Midterm Flashcards

(103 cards)

1
Q

“My hole is warm and full of light. Yes, full of light. I doubt if there is a brighter spot in all New York than this hole of mine, and I do not exclude Broadway. Or the Empire State Building on a photographer’s dream night… I now can see the darkness of lightness. And I love light. Perhaps you’ll think it strange that an invisible man should need light, desire light, love light. But maybe it is exactly because I am invisible. Light confirms my reality, gives birth to my form… Without light, I am not only invisible, but formless as well, and to be unaware of one’s form is to live a death. I myself, after existing some twenty years, did not become alive until I discovered my invisibility.”

A

Ralph Ellison

Whiteness/blackness makes the narrator feel alive. He believes that if his room is full of light, then his shadow will stand out in the room, making him actually visible instead of invisible. Right now, he is not ready to go outside because he doesn’t know what to do or how to contribute to his world; he feels like a ghost or a shadow outside.

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2
Q

“…‘You should have hated him,’ I said. ‘That’s why I’m here.’ ‘What’s that?’ ‘Nothing, a word that doesn’t explain it. Why do you mean?’ ‘I mean this way ‘cause he’s dead,’ she said. ‘Then tell me, who is that laughing upstairs?’ ‘ Them’s my sons. They glad.’ ‘Yes, I can understand that too,’ I said. ‘I laughs too, but I means too. He promised to set us free but he never could have bring himself to do it. Still I loved him…’ ‘Loved him? You mean…?’ ‘Oh, yes, but I loved something else even more.’ ‘What more?’ ‘Freedom.’”

A

Ralph Ellison

The narrator has a dream about a preacher and about a woman who talks about how much she loves a man who had impregnated her, but hates him for not letting her out free. She values her freedom more than she values him.

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3
Q

“Son, after I’m gone I want you to keep up the good fight. I never told you, but our life is a war and I have been a traitor all my born days, a spy in the enemy’s country ever since I give up my gun back in the Reconstruction. Live with your head in the lion’s mouth. I want you to overcome ‘em with yeses, undermine ‘em with grins, agree ‘em to death and destruction, let ‘em swoller you till they vomit or bust wide open.”

A

Ralph Ellison

The narrator’s grandfather tells him to stay humble and to say yes to everything, but then contradicts himself by saying that doing so will make the narrator a “traitor.” This confuses the narrator because he doesn’t know how to follow his grandfather’s advice/live up to his grandfather’s standards. However, the reader knows that his grandfather is telling him that, because he is an invisible man, standing up for himself would not do any good, because he will never be acknowledged.

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4
Q

“I am standing puzzled, unable to decide whether the veil is really being lifted, or lowered more firmly in place; whether I am witnessing a revelation or a more efficient blinding.”

A

Ralph Ellison

The narrator wonders if the college is actually trying to educate black people, or if it is trying to drive them away/oppress them (like they did with the narrator).

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5
Q

“He cleared his throat, his eyes gleaming and his voice taking on a deep, incantatory quality, as though he had told the story many, many times.”

A

Ralph Ellison

Trueblood knows how to tell the story because he has told it many times. He also represents the racial stereotype about black men and their sexuality.

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6
Q

“Finally, one night, way early in the mornin’, I looks up and sees the stars and I starts singin’. I don’t mean to, I didn’t think ‘bout it, just start singin’. I don’t know what it was, some kinda church song, I guess. All I know is I ends up singin’ the blues. I sings me some blues that night ain’t never been sang before, and while I’m singin’ them blues I makes up my mind that I ain’t nobody but myself and ain’t nothin’ I can do but let whatever is gonna happen, happen. I made up my mind that I was goin’ back home and face Kate; yeah, and face Mary Lou too.”

A

Ralph Ellison

Trueblood starts singing the blues, a call back to Langston Hughes and his poems about blues. The blues are a way for the self to better cope with their lives. This is what Trueblood is doing; he knows what he did is wrong, but he believes that singing the blues will bring him peace, even though the song will not ever change the circumstances and consequences in his household.

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7
Q

“He believes in you as he believes in the vet of his heart. He believes in that great false wisdom taught slaves and pragmatists alike, that white is right.”

A

Ralph Ellison

The vet confirms the invisible man’s invisibility and also adds that they are told the white man is always right; pragmatists will try to play into it so they can get what they want.

