MIDTERM

Question 1

area that runs between, through, around, or within objects.

Answer 1

NEGATIVE SPACE

Question 2

area occupied by an object or form

Answer 2

Positive space

Question 3

distance between or within shapes, forms, colors, and lines. might be positive or negative, shallow or deep, open or closed.

Answer 3

Space

Question 4

chroma or saturation intensity or purity of the color. A specific hue can have a vibrant or dull saturation.

Answer 4

Intensity/Saturation

Question 5

lightness or darkness of a color. the relationship between blacks to whites and grays.

Answer 5

Value

Question 6

specific color. name of the color color spectrum consists of 7 basic hues

Answer 6

Hue

Question 7

a crucial component of an image’s composition (Rose, 2001). can stand alone or highlight other elements.

Answer 7

Color

Question 8

free flowing, curvy, sinewy, and not symmetrical

Answer 8

Organic Forms

Question 9

mathematical forms, precise, and can be named in the basic geometric forms. ex: sphere, cube, pyramid, cone, cylinder

Answer 9

Geometric Forms

Question 10

comprises the shape of an object within the composition. shape is often used as a synonym for form. 3D object. Height width and depth

Answer 10

Form

Question 11

Irregular and uneven

Answer 11

Organic Shapes

Question 12

Can be described using mathematical formulas ex. circle, square, triangle, rectangle

Answer 12

Geometric Shapes

Question 13

a 2D design with only height & width. results of closed lines, either 2D or flat lines.

Answer 13

Shape

Question 14

Show action, life, and energy. never harsh & stern.

Answer 14

Curve Line

Question 15

line of action degree of action is shown in the angle (diagonal)

Answer 15

Diagonal

Question 16

pointed, balanced, forceful, and dynamic.

Answer 16

Vertical line

Question 17

Primarily the line of rest, quietness, relaxation, and contemplation

Answer 17

Horizontal line

Question 18

basic building block of a visual design. distance or path between two points. series of points that extend in opposite directions without end. imply motion and suggest direction or orientation.

Answer 18

LINE

Question 19

create a sense of action or implied motion. Visual element that guides the viewer’s eyes. can be directed along lines, edges, shape, and color

Answer 19

Movement

Question 20

size of something compared to what is next to it. visual size & weight of elements, how they relate to each other.

Answer 20

Proportion/Scale

Question 21

there is unity if all the elements in a composition work together towards a meaning. conveys a sense of completeness and how the patterns work together.

Answer 21

Harmony and Unity

Question 22

the focal point of art to attract a person’s attention. the main focus and the thing your eyes see first. order of importance of each element within a design.

Answer 22

Emphasis

Question 23

distribution of the visual weight of objects, colors, texture, and space. employs certain innate judgment symmetrical, asymmetrical, radial

Answer 23

Balance

Question 24

how opposite elements relate to each other and add emphasis. differences in a work of art right/dark, rough/smooth, curved line/straight

Answer 24

CONTRAST

Question 25

repeating unit of space and form. repetition of a visual element. part that is repeated is called motif. can regular or irregular.

Answer 25

PATTERN

Question 26

Name the primary colors

Answer 26

RED YELLOW BLUE

Question 27

Achieved from mixing 1 primary and 1 secondary color

Answer 27

INTERMEDIATE OR TERTIARY COLORS

Question 28

Red + Yellow

Answer 28

Orange

Question 29

Yellow + Blue

Answer 29

Green

Question 30

Blue + Red

Answer 30

Violet

Question 31

Use of diagonal lines, fine lines close together chiefly give an effecf of shading

Answer 31

Hatching

Question 32

Intersecting lines, layering multiple lines

Answer 32

Cross Hatching

Question 33

Using dots to create light or shading

Answer 33

Stippling/Stipple

Question 34

The way something feels or the way it looks like it feels

Answer 34

Texture

Question 35

Uses of texture

Answer 35

Impasto paiting, stamping, scratching in pottery and embossing when making prints

Question 36

elements of art

Answer 36

Color Line Value Intensity Form Shape Space Texture

Question 37

Principles of art

Answer 37

Balance Movement Proportion/Scale Harmony and unity Emphasis Contrast Pattern

Question 38

LATIN WORD FOR CIVILIZATION

Answer 38

CIVITAS

Question 39

a complex human society that may have certain characteristics of cultural and technological development.

