Midterm Flashcards

(75 cards)

1
Q

content

A

Subject matter and underlying meanings or themes - the “what”

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2
Q

form (formal properties)

A

The visual elements and the medium - the “how”

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3
Q

style

A

Characteristic methods of expression - the “what” + the “how” + the time period

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4
Q

fete galante

A

A type of painting depicting French aristocrats entertaining themselves outdoors. I.e. The Swing by Jean-Honore Fragonard

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5
Q

Rococo characteristics (form)

A
  • Patel colors
  • curvilinear, organic (shapes that come from nature)
  • swirls and she’ll forms in decorative arts
  • intimate scale painting (small scale)
  • soft, feathery, loose brushstrokes
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6
Q

Rococo content

A
  • erotic, lighthearted subject matter

- mythological subject matter

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7
Q

Hierarchy of genres

A
  1. History painting (story painting)
  2. Portraiture
  3. Genre painting
  4. Landscape
  5. Still life
    * Fete galante falls in between genre painting and landscape
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8
Q

The swing

A
  1. Title: The Swing
  2. Artist: Jean-Honore Fragonard
  3. “Style”/category: Rococo
  4. Medium: Oil on canvas
  5. Date range: 1767, mid 1700’s
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9
Q

Academy

A

An institution that trained artists in a traditional style of drawing and painting with a focus on anatomy and drawing from live models

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10
Q

Salon

A

Annual exhibition of academic paintings

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11
Q

History painting

A

Large scale painting depicting a mythological scene, biblical scene or historical event

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12
Q

Oath of the Horatii

A
  1. Title: Oath of the Horatii
  2. Artist: Jacques-Louis David
  3. Style: Neoclassical
  4. Medium: oil on canvas
  5. Date range: late 1700’s
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13
Q

Neoclassicism content

A

Liberty, civic virtue, morality and sacrifice

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14
Q

Neoclassicism form

A
  • emphasis on drawing (design or disegno)
  • symmetry and balance
  • classical proportions, idealization
  • linear perspective
  • Meticulous handling of paint (artist trying to hide brushstrokes)
  • high chroma (intense colors)
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15
Q

Neoclassicism context

A

Pompeii and Herculaneum

  • renewed interest in antiquity unearthed Greek and Roman works of art
  • grand tour
  • French revolution: downfall of absolute monarchies and declining power of the church
  • re-establishment of republics and democracies
  • enlightenment + antiquity = “double dose” of rationality and logic
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16
Q

Orientalism

A

In art, stereotypical/fictional depictions of Eastern cultures by Western artists that help justify Western domination over the “Orient”

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17
Q

Grand Odalisque

A
Title: Grand Odalisque
Artist: J.A.D. Ingres
Style: Orientalism
Medium: Oil on canvas
Date range: 1814
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18
Q

Neoclassicism in Napoleonic France

A
  • 1789 French revolution
  • 1804 Napoleon crowned emperor
  • recalled grandeur of the Great Roman Empire
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19
Q

Orientalism context and content

A
  • Edward Said, “as a Western style of dominating, restructuring, and having authority over the orient”
  • sensuality, mystery, cruelty
  • Voyeurism
  • absence of the westerner
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20
Q

Third of May, 1808

A
Title: Third of May, 1808
Artist: Francisco Goya
Style: Romanticism
Medium: Oil on canvas
Date range: 1814
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21
Q

Romanticism

A
  • Expressed personal melancholy emotions
  • Rejected reason (reaction against the enlightenment)
  • The revolutionary in politics
  • antihero
  • contemporary events
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22
Q

P in PINE

A
  • Past, longing for the medieval past
  • Pre-industrial
  • Shakespeare and Dante
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23
Q

