * justification for being a coward * her weaknesses are appearing
45
WITK? whence is
Whence is that knocking? - Macbeth - just killed Duncan
46
Ambition for Macbeth
* It isolated him - makes him become emotionally detached, paranoid and tyrannical. Reflects Jacobean fear of ambition beyond one's power as it disrupts the great chain of being and divine order * explore how human desire, when left unchecked, distorts moral judgement and leads to self-destruction - driven by the illusion that ambition = greatness * addictive - irrational and corrosive, consuming his sense of morality and self
47
Guilt
* Immediately haunted by guilt after Duncan - moral crisis * His guilt doesnt manifest in madness like LM but in hallucinations and insomnia = deeper psychological torment * Over time, he builds emotional calluses, numb to bloodshed - Shakespeare - ignoring guilt doesnt erase it, it warps the soul until theres nothing left to feel
48
Fate vs Fre will
* At first trusts fate ("chance may crown me"), but quickly acts to force it. * Murders Banquo and Macduff’s family to control prophecy. * Shakespeare presents fate as misinterpreted—he chooses violence. * Shows humans shape their own downfall through misguided free will.
49
Kingship and tyranny
* Macbeth rules through fear, not divine right. * Contrasts with Duncan (virtue) and Malcolm (order). * Tyranny brings chaos—Macbeth loses legitimacy and support. * Shakespeare condemns unlawful power; tyranny disrupts nature and God’s will.
50
Masculinity and gender
* Insecure masculinity = easily manipulated (Lady Macbeth challenges his manhood). * Links manhood with violence, not honour or virtue. * Shakespeare critiques toxic masculinity—violence ≠ strength. * True manhood lies in self-awareness, which Macbeth loses.
51
Appearance vs Reality
* Macbeth hides guilt/ambition behind a mask ("false face"). * Becomes a master of deceit—betrays loyalty and trust. * Reality is obscured by manipulation, hallucination, prophecy. * Shakespeare shows deception as a symptom of inner collapse.
52
Supernatural
* Supernatural = symbol of disorder and temptation. * Witches awaken ambition, don’t control Macbeth. * Hallucinations = guilt turning inward (dagger, Banquo’s ghost). * Macbeth chooses to follow supernatural signs = free will + moral collapse. * Shakespeare warns: those who trust the unnatural lose self, soul, and sanity.
53
Power
* Illegitimate power = corrupts Macbeth completely. * Contrast with Duncan and Malcolm (rightful rulers). * Obsessed with keeping power, not worthy of it. * “Safely thus” = fear, not confidence in leadership. * Power gained by force = leads to paranoia, isolation, and collapse.is
54
Supernatural LM
* corruption - shows how seeking unnatural power can result in self-destruction - becomes mentally undone, showing how supernatrual forces can overpower human intentions * her guilt manifests through supernatural hallucinations - showing that the forces she once invoked now torment her - highlights double nature of supernautral * tool to control macbeths destiny * seeks help from it
55
Powr LM
* Manipulates Macbeth and questions his masculinity and courage, true power behind the throne in the start * as macbeth ascends to the throne, LM loses influence over himas he becomes more paranoid and indepdent, mental state worsens - power is corrupt
56
Ambition LM
* Rejects feminine qualities - belives ambition must be achieved through violence * ambition blinds her to the consequences * self-destructive
57
Guilt LM
* Start - non end - all * internal conflict - cold determination at the start and inability to cope with guilt at end - shift shows guilt is inescapable and can erode a persons sanity
58
Fate and free will - LM
* Rejects idea that fate alone will ensure macbeths rise to power so manipulation - demostrating her free will belief * sees herself as master of her own fate however irony of fate: they are powerless in the face of destiny * Fate cannot be escaped, Shakespeare LM r/s with fate to show how ambition and free will cant completely alter the course of preterminded outcomes
59
Kingship LM
* doesnt see the moral or dive right * focused on seizing power rather than governing justice or wisdom sees duncan as weak * kingship achieved through murder is unsustainable - chaos
60
Gender LM
* Rejection of trad fem - masculinity to achieve goals *
61
Motif of blood
* represents guilt * physical reminder of their crimes * linked to violence * the more blood they spill, the more their humanity fades * guilt has driven LM mad - imagines blood on her hands * deception,power,loyalty,violence,guilt, good and evil
62
Level 6 points
* What the theme does * Why Shakespeare used them what emotions/idea they create * What does the language reveal about characters mind * could the quote mean something else? * context - this would shock a jacobean audience * context -
63
How do you do level 6 context?