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8
Q

“To some, you are the great white father, to others the lyncher of souls, but for all, you are confusion come even into the Golden Day.”

A

Ralph Ellison

The vet tells Mr. Norton that to some, he will always be looked up to, and to others, he will always be seen as a lyncher, but to everyone, he will always be a confusion.

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9
Q

“Here within this quiet greenness I possessed the only identity I had ever known, and I was losing it.”

A

Ralph Ellison

The narrator drives Mr. Norton back to the campus after their events with Trueblood and the Golden Day. He thinks about his identity at the college, knowing that soon enough he will not be a student there anymore and will have to seek his own identity in the outside world.

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10
Q

“Ha! Susie Gresham, Mother Gresham, guardian of the hot young women on the puritan benches who couldn’t see your Jordan’s water for their private steam…”

A

Ralph Ellison

Ms. Gresham is a quiet yet powerful, maternal presence in the audience, a woman who has her own true identity and true form, and the narrator feels as if he failed her with his mistakes from that day’s earlier events with Mr. Norton. She has connections back to slavery, has gone through it and through the Reconstruction era and therefore has a lot of strength, and it’s because of this that the narrator feels he has failed her.

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11
Q

“Around me the students move with faces frozen in solemn masks, and I seem to hear already the voices mechanically raised in the songs the visitors loved… And here, sitting rigid, I remember the evenings spent before the sweeping platform in awe and in pleasure, and in the pleasure of awe; remember the short formal sermons in-toned from the pulpit there, rendered in smooth articulate tones, with calm assurance purged of that wild emotion of the crude preachers most of us knew in our home towns and of whom we were deeply ashamed, these logical appeals which reached us more like the thrust of a firm and formal design requiring nothing more than the lucidity of uncluttered periods, the lulling movement of multi-syllable words to thrill and console us…”

A

Ralph Ellison

The chapel has formed the students into acting a certain way, giving them identities that they cannot question no longer, and the narrator feels out of place there, because he doesn’t believe that the form they have–the “frozen masks” they wear–do not fit his overall identity.

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12
Q

“‘He said that I believed that white was right,’ I said. ‘What?’ Suddenly, his voice twitched and cracked like the surface of dark water. ‘And you do, don’t you?’”

A

Ralph Ellison

Dr. Bledsoe is a pragmatist

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13
Q

“‘So, you go ahead, go tell your story; match your truth against my truth, because what I’ve said is truth, the broader truth. Test it, try it out…”

A

Ralph Ellison

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14
Q

“‘I’ve got something good for you,’ he said, placing a glass of water before me. ‘How about the special?’ ‘What’s the special?’ ‘Pork chops, grits, one egg, hot biscuits, and coffee!’ He leaned over the counter that seemed to say, There, that ought to excite you, boy. Could everyone see that I was southern? ‘I’ll have orange juice, toast, and coffee,’ I said coldly. He shook his head. ‘You fooled me,’ he said, slamming two pieces of bread into the toaster. ‘I would have sworn you were a pork chop man.’”

A

Ralph Ellison

The narrator gets offended because the waiter tries to perceive his identity as a man who gets traditional Southern breakfast; the narrator wants to hold onto a certain identity that is completely different from that.

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15
Q

“I walked along, munching the yam, just as suddenly overcome by an intense feeling of freedom—simply because I was eating while walking along the street. It was exhilarating. I no longer had to worry about who saw me or about who was proper. To hell with all that, and as sweet as the yam actually was, it became like nectar with the thought… Why, you could cause us the greatest humiliation simply by confronting us with something we liked.”

A

Ralph Ellison

The narrator is finally starting to embrace his identity by enjoying the yams. Other people tell him he should be ashamed to eat the street vendor yams, but he thinks they are delicious.

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16
Q

“If it’s Optic White, it’s the Right White.”

A

Ralph Ellison

Racial overtones - white supremacy

To turn it into a bright shade of white, the narrator has to put drops of black inside the paint

“You can’t have whiteness without blackness”: the white paint suggests white represents superiority/purity/proper color for an American

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17
Q

“My eyes fell upon a pair of crudely carved and polished bones, ‘knocking bones,’ used to accompany music at country dances, used in black-face minstrels…”

A

Ralph Ellison

Lists objects that were thrown out of the evicted couple’s home:
Straightening comb, a curling iron, pots and pots of green plants, etc.