Answer 39

CIVILIZATION

Question 40

AN IMAGE OF MEN AND WOMEN DRESSED IN SKIN, HUDDLING BEFORE A FIRE IN A CAVE

Answer 40

CONJURES

Question 41

SPAN OF STONE AGE

Answer 41

14,000-2,000 BCE

Question 42

ROCK CARVING DURING STONE AGE

Answer 42

PETROGLYPHS

Question 43

3 PERIODS OF STONE AGE

Answer 43

PALEOLITHIC, MESOLITHIC, NEOLITHIC

Question 44

is a product of climate change. As the climate got colder, part of the early humans’ instinct is to look for shelters that would provide them warmth. Caves became protective havens for the early humans and these caves paved the way for the birth of their first attempt to create art.

Answer 44

PALEOLITHIC ART

Question 45

Found in the cave in Lascauz, France

Answer 45

HALL OF BULLS

Question 46

This figure is a highly abstracted woman From highlighted body parts associated with fertility. *The representation may show the importance of taking care of these body parts for procreation and consequently the survival of species.

Answer 46

VENUS OF WILLENDORF

Question 47

is an ancient cultural stage that existed between the Paleolithic (Old Stone Age), with its chipped stone tools, and the Neolithic (New Stone Age), with its polished stone tools.

Answer 47

MESOLITHIC ART

Question 48

very small stone tools intended for mounting together on a shaft to produce a serrated edge.

Answer 48

MICROLITH

Question 49

has developed especially when life for the early humans has become more stable. - They have learned to cultivate the land and domesticate animals

Answer 49

NEOLITHIC

Question 50

NEOLITHIC ART IN ENGLAND

Answer 50

STONEHENGE

Question 51

starts from the banks of the Nile River, which flows north to Africa and ventures into the Mediterranean.

Answer 51

FERTILE RIBBON

Question 52

3 DVISIONS OF EGYPTIAN CIVILIZATION

Answer 52

OLD MIDDLE AND NEW KINGDOM

Question 53

it was evident that religion was bound to the afterlife. A concrete manifestation of this would have to be the erection of tombs.

Answer 53

OLD KINGDOM

Question 54

It was a palette that utilized and applied dark colors around King ’s eyes. The palette was also a symbol that commemorates the unification of Upper and Lower Egypt.

Answer 54

NARMET PALETTE (OLD KINGDOM)

Question 55

one of the Architectural wonders was also constructed.The pyramids in Giza served as tombs since their main purpose was to provide a resting place for the pharaohs.

Answer 55

THE GREAT PYRAMID OF GIZA

Question 56

is a shift in the political hierarchy. There is an emergence of powerful groups of landlords that threatened the authority and rule of the pharaoh. AND WHO WAS THE KING DURING THIS TIME?

Answer 56

MIDDLE KINGDOM, KING MENTUHOTEP

Question 57

During this period, Egypt has established itself as a more advanced and powerful civilization.

Answer 57

NEW KINGDOM

Question 58

WHO LED THE AMARNA REVOLUTION

Answer 58

KING AKHENATON AND QUEEN NEFERTITI

Question 59

DURING AKHENATON'S REGIME EGYPT WENT FROM POLYTHEISTIC TO

Answer 59

MONOTHEISTIC

Question 60

There is emphasis to life-like features of the face like an elongate jaw and thick-lidded eyes. Most artists created artworks that are natural and seemingly real, highlighting the features of their subjects. Naturalism was not only used to depict the pharaoh but also was used for members of the royal family. HAS A LONG AND SENSUOUS NECK

Answer 60

QUEEN NEFERTITI

Question 61

He became king at a very young age and died at the age of eighteen.