I in PINE

A
  • Irrational/Inner mind/Insanity

- Depicts the human psyche and topics that transcend the use of reason

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24
Q

N in PINE

A
  • Nature-longing for the purity of nature, which defies human rationality
  • The Sublime-overwhelming emotion that makes you feel as if you are nothing compared to the world around you
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25
E in PINE
Emotion/Exotic-favored emotion and passion over reason | -Exotic themes and locales did not adhere to European emphasis on rationality (Orientalism)
26
Spanish Romanticism
Francisco Goya - Drama,action color - rejects Academic painting (loose brushstrokes) - revolutionary in politics
27
avant-garde
an innovative group of artists who generally reject traditional approaches in favor of a more experimental techniques
28
Raft of the Medusa
``` Title: Raft of the Medusa Artist: Theodore Gericault Style: Romanticism Medium: Oil on canvas Date Range: 1818-1819, early 1800's ```
29
Liberty Leading the People
``` Title: Liberty Leading the People Artist: Eugene Delacroix Style: Romanticism Medium: Oil on canvas Date Range: 1830, early 1800's ```
30
School
a group of artists who share the same philosophy, work around the same time, but not necessarily together.
31
The sublime
Any cathartic experience that cause the viewer to marvel in awe, wonder, or passion
32
The Slave Ship
``` Title: The Slave Ship Artist: JMW Turner Style: Romanticism Medium: Oil on canvas Date Range: 1840, early 1800's ```
33
Why is Goya's Third of May, 1808 considered modern art?
He is depicting a contemporary event
34
Raft of the Medusa info.
- Shipwrecked vessel, Medusa, off Africa coast in 1816 - Raft with 150 people for two weeks- only 15 survived - Rescued by Argus - Depiction of the anti-hero-person of color is the hero - an "X" and triangles in the composition - shown at the salon for everyone to see
35
Liberty Leading the People info
- July revolution of 1830 - Charles X tried to abolish freedom of press - Shows people trying to capture town hall - Church of Notre Dame in the background, similar to Third of May, 1808 (convent in the background) - anti-hero - triangle in the composition - Depiction of nature is the people rushing forward
36
Still Life in Studio
``` Title: Still Life in Studio Artist: Louis-Jacques-Mande Daguerre Style: Modernist Art Medium: Daguerreotype Date Range: 1837 ```
37
Luncheon on the Grass
``` Title: Luncheon on the Grass Artist: Edouard Manet Style: Realism Medium: Oil on Canvas Date Range: 1863 ```
38
Romantic landscape painting
- independent and respected genre in Germany, England, and the U.S. - the sublime in nature - Hudson River School in the U.S.
39
How is daguerreotype similar to painting?
There is only one of its kind
40
Characteristics of Modernist Art
- Depict ideas and images of their time - critical reflection on art and aesthetics - open acknowledgement of the illusions and artifices of art - increasing independence from official exhibitions like the salon - from around the 1860's onward
41
Plein-air
painting in the outdoors to directly capture the effects of light and atmosphere on a given object
42
Burial at Ornans
``` Title: Burial at Ornans Artist: Gustave Courbet Style: Realism Medium: Oil on canvas Date range: 1849 ```
43
Characteristics of Realism
- disenchantment with Romanticism - creating art for art's sake (for fun) - critical of new industrial way of life and greed of the wealthy - sympathy for the working class - desire to depict a truthful vision of modern life - influence of photography
44
Influence of photography on realism
Artists begin to use more color and texture to compete with photography (b&w, flat)
45
Burial at Ornans info
- Ornans is Courbet's hometown - the painting depicts an ordinary scene on a large canvas. The Academy was angry with Courbet because large canvases are reserved for epic paintings - Hole at the bottom of the painting makes the viewer part of the painting - composition-wave of people
46
Salon de Refuse
- in 1863, the Salon rejected many works of art | - alternate salon created for rejected works of art to be showcased
47
Luncheon on the Grass Subject Matter
- depicts a nude woman - the painting is controversial because the woman is a prostitute and does not have the ideal body type to be depicted nude - syphilis was going around at the time - woman is looking straight at the viewer confidently
48
Luncheon on the Grass formal properties
- loose brushstrokes - flat background - characters not painted to scale
49
Impasto
thick applications of pigment that give a painting a palpable surface texture