All these objects had a connection back to slavery

He still gets reminders of the fact that he’s coming out of slavery, no matter how far he is now from his home

They make him think of his family and of their struggles with slavery

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18
Q

“Why were they causing me discomfort so far beyond their intrinsic meanings as objects? And why did I see them now, as beyond a veil that threatened to lift, stirred by the cold wind in the narrow street?”

A

Ralph Ellison

He realizes that they were also a part of slavery as he looks over these objects

Stream of consciousness that is pulling him back and rising a reaction out of him

He sees this couple’s whole life just by looking at these objects

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19
Q

“But to hell with this Booker T. Washington business. I would do the work but I would be no one but myself—whoever I was. I would pattern my life on that of the Founder.”

A

Ralph Ellison

The narrator is still trying to find his own form, but every time he tries, he can’t seem to get it to fit correctly with his identity

Contradicts himself in this quote

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20
Q

“Then near the door I saw something which I’d never noticed there before: the cast-iron figure of a very black, red-lipped and wide-mouthed Negro, whose white eyes stared up at me from the floor, his face an enormous grin, his single large black hand held palm up before his chest.”

A

Ralph Ellison

Represents the Sambo image

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21
Q

“I don’t think of it in terms of but two words, yes and no; but it signifies a heap more…”

A

Ralph Ellison

He tells the narrator his story:
Got caught in a chain gang

He eventually escaped the chain and kept a piece of the metal that he managed to break off; gives the metal to the narrator

Brother Tarp teaches the narrator how to say yes and how to say no. Not every situation will be fair, but the narrator needs to learn how to say them at the right times

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22
Q

“The train went on up the track out of sight, around one of the hills of burnt timber. Nick sat down on the bundle of canvas and bedding the baggage man had pitched out of the door of the baggage car. There was no town, nothing but the rails and the burned over country. The thirteen saloons that had lined the one street of Seney had not left a trace. The foundations of the Mansion House hotel stuck up above the ground. The stone was chipped and split by the fire. It was all that was left of the town of Seney. Even the surface had been burned off the ground.”

A

Ernest Hemingway

Everything is changed and burned off, and he’s looking around at the violent destruction

He’s stepping into a “waste land”

Something in him has changed as well

He’s trying to escape whatever he is dealing with, but only finds himself facing it dead-on

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23
Q

“Nick looked down into the pool from the bridge. It was a hot day. A kingfisher flew up the stream. It was a long time since Nick had looked into a stream and seen trout. They were very satisfactory. As the shadow of the kingfisher moved up the stream, a big trout shot upstream in a long angle, only his shadow marking the angle, then lost his shadow as he came through the surface of the water…”

A

Ernest Hemingway

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24
Q

“Nick’s heart tightened as the trout moved. He felt all the old feeling.”

A

Ernest Hemingway

The fish is trying to tighten its body, while Nick’s heart tightens

Looking for some type of model in the fish
The fish knows where his place in life is, while Nick is trying to figure out who he is, where his place in his life is

Contrast between fish and his memory
Fish: associated with positivity
Memory: may be associated with negativity