Answer 61

KING TUTANKHAMEN

Question 62

WHO FOUND KING TUTANKHAMEN'S TOMB AND WHAT YEAR

Answer 62

HOWARD CARTER 1922

Question 63

term that signifies the philosophy and style of the artworks produced during the

Answer 63

MODERN ART 1860s-1970s

Question 64

This art broke with convention, dealt with new subject matter, focused on conceptual concerns, and changed the position of the artist within society.

Answer 64

MODERN ART

Question 65

combines the unconscious with the conscious, in order to create a new "super-reality”. ▫ The artist tries to capture the subject not from real world, but from the world of dreams, imaginations and fantasies.

Answer 65

SURREALISM

Question 66

In this method the artist tries to present the subject as it is, or objectively. ▫ The realist tries to make a faithful rendition of the work based on what he sees which can be in the form of objects, sceneries, activities and figures.

Answer 66

REALISM

Question 67

PERSISTANCE OF MEMORY THE BROKEN COLUMN AND GIRL WITH DEALTH MASK- FRIDA KAHLO

Answer 67

SURREALISM

Question 68

In this method the artist tries to present the subject as it is, or objectively. ▫ The realist tries to make a faithful rendition of the work based on what he sees which can be in the form of objects, sceneries, activities and figures.

Answer 68

REALISM

Question 69

OLD SPANISH CHURCH AND DALAGANG FILIPINA -FERNANDO AMORSOLO PORTRAIT OF RIZAL - JUAN LUNA THE CHESS PLAYERS AND MISS AMELIA VAN BUREN BY THOMAS EAKINS

Answer 69

REALISM

Question 70

In this method of painting, the artist is characterized as one concerned more with the technique of suggesting light and color to the picture than with the subject matter. ▫ The founding artists – including Claude Monet, Camille Pissarro, Alfred Sisley and Edgar Degas, among others

Answer 70

IMPRESSIONISM

Question 71

WOMAN WITH A PARASOL THE BASKET OF APPLES STILL LIFE BY PAUL CEZANE GIRL WITH PEACHES BY VALENTIN SEROV

Answer 71

IMPRESSIONISM

Question 72

This style of painting flourished in France from 1898 to 1908. ▫ The wildness manifested itself mainly in the strong colors and dynamic brushwork to connote joy and happiness, as well as comfort and pleasure.

Answer 72

FAUVISM

Question 73

COUNTRY AND YR FAUVISM

Answer 73

FRANCE 1898 TO 1908

Question 74

MADAME MATISSE/THE GREEN STRIPE AND THE DESSERT: HARMONY IN RED BY HENRI MATTISSE THE ESTAQUE BY GEORGE BRAQUE

Answer 74

FAUVISM

Question 75

who is known as the Father of this art style, advised painters to “treat nature by the cylinder, the sphere, the cone, everything in proper perspective, so that each side of an object or a plane is directed toward a central point.” ▫ In the Philippines, Ang Kiukok is one of the most vital and dynamic figures who emerged during the 60s and continues to make an impact up to the present.

Answer 75

CUBISM

Question 76

FATHER OF CUBISM

Answer 76

PAUL CEZANE

Question 77

Weeping Woman by Pablo Picasso Factory Horta de 27Ebbo by Pablo Picasso Ang Magbabayo (Pounding Rice) by Vicente Manansala Self-Portrait with Seven Fingers by Marc Chagall

Answer 77

CUBISM

Question 78

In this method, the artist portrays the subject that literally relates to the future, and not to the present. ▫ In this modern world, futuristic portrayals are seen on futuristic machines or futuristic human beings like androids.

Answer 78

FUTURISM

Question 79

Memories of a Night by Luigi 31 Russolo Cityscape by 32 Tullio Crali Dynamism of a Car by Luigi 33 Russolo Street Light by Giacomo 34 Balla

Answer 79

FUTURISM

Question 80

followed in the same vein as Futurism in that it relished in the innovative advances of the machine age and embraced the possible virtues of dynamic change that were to follow. ▫ The style is defined by bold colors, harsh lines and sharp angles along with a fascination in the machine age.