50
Impression:Sunrise
``` Title: Impression: Sunrise Artist: Claude Monet Style: Impressionism Medium: Oil on canvas Date range: 1872 ```
51
Impressionism's key ideas
- brushstrokes seek to capture the dappling effects of light across a given surface - interest in the transient, the quick and the fleeting - shadows contain color - times of day and seasons of the year affect appearance of objects - subtle harmonies and stark contrasts of brilliant hues - artists moved studios outdoor (invention of the aluminum tube) - influence of photography
52
Japonisme
- French interest in Japan and its arts was greatest in 1872 and coined "Japonisme" - interest in Japanese prints - simplicity - flatness (woodblock prints, broad areas of flat color) - decorative elements
53
Le Moulin de la Galette
``` Title: Le Moulin de la Galette Artist: Pierre-August Renoir Style: Impressionism Medium: Oil on canvas Date range: 1876 ```
54
A Sunday on La Grande Jatte
``` Title: A Sunday on la Grande Jatte Artist: Georges Seurat Style: Post-impressionism Medium: Oil on canvas Date range: 1884-1886 ```
55
Day of the Gods
``` Title: Day of the Gods Artist: Paul Gauguin Style: Post-impressionism Medium: Oil on canvas Date range: 1894 ```
56
Basket of Apples
``` Title: Basket of Apples Artist: Paul Cezanne Style: Post-impressionism Medium: Oil on canvas Date range: 1895 ```
57
Post-impressionism
-interest in light and color -thick paint -leisure subjects influence of Japosnisme and photography -reacted against what they saw as the ephemeral quality of impressionist painting, not interested in fleeting sensations of light and color -preserve traditional picture making elements -more distance (psychological) between subject and viewer
58
Primitivism
the incorporation in early 20th c. western art of the stylistic elements from the artifacts of Africa, Oceania, and the indigenous people of the Americas
59
Woman in the Hat
``` Title: Woman in the Hat Artist: Henri Matisse Style: Fauvism Medium: Oil on canvas Date range: 1905 ```
60
Improvisation 28
``` Title: Improvisation 28 Artist: Wassily Kandinsky Style: German Expressionism Medium: Oil on canvas Date range: 1912 ```
61
Les Demoiselles d'Avignon
``` Title: Les Demoiselles d'Avignon Artist: Pablo Picasso Style: Cubism Medium: Oil on canvas Date range: 1907 ```
62
Fauvism
- Les fauves=the beasts - strong contrasting colors - spontaneous and rough - inspired by post-impressionists Van Gogh and Paul Gauguin
63
German Expressionism
- anti-impressionists - looking within themselves to get ideas, painting from their own emotions - emphasis on subjective emotions - symbolic color and exaggerated imagery
64
Cubism
- led by Pablo Picasso and Georges Braque - cubists sought a new approach to space - African and Iberian indigenous art (primitivism)
65
Characteristics of cubism
- fragmented forms - depiction of multiple angles at once - simplified direction of objects - challenges viewers idea of reality and perception
66
Analytical cubism
- first phase of cubism - analyzed form from every possible vantage point - combined points into one picture
67
Synthetic cubism
- later phase - paintings and drawings constructed from objects and shapes cute from paper and other materials - breaking away from traditional oil on canvas
68
ready-made
a commonplace utilitarian object selected and exhibited as a work of art
69
Fountain
``` Title: Fountain Artist: Marcel Duchamp Style: Dada Medium: Readymade Date range: 1917 ```
70
Dada
- "Dada"=hobby horse. nonsensical - direct reaction to WWI - defied all of the past traditions (academic painting, oil on canvas) - showed their distrust of the modern world - anarchy
71
Characteristics of Dada
- sense of humor and satire - ideas about randomness and chance - innovative materials such as found in objects, photography and sound - new techniques such as collage, photomontage, and assemblage (sculpture)
72
The Armory Show
- international exhibition of modern art - cubism, German Expressionism - introduce America to current trends in European art - "cousins to anarchist" - "alien threat"
73
The Persistence of Time
``` Title: The Persistence of Time Artist: Salvador Dali Style: Surrealism Medium: Oil on canvas Date range: 1931 ```
74
Surrealism
-influenced by Dada -Sigmund Freud-Interpretation of Dreams (1900) -world of dreams and subconscious thought reaction of WWI
75
Characteristics of Surrealism
- realistic style and dreamlike imagery - strange juxtapositions - use of automatism to tap into subconscious (without automatically without thinking) - provocative, often erotic imagery - puzzles, challenges, fascinates