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25
“As he smoked, his legs stretched out in front of him, he noticed a grasshopper walk along the ground and up onto his woolen sock. The grasshopper was black. As he had walked along the road, climbing, he had started many grasshoppers from the dust. They were all black.”
Ernest Hemingway The grasshoppers were affected by the aftermath of the war as well; they were covered in soot from the fires and destruction. Correlates with Nick's PTSD and his emotional turmoil after the war ends.
26
"How many dawns, chill from his rippling rest / The seagull's wings shall dip and pivot him / Shedding white rings of tumult, building high / Over and chained bay waters Liberty / Then, with inviolate curve, forsake our eyes / As apparitional as sails that cross / Some page of figures to be filed away / --Till elevators drop us from our day"
Hart Crane Trying to capture the fast life speeding by Can allude to 21st century social media We’re cut off from other people because of it
27
“I think of cinemas, panoramic sleights / With multitudes bent toward some flashing scene / Never disclosed, but hastened to again / Foretold to other eyes on the same screen / And thee, across the harbor, silver-paced / As though the sun took step of thee, yet left / Some motion ever unspent in thy stride -- / Implicitly thy freedom staying thee!”
Hart Crane He enjoys the view of New York City when he suddenly sees, in the distance, the silhouette of a man getting ready to jump off the bridge
28
“He felt he had left everything behind, the need for thinking, the need to write, other needs. It was all back of him.”
Ernest Hemingway Not ready to start his life Writing would only bring back memories, which he is trying to escape from
29
“He was at his home when he made it.”
Ernest Hemingway He has finally found his home being in that little tent, out in nature, connecting with his life the way he has wanted to this whole time. He finally finds peace.
30
“There are plenty of people who have never accumulated a sufficient series of reflections… to perceive the relation between a drum and a street lamp…. They will always have a perfect justification for ignoring those lines and to claim them obscure, excessive, etc., until by some experience of their own the words accumulate the necessary connotations to complete their connection.”
Hart Crane
31
“As a poet, I may very possibly be more interested in the so-called illogical impingements of the connotations of words on the consciousness (and their combinations and interplay in metaphor on this basis) than I am interested in the preservation of their logically rigid significations at the cost of limiting my subject matter and perceptions involved in the poem.”
Hart Crane
32
“I am a Negro / Black as the night is black / Black as the depths of my Africa”
Langston Hughes Slavery and oppression is still going on in America. Shows that only colored people go through these experiences, not white people, and points out the wrongness of it all
33
“He played a few chords then he sang some more / I got the Weary Blues / And I can’t be satisfied / Got the Weary Blues / And can’t be satisfied / I ain’t happy no mo’ / and I wish that I have died”
Langston Hughes
34
“If I was a mule / I’d get a wagon to pull”
Langston Hughes This line breaks up the rhythm of the poem, going from a musical rhythm to a traditional poem.
35
“I’ve known rivers / I’ve known rivers ancient as the world older than the / Flow of human blood in human veins / My soul has grown deep like the rivers / … I heard the singing of the Mississippi when Abe Lincoln / went down to New Orleans…”
Langston Hughes
36
“A clean spittoon on the altar of the Lord / A clean bright spittoon all newly polished / At least I can offer that / -- Come here, boy!”
Langston Hughes
37
“Glory! Hallelujah! / De dawn’s a-coming! / A black old woman croons / In the amen corner of the / Ebecanezer Baptist Church / A black old woman croons / De dawn’s a-coming!”
Langston Hughes
38
“I ask you this / Which way to go?”
Langston Hughes
39
“I am your son, white man! / … You are my son! / Like hell!”
Langston Hughes
40
“I’m gonna walk to de graveyard / ‘Hind ma friend Miss Cora Lee / Gonna walk to de graveyard / ‘Hind ma dear friend Cora Lee / ‘Cause when I’m dead some / Body’ll have to walk behind me.”
Langston Hughes
41
“There are roads to take when you think of your country / and interested bring down the maps again / phoning the statistician, asking the dear friend…”
Muriel Rukeyser
42
“Found Indian fields, standing low cornstalks left / learned three Mohetons planted them, found-land / farmland! The planted home, discovered!”
Muriel Rukeyser
43
“Post office window, a hive of private boxes / the hand of the man who withdraws, the woman who reaches / her hand / and the tall coughing man stamping an envelope”
Muriel Rukeyser
44
“He shall not be diminished, never / I shall give my mouth to my son”
Muriel Rukeyser
45
“With a white man, nobody could have told which man was white / The dust had covered us both, and the dust was white”
Muriel Rukeyser
46
“… He took me out on a sled / And I was frightened. He said, Marie, / Marie, hold on tight. And down we went / In the mountains, there you feel free / I read, much of the night, and go south in the winter”
T.S. Eliot
47
“The Chair she sat in, like a burnished throne / Glowed on the marble where the glass / Held up by standards wrought with fruited vines / From which a golden Cupidon peeped out…”
T.S. Eliot
48
