MATERIALS FOR DECORATION Flashcards

FMR (107 cards)

1
Q

a common finish process for linen. the fabric is hammered, the yarns are flattened

A

BEETLING (PINUKPOK)

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2
Q

process makes the fabric white and impurities are removed

A

BLEACHING

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3
Q

a finishing process which makes the frabrics smooth and glossy. This is done by passing the fabric between heavily heated steel rollers at a pressure up to 2000 pounds per sqr inch.

A

CALENDERING

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4
Q

a wool finishing process to prevent creases of other forms of uneven shrinkage in latter stages of finishings

A

CRABBING

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5
Q

the finishing process improves the appearance, enhances luster and hand of material

A

DECATING or DECATIZING

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6
Q

decating tyle which usually done on cotton, rayon or silk the cloth is wound on a perforated drum

A

DRY DECATING PROCESS

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7
Q

decating style which the cloth is wound on a roller and treated in a hot water or steam boiler

A

WET DECATING PROCESS

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8
Q

Important finish applied to wool fabrics. It is pre-shrinking process which involves the application of moisture, heat, friction, anc pressure.

A

FULLING

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9
Q

discovered by John Mercer, an English scientist and chemist from whom the term was derived. It is common finishing process for cotton. Fabrics increase its strength, reduce shrinkage and give it greater absorbency for dyes.

A

MERCERIZING

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10
Q

The finishing process is applied to fabrics for the purpose of removing the fuzz of protruding fibers.

A

SINGEING OR GASSING

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11
Q

These are other terms for starching. The cloth is filled with starch to increase strength, smoothness, stiffness, or weight of the fabric

A

SIZING OR DRESSING

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12
Q

this process straightness and restores the cloth to its proper dimensions.

A

TENTERING, STENTERING OR HEAT-SETTING

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13
Q

process done to fabrics, sometimes to fibers and yarns, causing them to change in appearance, texture and performance.

A

FINISH

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14
Q

CLASSIFICATION OF FINISHES

A
  1. Based on the extent to which they will stay on the fabrics, such as durable, temporary or permanent
    a. Temporary Finish
    b. Durable Finish
    c. Permanent Finish
  2. Based on whether it is a general or special finish
    a. General Finish
    b. Special Finishes
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15
Q

the kind of finish that lasts until the fabric is washed or dry-cleaned

A

Temporary Finish

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16
Q

this last longer than temporary but it may become unsatisfactory with the passing time

A

Durable Finish

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17
Q

lasts until the garment is of service

A

Permanent Finish

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18
Q

include those finishes that affect the texture and appearance of the cloth.

A

General Finish

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19
Q

Include those which affect the performance of the cloth

A

Special Finishes

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20
Q
A
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21
Q

SPECIAL FINISHES

A
  1. ANTISEPTIC FINISH
  2. ANTI-STATIC FINISH
  3. CREASE-RESISTANT FINISH
  4. FLAME RETARDANT FINISH
  5. GLAZED FINISH
  6. HEAT-REFLECTANT FINISH
  7. MILDEW-RESISTANT FINISH
  8. MOTH-RESISTANT FINISH
  9. NAPPING
  10. SHRINK-RESISTANT FINISH (Mechanical Method)
  11. SLIP-RESISTANT FINISH
  12. SOIL AND STAIN-RESISTANT FINISH
  13. WASH AND WEAR FINISH OR MINI-CARE FINISH
  14. WATER-REPPELANT FINISH
  15. WATERPROOF FINISH
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22
Q

one of the most important aspects in fabrics. In many cases, it is the primary reason for purchase.

A

COLOR

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23
Q

two kinds of colorants

A
  1. Dyes
  2. Pigments
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24
Q

soluble substances which penetrate into the fabric and are fixed by a chemical action, heat or other treatment

