Midterm Flashcards

1
Q

Abbey Theatre:

A
  • also known as the National Theatre of Ireland first opened its doors to the public in 1904.
  • performances played to a mainly working-class audience rather than the usual middle-class
  • The Abbey was the first state-subsidized theatre in the English-speaking world; from 1925 onwards it received an annual subsidy from the Irish Free State.
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2
Q

Beaumarchais:

A
  • experimented in writing short farces for private audiences, but he now had ambitions to write for the theatre
  • plays are indicative of the change in social attitudes before, during, and after the French Revolution
  • dramatic and comedic style
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3
Q

Georg Buchner (1813-1837):

A
  • Wrote Woyzeck
  • German Novelist and Playwright
  • considered part of the Sturn and Drang Movement
  • died with two unfinished plays (one was Woyzeck)
  • remained in manuscript until 1870’s but likely known to other authors
  • not performed until 1913
  • all version require someone to “finish” the play
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4
Q

Anton Chekov (1860-1904):

A
  • Russian
    - grandson of serfs
    - Doctor and Writer
  • jokes and short stories
    - major bread winner for family
  • became a doctor to support himself
  • closely tied to Moscow Art Theatre
  • players where “nothing happens”
  • very aware of social change
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5
Q

Covent Garden:

A
  • an opera house and major performing arts venue in Covent Garden, central London.
  • The large building is often referred to as simply “Covent Garden”, after a previous use of the site of the opera house’s original construction in 1732.
  • It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House.
  • Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history.
    In 1734, the first ballet was presented.
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6
Q

Hannah Cowley:

A
  • wrote Belle’s Stratagem
  • well respected
  • comedic
  • 1780 had trouble getting the show up
  • equal following of men and women
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7
Q

Diorama:

A

a model representing a scene with three-dimensional figures, either in miniature or as a large-scale museum exhibit.

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8
Q

Domestic Tragedy:

A
  • little “high” tragedy; middle class replaces Kings and Queens
  • In English drama, a domestic tragedy is a tragedy in which the tragic protagonists are ordinary middle-class or lower-class individuals.
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9
Q

Drury Lane Theatre:

A

?!?!?!

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10
Q

William Dunlap:

A
  • one of the forefathers of American Theatre
  • Wrote Andre in 1798
  • first political tragedy
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11
Q

Expressionism 1900-1930:

A
  • artistic movement of the early 20th century intended to show reality from individual (subjective) points of view
  • truth lies in humanities spiritual qualities not external appearances
  • like a dream-nightmare reality
  • modern social and political conditions mechanize and distort the human spirit
    Represented by:
    • mechanical movements and speech
    • episodic, sometimes, disconnected action
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12
Q

Forestage:

A
  • the part of a stage in front of the proscenium or the closed curtain, as the apron or an extension of the apron
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13
Q

David Garrick (1717-1779):

A
  • most famous actor of the age
  • manager of the Drury Lane for nearly 30 years
  • skilled in both comedy and tragedy
  • staged the “Shakespeare Jubilee” in 1769
  • respected as writer/manager; loved as an actor
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14
Q

Johann Wolfgang von Goethe:

A
  • gained him enormous fame as a writer in the Sturm und Drang period which marked the early phase of Romanticism
  • German writer
  • the novel The Sorrows of Young Werther, book is often considered to be the “spark” which ignited the movement, and can arguably be called the world’s first “best-seller”
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15
Q

Hamburg National Theatre:

A
  • wanted to be a native and German National Theatre
  • set up actor training program
  • subsidized by the state
  • wanted to stop imitations of French Writers
  • contemporary German setting based on classical stories
  • 1st ever Dramaturg
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16
Q

Hanswurst:

A
  • a popular coarse-comic figure of German-speaking impromptu comedy.
  • He is “a half doltish half cunning partly stupid partly knowing enterprising and cowardly self indulgent and merry fellow who in accordance with circumstances accentuated one or other of these characteristics.
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17
Q

The Independent Theatre Movement:

A
  • non commercial (little theatre)
  • players were very exclusive so it was membership-based
  • no censorship; although there were censorship laws
  • founded by Jacob Grein
  • produced modern/realist plays
  • allowed authors to experiment
  • lasted 5 years
  • first show was Ibsens Ghost
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18
Q

Samuel Johnson:

A
  • wrote the first dictionary (1755)
  • the first dramatic critic
  • Wrote the prefaces to Shakespeare in 1765
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19
Q

Edmund Kean:

A
  • 1814-1833 on stage
  • “To see him act is like reading Shakespeare by flashes of lightning”
  • emotional performance
  • known alcoholic
  • major influence on the gyrations that followed
  • represented the break from company system to a star system
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20
Q

John Phillip Kemble

A
  • 1783-1817 onstage
  • tragic characters with gravitas (very poised performance)
  • broth of Sarah Siddons (another amazing actress during their time)
21
Q

Gotthold Lessing

A
  • German writer
  • philosopher, dramatist, publicist and art critic
  • Enlightenment era
22
Q

Licensing Act of 1737:

A
  • was a landmark act of censorship of the British stage and one of the determining factors in the development of Augustan drama
  • Lord Chamberlain had the power to approve any play before it was staged
  • only two legitimate Theaters:
  • Drury Lane
  • Coven Garden
23
Q

Melodrama 1810-1910:

A
  • played telling sensational stories of exaggerated characters in a thrilling style
  • takes its name from “melody drama”
  • first unsecured plays
  • music use to heighten emotion
    Main Elements:
    • hero/heroine pursued by a villain and rescued after many dangers
    • elaborate spectacles: floods, battles, volcanoes, earthquakes
    • disguise and abduction were popular tropes
    • coincidence also
    • historical accuracy
    • accuracy about daily life
    • included technological innovations (trains, cameras etc.)
      incorporated music through all area of the show
24
Q

Minstrel Show:

A
  • show consisted of comic skits, variety acts, dancing, and music, performed by white people in make-up or blackface for the purpose of playing the role of black people.
25
Q

Moscow Art Theatre:

A
  • Started by Stanislavski and Vladimir
  • Aim was to create a home for naturalism
    to challenge melodrama’s dominance of theatre in Russia
26
Q

Vladimir Neimirovish-Danchenko:

A
  • co founder of the Moscow art theatre along with Anton Chekov
27
Q

Naturalism:

A
  • a movement seeking to imitate almost scientifically realistic through plot and character
  • power of outside forces to determine human action
  • heredity and environment determine who were are, not free will
  • “slice of life” theatre
  • “cast study” plays
  • creating entire story on the works of people around them
    Stanislavsky loved this theatre
28
Q

Alexander Ostrovsky:

A
  • a Russian playwright, generally considered the greatest representative of the Russian realistic period.
  • The author of 47 original plays, Ostrovsky “almost single-handedly created a Russian national repertoire.”
  • His dramas are among the most widely read and frequently performed stage pieces in Russia.
29
Q

Provincetown Players:

A
  • Massachusetts/NYC
  • George Cram “Jig” cos
  • Susan Glaspell
    Philosophy:
    • amateur work: New writers/actors
    • brought innovation
      Audience: young audience
    • impacted was the little Theatre Movement
    • Boosted O’Neill fame
    • speaks on American issues for the first time
30
Q

Rationalism:

A
  • Restoration comedy, an aristocratic and seemingly amoral form of theatre, declined, at least in part because of the rise of a conservative Protestant (Puritan) middle class.
  • Rationalism (The Age of Reason), faith in reason, began to take over from faith in God – Rationalism begins to lead away from the strict rules of Neoclassicism. This comes from a faith in man.
31
Q

Henrik Ibsen 1828-1906:

A
  • Norwegian
  • poet and playwright father of realism
  • really verse plays
  • Social Issues Prose (Realistic) Plays
    late (Symbolic) Prose plays
  • takes on contemporary issues in middle of the career
    Ibsen was the Bernie of his time
  • could have influenced Hitler (3rd Richt)
  • Wrote Dolls House
32
Q