“‘My nerves are bad tonight. Yes, bad. Stay with me / Speak to me. Why do you never speak? Speak. What are you thinking of? What thinking? What? / I never know what you are thinking. Think.’ I think we are in rats’ alley / Where the dead men lost their bones”
T.S. Eliot
49
“Weialala leia / Wallala leialala / Trams and dusty trees / Highbury bore me. Richmond and Kew / Undid me. By Richmond I raised my knees / Supine on the floor of a narrow canoe”
T.S. Eliot
50
"Phlebas the Phoenician, a fortnight dead / Forgot the city of gulls, and the deep sea swell / And the profit and loss / A current under sea / Picked his bones in whispers. As he rose and fell / He passed the stages of his age and youth / Entering the whirlpool / Gentile or Jew / O you who turn the wheel and look to windward / Consider Phlebas, who was once handsome and tall as you”
T.S. Eliot
51
“Through the fence, between the curling flower spaces, I could see them hitting”
William Faulkner Benjy has an objective perspective and gives the narration through unfiltered views. He has a mental disability, which makes his family embarrassed of him, and they try to shun him for it as well. Faulkner appears to be trying to show his mental disability without being too straightforward and unrealistic.
52
“They getting ready to start, T.P said. You stand right here now while I get that box so we can see in the window. Here, les finish drinking this here sassprilluh. It make me feel like a squinch owl inside.”
William Faulkner Benjy and T.P., his caretaker, have been left outside of Caddy's wedding.
53
The mythical method
This is a term coined by T.S. Eliot. He defines it in his essay “Ulysses, Order, and Myth,” explaining that the mythical method looks back to the past to find meaning for what we lack in the present. By using the mythical method, readers interpret the meaning of his poetry by looking at both elements of the past that are intermingled with elements of the present: i.e., “The Burial of the Dead.”
54
The logic of metaphor
This term was coined by Hart Crane in a letter he wrote to Harriet Monroe. He states that he is more interested in connotations of poetic words than literal significations that could potentially limit the subject matter within the poem.
55
Stream of consciousness
This literary element appears in William Faulkner’s The Sound and the Fury. It is the unbroken flow of thoughts and perceptions in the conscious mind. In fiction, it is a mode of narration that attempts to represent the complete and continuous flow of a character’s mental processes, including memories, perceptions, half-conscious thoughts, and feelings. We see this in both Benjy’s and Quentin’s chapters.
56
Not Sappho, Sacco
This is a line taken from Muriel Rukeyser’s "Poem out of Childhood". Michael Davidson, another writer, states that this line explains “the salon culture of the 1920’s and 1930’s activism inaugurated by the Sacco-Vanzetti trial.”
57
Southern Exceptionalism
This term is associated with William Faulkner and his novel The Sound and the Fury. Michael Bibler defines southern exceptionalism as “the fantasy that the South is historically and culturally unique in the nation,” in which “paternalistic honor, good food, storytelling, and musical talent” lies.
58
Caddy Compson
This is a character in William Faulkner’s The Sound and the Fury. Faulkner describes her as “doomed and knew it; accepted the doom without either seeking it or feeling it.” She is the most important character of the story, as each chapter revolves around her specifically; her family had abandoned her for losing her virginity at a young age and rebelling against the lifestyle they tried to enforce upon her.
59
Kansas City Star Stylebook
Associated with Ernest Hemingway. It contained rules that Hemingway once credited as “best rules I ever learned for the business of writing.” Among these rules were 1. Use short sentences, 2. Use short first paragraphs, 3. Use vigorous English, 4. Be positive, not negative, and 5. Never use slang.
60
The objective correlative
The poet associated with this term is T.S. Eliot. It explains the correlation between poem/work of art and references that create a particular emotion or illusion. In T.S. Eliot’s poetry, the objects, references, etc. depicted give off the sense of nostalgia. For example, in his poem “The Burial of the Dead,” the narrator, Marie, thinks back to her early childhood days where she had more freedom.
61
The racial mountain
This is derived from Langston Hughes’ “The Negro Artist and the Racial Mountain.” In his essay, he describes a black gentleman who tells him he wants to be a poet, but not a “Negro poet.” Hughes urges us to embrace our race and be unafraid of pursuing our dreams, and argues that it is important for us to not think about artistic production in terms of race. The mountain is described as “this urge within the race toward whiteness” and “the desire to pour racial individuality into the mold of American standardization.”
62
Jim Trueblood
Jim Trueblood is a character from Ralph Ellison’s Invisible Man. We learn that Trueblood impregnated his own daughter. He represents a bad stereotype of black people, which fascinates Mr. Norton, who later gives him money for telling his story about how he raped his daughter. It is suggested that his representation makes Mr. Norton feel superior over him and other black people, simply because of the stereotype he exhibits.
63
What is the significance of Caddy Compson climbing onto the tree and peering into Damuddy's funeral?