Answer 80

VORTICISM

Question 81

TORSO IN METAL FROMTHE ROCK DRILL BY JACOB EPSTEIN RED STONE DANCER BY GAUDIER-BRZESKA ABSTRACT COMPOSITION BY JESSICA DISMORR

Answer 81

VORTISM

Question 82

ART SHOULD BE CONSTRUCTED FROM MODERN INDUSTRIAL MATERIALS SUCH AS PLASTIC, STEEL AND GLASS IN ORDER TO SERVE A SOCIETAL PURPOSE INSTEAD OR MERELY MAKING AN ABSTRACT STATEMENT

Answer 82

CONSTRUCTIVISM

Question 83

PROUN 99 BY EL LISSITZKY RISSING, FALLING, FLYING AND FOLK MOTIVES BY LAJOS KASSAK

Answer 83

CONSTRUCTIVISM

Question 84

BREAK ART DOWN TO ITS BARE BONES, OFTEN EMPLOYING BASIC SHAPES, SUCH AS SQUARES TRIANGLES, AND PRIMARY AND NEUTRAL COLORS

Answer 84

SUPREMATISM

Question 85

FOUNDER OF SUPREMATISM

Answer 85

KAZIMIR MALEVICH

Question 86

SUPREMATIST COMPOSITION SPORTSMEN

Answer 86

SUPREMATISM

Question 87

ADEQUATELY SUMS UP THIS MOVEMENT'S AIM WHILE ALSO CHARACTERIZING THEIR INTENTIONS ON HOW TO ACHIEVE THAT AIM, WITH A SIMPLE, DIRECT APPROACH ABSTRACT ARTIST WHO PROMOTED A STYLE OF ART BASED ON A STRICT GEOMETRY HORIZONTAL AND VERTICAL

Answer 87

DE STIJL (THE STYLE)

Question 88

LARGE RED PLANE, YELLOW BLACK GRAY AND BLUE VICTORY BOOGIE WOOGIE BY PIET MONDRIAN

Answer 88

DE STIJL

Question 89

ITS GOAL IF NOT TO HAVE ART TO BE AN END IN ITSELF BUT TO BE AN OPPURTUNITY FOR THE TRU PERCEPTION AND CRITICISM OF TIMES WE LIVE IN

Answer 89

DADA/DADAISM

Question 90

GLASS TEARS BY MAN RAY

Answer 90

DADAISM

Question 91

WORKS MADE BETWEEN 1970 ND PRESENT

Answer 91

CONTEMPORARY ART

Question 92

IMAGERY FROM POPULAR AND MASS CULTURE SUCH AS COMIC BOOKS AND MUNDANCE MASS PRODUCED OBJECT

Answer 92

POP ART

Question 93

ATTENTION IN DETAIL IS AIMED, WITHOUT ASSERTING AN ARTIST PERSONAL STYLE.

Answer 93

PHOTOREALISM

Question 94

STRAWBERRY TART SUPREME BY AUDREY FLACL\K MCDONALD'S PICKUP BY RALPH GOINGS

Answer 94

PHOTOREALISM

Question 95

THE IDEA IS THE MOST IMPORTANT ASPECT OF THE WORK.

Answer 95

CONCEPTUALISM

Question 96

AWAY FROM THE FLOCK BY DAMIEN HIRST ONE AND TREE CHAIRS BY JOSEPH KASUTH

Answer 96

CONCEPTUALISM

Question 97

BEGAN IN 1960S, ENTERTAINING AUDIENCE,SPONTANEOUS AND DONE LIVE OR RECORDED

Answer 97

PERFORMANCE ART

Question 98

IMMERSIVE WORK WHERE THE ENVIRONMENT OR THE SPACE IN WHICH THE VIEWER STEPS INTO OR INTERACTS

Answer 98

INSTALLATION ART

Question 99

SPIN OFF OF INSTALLATION ART, WHEN THE NATURAL ENVIRONMENT OR SPECIFIC SITE INTO OR SPACE

Answer 99

EARTH ART

Question 100

INCLUDES MURALS STENCILED IMAGES STICKERS AND INSTALLATIONS OR SCULPTURE USUALLY OUT OF COMMON OBJECTS AND TECHNIQUES

Answer 100

STREET ART