Realism:

A
  • a movement emphasizing ploys and character that imitate - selected traits of the language and appearance of everyday life
  • power of the individual to shape their fate
  • human will
  • 4th wall is huge
33
Q

Romanticism:

A
  • inner experience is most important
    • playwrights wrote “closet dramas”
    • not meant to be produced
  • takes out perspective of characters inner life
  • not much great romantic theatre
  • but Romantic ideas found their way into the popular theatre of the time
34
Q

Friedrich Schiller:

A
  • a German poet, philosopher, physician, historian, and playwright.
  • Weimar Classicism
  • friendship with the already famous and influential Johann Wolfgang von Goethe.
  • They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches.
35
Q

Sentimental Comedy:

A
  • “a pleasure too exquisite for laughter”

- Strong moral conclusion

36
Q

George Bernard Shaw:

A
  • known at his insistence simply as Bernard Shaw
  • an Irish playwright, critic and polemicist
  • influenced western theatre
  • both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation
37
Q

Showboats:

A
  • 1830’s: traveled the Mississippi on boats
  • a showboat was basically a barge that resembled a long, flat-roofed house, and in order to move down the river, it was pushed by a small towboat, also known as a pusher, which was attached to it
38
Q

Sara Siddons:

A
  • 1774-1812 on stage
  • best actress of her time
  • less gravitas, more passion in her work
  • almost 6’ tall
  • was most famous for her portrayal of the Shakespearean character, Lady Macbeth
39
Q

Konstantin Stanislavsky (186-1938):

A

Acting System:

  • emotional Memory
  • the magic “IF”
  • tables work: Units, Actions, Beats
  • Physical action that displays psychology
40
Q

August Strindberg:

A
  • Swedish
  • Dream Play
  • Dance of Death
  • prolific writer who often drew directly on his personal experience
  • during which time he wrote over 60 plays
  • A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques.
41
Q

Sturm and Drang (Storm and Stress):

A
  • Weimer Classicism
  • plays that broke rules
  • risky subjects
  • poetic and episodic
  • not meant to be performed
  • naturalistic
42
Q

Symbolism:

A
  • represents self and something else
  • artistic movement in the 1890’s that rejected Realism in favor of non-realistic stories and forms
  • truth is bigger than the observable world
  • truth can only be evoked not represented
  • symbols, legends, myths, moods
  • drama that evokes the mystery and emotion of existence
    if not written in verse it was heightened language
  • atmospheric staging
  • almost religious experience
43
Q

Sophie Treadwell 1885-1970:

A
  • of Scottish and Mexican Descent
  • journalist and playwright
  • suffragist
  • pursued commercial success
  • best known for her play Machinal which is often included in drama anthologies as an example of a expressionist or modernist play.
44
Q

Royal Tyler:

A
  • one of the forefathers of American Theatre
  • wrote The Contrast in 1787
    • first American Comedy with a Yankee
45
Q

Weimar Classicism:

A

1788-1805
- plays follow classical structure
- portray both contemporary and historical material in a highly emotional structure
- drama should transform everyday human experience into - something poetic and sublime - it should not try to create and illusion of real life
Two Main Playwrights
- John Wolfgang Von Goethe
- Friedrich Schiller

46
Q

Well Made Play:

A
  • Eugene Scribe: “A Glass of Water” 1840
  • careful exposition
  • cause to effect arrangement of incidents
  • building scenes to a climax
  • skillful withholding of information
  • startling reversals
47
Q

Oscar Wilde (1854-1900):

A
  • Irish Born
  • poet and novelist before writing his first play
  • melodrama mixed with satire on society
  • themes of identity and double lives
  • he was a gay man
  • too scandalous to be read
48
Q

Young Germany Movement:

A
  • 1830-1850
  • disalussioned Romantic Youth
  • a push against the status quo of failed revolution
  • a countries theatre should reflect culture