* quote and what it shows * context * why it matters + jacobean audience
64
MOFVTOH,DWWA make our faces
Make our faces vizards to our hearts, disguising what we are - macbeth * metaphor - vizards - protection during war for soldiers - self deception - actions are necessary or even noble, like a solfier protecting his country - may believe his seizing of the crown will benefit others, however audience knows his motives are selfish - shows how ambition can distort reality * shows Macbeths increasing control and confidence in teh partnership * shakespeare warning that evil thrives in secrect and those who hide their true selves can become dangerous * calling of a mask demostrates how ambition and guilt have led him to reject his conscience, conving himself his actions are justified * "faces" - outward display and public persona they must maintain
65
MSITMCWBOTA my soul is too
My soul is too much charged with blood of thin already * focusses o soul at the end of the play - he knows he will die and feels regret - knows he will go to hell * says this to Macduff * juxtaposes with the blood shed he has comitted * reluctant to giht macduff * admission of guilt -
66
WWHTTOMTHHSMBIH who would have thought
Who would have thought the old man to have had so much blood in him - LM * Guilt after duncans death * "old man" - deeply humanising, not said his name - strips away his title and focuses on his vulnerability and age - not just a political figure but a fragile human being * show remorse and emotional sensitivity that she tried to hide or deny * "so much blood" - emotional overflow, death has left a massive psychological impact, quantity of blood is symbolic of overwheling guilt
67
SISFT,SIWNM stepped in so far
Stepped in so far that, should I wade no more - macbeth after banquos ghost * metaphor - turns his crimes into smth physical and inescaoable, showing how guilt has overwhelmed him "stepping" - each murder was a conscious action not an accident - he chose his own path * "wade" - slow heavy movement - visceral image - he is not just stuck, hes dragging himself deeper - aware his actions are exhausing and deliberate - but still ongoing. * stepped in so far - lots of blood * calls it "tedious" to go back too - kiling everyone is easier than going back to being good * suggests he has crossed a moral line - so deep in sin that turning back would be just as hard as continuing int: * acceptabnce of hisviolent path - no longer sees killing as shocking - emotioanlly numb - tedious - murder is just tiresome not territing * internal conflict - he knows he could sstop but hcooses not to - shakespeare showing he is trapped by his own ambtiion, not just fate * Fatalism or nihilism - nothing matters anymore might as well keep killing * Shakespeare warning how power can desensitise and dehaminse, turning guilt indifferent
68
Why was blood chosen as a motif?
Regardless of status, blood reoresents life and something given by God * When Macbeth kills, he is not just taking life - he is turning away from God * He more blood he spills the more he loses his connection from God * through the visceral imagery
69
Why are Macbeth's visits to the witches significant?
  * they fill the role of God * he seeks them out ultumately for guidance like people praying to a higher power * places his trust in them
70
How does Macbeths attidue towards the witches change?
* earlier - cautious and skeptical - intially lets them plant the seed of ambition but doesnt immediately act on it * final visit - he commands them, he now believs in their power * curious to devoted almsot worshipful - power and ambition have corrupted his spiritual compass * he is trying to take fate into his own hands but ironically he is becoming more controlled by them through vague prophecies - witches act like gods but also devils, giving him false confidence * Context - turning to witches for guidance is blasphemous - shakespeare reflects the danger of abandoning moral and religious order
71
Alt int of Lady Macbeth
* perhaps Macbeth already wanted to kill Duncan * "stars hide your fires" * LM simply verbalises what he fears to admit - giving him approval and a sense of stability, knowing that he isnt alone
72
character of macduff
* foil to macbeth * motivation driven by the need for revenge for slain family *
73
OH,H,H o horror
O horror, horror, horror - when duncan dies * repetition emphasises strength of his emotion * adopts the role of the judge in this play - knows macbeth is wrong * will act on gods behald to bring justic * "feminine" - weak - men were meant to be stoic * shakespeare challenges the jacobean soceity by making this "feminine" man macduff to kill macbeth and restores justice * implies moral strength and emotional depth are not signs of weakness but of true manhood * message relevant today - gender norms * emotions make us human
74
Theme of lyalty and betrayal
* Macbeth's betrayal is spiritual as well as political * LM loyalty is destructive - showing how excessive loyalty is destructive *
75
Next steps - teacher
* why is a character presented this way * put a03 at the end * do not explicity tlak about daemonologie * how does current audience perceive characters? * include the effect of the point * how does it have significance to the question * explain how Shakespeare has weaved themes together - link to question * why for everythigng
76
IMFIAAM I must feel
I must feel it as a man - Macduff when ross tells him about lady macudffs murder in response to "dispute it like a man"
77
IAAMA
I am a man again - macbeth - after banquos ghost disppears