A

DYES

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25
insoluble color particles which are held on the surface of a fabric by a binding agent
Pigment
26
This is a chemical treatment designed to make a fabric bacteria resistant.
Antiseptic Finish
27
This is a chemical treatment applied to synthetic fabrics to prevent the accumulation of static electricity.
Anti-static Finish
28
applied mostly on fabrics from such fibers as cotton, linen, ramie, and rayon
CREASE-RESISTANT FINISH
29
they can be chemically treated to retard inflammability
FLAME RETARDANT FINISH
30
glazed surface may be obtained through chemical and mechanical means. Resin treated fabrics have greater durability than mechanically achieved glazed surfaces.
GLAZED FINISH
31
also called INSULATED FINISH. This type of finish makes a fabric suitable for either hot or cold weather.
HEAT-REFLECTANT FINISH
32
a chemical finish given mostly to rayon, cotton, and linen fabrics which are mostly susceptible to attack by mildew in moist and humid conditions or climates.
MILDEW-RESISTANT FINISH
33
sometimes referred to as moth-proofing finish. chemical finish resistant to attack by moths and carpet beetles.
MOTH-RESISTANT FINISH
34
to raise the fiber ends thus creating a surface fuzziness.
NAPPING
35
overfeeding a fabric onto a dyeing frame and applying stretch in the crosswise direction
SHRINK-RESISTANT FINISH (Mechanical Method)
36
given to loosely constructed fabrics or fabrics with low thread count. It prevents the warp yarns from slipping along the filling yarns.
SLIP-RESISTANT FINISH
37
given to rug and upholstery fabrics to repel soil and stain. Silicone is the compound used for this type of finish.
SOIL AND STAIN-RESISTANT FINISH
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finish is also referred to as the drip-dry finish. same type as the crease-resistant finish.
WASH AND WEAR FINISH OR MINI-CARE FINISH
39
a chemical finish which makes a fabric resistant to wetting but not waterproof.
WATER-REPPELANT FINISH
40
waterproofing totally coats the fabric thus closing the pores and enabling it to shed water under all pressures.
WATERPROOF FINISH
41
CLASSIFICATION OF DYES
1. ACID DYES 2. BASIC DYES 3. DIRECT OR SALT DYES 4. DISPERSE DYES 5. DEVELOPED DYES 6. REACTIVE DYES 7. SULPHUR DYES 8. VAT DYES
42
BASIC METHODS OF DYEING FABRICS
1. SOLUTION DYE 2. FIBER DYE (OR STOCK DYE) 3. YARN DYE 4. PIECE DYE 5. CROSS DYE 6. SOLID 7. UNION DYE
43
some of the man-made fibers may be dyed in solution before filament is formed.
SOLUTION DYE
44
the fibers are dyed before yarns are spun and woven into a fabric.
FIBER DYE (or STOCK DYE)
45
the yarns are dyed before they are woven into checks, plaids, striped or herringbone designs.
YARN DYE
46
cloth is dyed after fabrication. Also known as dip-dyeing
PIECE DYE
47
KINDS OF PIECE DYE
1. JIg Dyeing 2. Winch, Reel, or Beck Dyeing 3. Pad Dyeing
48
the open fabric passes back and forth through a stationary dye bath
Jig Dyeing
49
the fabric is continuously immersed without strain to the fabric
Winch, Reel, or Beck Dyeing
50
the fabric is run through the dye bath and then between rollers which squeeze the dye deeper into the yarns of the fabric.
Pad Dyeing
51
Fabric of two or more fibers is placed in a dye bath containing two or more different dyes.
CROSS DYE
52
Fabric from one fiber is dyed one color
SOLID
53
This technique mixes dyes for fabrics made from two or more fibers so that the fibers will dye the same color.
UNION DYE
54
colored water-soluble organic compounds, mainly salts of sulphic acid.
ACID DYES
55
the oldest among the artificial dyes
Basic Dyes
56
dyes that color both protein and cellulosic fibers.
DIRECT OR SALT DYES
57
formerly called acetate dyes
Disperse Dyes
58
water-soluble organic dyes which have affinity for cellulose in an alkaline bath.
REACTIVE DYES
59
used for cotton and viscose rayon. has reaction of sulphur with organic compounds
SULPHUR DYES
60
the fastest dyes for cotton, linen, and viscose and cuprammonium rayon.
VAT Dyes
61
FABRIC DESIGN
1. STRUCTURAL DESIGNS 2. APPLIED DESIGNS
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a. yarn type and arrangement b. weaves, knits and variations
STRUCTURAL DESIGNS
63
applied designs classified into two
a. Printing b. Applied Designs
64
done to add colors and design to the fabric surface
PRINTING
65
oldest method of printing design on fabrics, it consist of first carving the design on a wooden, rubber, or metal block.
BLOCK PRINTING
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fabric printing, the design is cut on a cardboard, wood or metal
STENCIL PRINTING
67
type of printing, One of the fibers used is burned, leaving a lacy or shear-and-heavy design
BURN-OUT PRINTING
68
as term implies, the color is discharged or removed from the fabric, thus, creating a design
DISCHARGE OR EXTRACT PRINTING
69
machine counterpart of hand-block printing
ROLLER PRINTING
70
printing that appears on the face and back of the fabric
DUPLEX PRINTING
71
a resist paste (a resinous substance cannot be penetrated when the fabric is immersed in a dye bath)
RESIST PRINTING
72
this method is almost the same as developing a photograph
PHOTO PRINTING
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the fabric passes between rollers which permit a caustic solution to contract certain areas of the fabric.
PLISSE PRINTING
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The warp yarns are printed usually with use of rollers
WARP PRINTING
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the design is first drawn on silk. nylon or metal screen
SCREEN PRINTING
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printing is the process of transferring prints from pre-printed release papers to fabrics
TRANSFER PRINTING
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APPLIED DESIGNS OTHER THAN PRINTING
a. Free-Hand Printing b. Applique c. Embossed Designs d. Flocked Designs e. Glued or Pasted Designs f. Moire Design
78
The simplest method of fabric designing. The designs are put in the fabric by painting the color directly to the cloth with the use of a brush.
FREE-HAND PAINTING
79
This is applying one piece of fabric to another larger piece.
APPLIQUE
80
are raised designs found on the surface of the fabric.
EMBOSSED DESIGNS
81
tiny pieces of fiber, called flocks are made to stick to the fabric.
FLOCKED DESIGNS
82
are cut out designs held to the fabric surface by the use of glue or adhesive
GLUED OR PASTED DESIGNS
83
is often referred to as having a "water appearance"
MOIRE DESIGN
84
processed animal skin mostly that of cattle. It is expensive for several reasons: such processing is labor intensive, anilline dyes are costly, and there is a high rejection rate of the finished ideas.
LEATHER
85
KINDS OF HIDES
1. CATTLE HIDE 2. CALFSKIN
86
(OLD CATTLE) the skin of a fully grown cow. from 4.6 sqm to 5.5 sqm (50 sq ft to 60 sq ft) The center portion of the hide called BLEND "THE BEST QUALITY HIDE"
CATTLE HIDE
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the hide of young animal and is considerably smaller, characterized by its softness, suppleness and fine grain
CALFSKIN
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CATEGORIES OF LEATHER
1. FULL-GRAIN LEATHER 2. TOP-GRAIN LEATHER 3. CORRECTED-GRAIN LEATHER 4. SPLIT LEATHERS OTHER KINDS OF LEATHER a. Buckskin or brained leather b. Patent Leather c. Shegreen d. Slink not "true" Leathers but they contain leather material a. Bonded leather b. Bycast Leather
89
sometimes called full-top-grain leather it possess the genuine original grain of the hide
FULL-GRAIN LEATHER
90
this is the second-highest quality, where the "split" layer is separated away
TOP-GRAIN LEATHER
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any leather that has had an artificial grain applied to its surface
CORRECTED-GRAIN LEATHER
92
fibrous part of the hide that is left, once the top-grain has been separated
SPLIT LEATHERS
93
refers to the leather that has undergone a type of tanning process that uses animal brains.
BUCKSKIN OR BRAINED LEATHER
94
a type of a leather that has been given a high gloss finish.
PATENT LEATHER
95
also known as stingray skin/leather. Used in furniture production since the art deco periods
SHEGREEN
96
this is leather from the skin of unborn calves. - RARE, EXTENSIVE, SOFTEST LEATHER - Highly valued
SLINK
97
also known as "reconstituted leather" is composed of 90% to 100% leather fibers, bonded together with latex binders to create a look and feel similar to that of leather
BONDED LEATHER
98
a split leather with a layer of polyurethane applied to the surface
BYCAST LEATHER
99
STEPS IN TRANSFORMING A HIDE INTO LEATHER
1. Tanning 2. Finishing
100
used to preserve the hide. it makes the leather strong, supple. and enduring
TANNING
101
tanning solution is based on chromium salts
Mineral Tanning
102
Tree Bark typically oak and water form the basis of this tanning solution
Vegetable Tanning
103
This tanning method produces a hide that is quite supple, with a limited acceptance of dyesC
Combination Tanning
104
THREE PRIMARY TANNING AGENTS
1. MINERAL TANNING, 2. VEGETABLE TANNING 3. COMBINATION TANNING
105
dyeing, embossing, and water or stain-proofing may be part of the finishing process.
FINISHING
106
TRANSLUSCENT, COMPRABLE TO WOODSTAINS, FOR PROTECTION
ANALINE DYES
107
SEMI-DYES WITH HAS COLORS
SEMI-ANILINE DYES