Her underwear gets dirty, a symbol for her losing her virginity a few years later. Her family shuns her for her sexuality, afraid of how her image would make them appear. She is also being rebellious, not caring about what her parents would say to her for climbing that tree; perhaps she was starting to realize that she doesn't want to abide by her family's rules. While the boys want to climb that tree as well but are afraid to, Caddy takes the leap anyway.
64
“When the shadow of the sash appeared on the curtains it was between seven and eight o clock and I was in time again, hearing the watch.” Who said this, and what was the significance of it?
Quentin Compson (The Sound and the Fury by William Faulkner). The watch's ticking seems to be counting closer to his eventual death (he commits suicide). Quentin is upset that Caddy has lost her virginity, mainly because HE hasn't lost his own. The ironic part is that his father's advice about victory and hopelessness drives him to suicide.
65
“If you were not a damned fool you’d have seen that I’ve got them too tight for any half-baked Galahad of a brother your mother’s told me about your sort with your head swelled up come in oh come in dear Quentin and I were just getting acquainted talking about Harvard…” Who said this, and what was the significance of it?
Quentin Compson (The Sound and the Fury by William Faulkner). Galahad is the man who married Caddy, but is not the same person who impregnated her (Dalton Ames is the guy who impregnated her). Herbert picks up on the fact that Quentin thinks of himself as Caddy's knight.
66
“You’re meddling in my business again didn’t you get enough of that last summer”
William Faulkner Quentin tries to save a little Italian girl who has been lost. At one point, he remembers slapping Caddy after finding out she has had sex, and then he tries to outrun the little girl, only to find her there waiting for him. Could be symbolic for his not being able to escape his virginity.
67
What is the significance of mud in William Faulkner's The Sound and The Fury?
Mud represents sexuality. Caddy's underwear gets muddy, and Quentin smears mud on her out of jealousy, rolling in it to get some mud on himself so it could symbolize that he's had sex as well.
68
“It was me you thought I was in the house where that damn honeysuckle trying not to think the swing the cedars the secret surges the breathing locked drinking the wild breath the yes Yes Yes yes”
William Faulkner Quentin warns Caddy he'll tell their family they committed incest. In his eyes, that is his way of "protecting and saving her."
69
“Once a bitch always a bitch, what I say”
William Faulkner
70
How are family relationships and money depicted in Jason's chapter in William Faulkner's The Sound and the Fury?
Jason forces Caddy to give him money, forces his mother to burning the checks that Caddy sends her, and tricks Quentin (Caddy's daughter) into signing a money order by making her believe it only has ten dollars, so he can keep the money for himself.
71
“Blood, I says, governors and generals. It’s a dam good thing we never had any kings or presidents…”
William Faulkner “Kings or presidents”: Jason is saying that if his family were of higher power (or came from kings and presidents), they would be even crazier Goes back and forth between class: while he resents not having a better job, he also prides himself in being from a lower class He feels the world never gave him what he “deserves” (which makes him vindictive) He wants to strike out on his own, but he isn’t capable of doing that
72
“Well I can stand a lot; if I couldn’t dam if I wouldn’t be in a hell of a fix, so when they turned the corner I jumped down and followed… because of my mother’s good name. Like I say you ca’t do anything with a woman like that… the only thing you can do is to get rid of her, let her go on and live with her own sort.”
William Faulkner He convinces himself he just wants to “preserve” his family’s reputation While he says he cannot do anything about Miss Quentin because her promiscuity is in her blood, he doesn’t let her go Wants to put her in a box, have her be the ideal person that his family wants, like they tried to do with Caddy Uses his family name as an excuse to exercise control and power over Miss Quentin
73
"Like I say once a bitch, always a bitch. And just let me have twenty-four hours without any dam New York jew to advise me what it's going to do. I don't want to make a killing; save that to suck in the smart gamblers with. I just want an even chance to get my money back. And once I've done that they can bring all Beale street and all bedlam in here and two of them can sleep in my bed and another one can have my place at the table too."
In his last paragraph, Jason continues being vindictive and vows to get his money back Jason asserts that he is on his own even while evidencing his need for tradition. His reference to “his n****rs,” to his mother as a lady of quality, his treatment of his Bascomb uncle and everyone with whom he comes in contact… all suggest Jason’s conception of himself as an aristocrat…. Moreover, what Jason vocally repudiates is any personal need for traditional ties, but not the ties themselves. Ironically even his repudiation of the need is self-deceptive… He hates the South, his family, and tradition a good deal less than he thinks… Unlike his older brother Quentin, who searches for meaning in the tradition, Jason reveals a desperate struggle for a place in the tradition.
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What is the significance of the preacher in Faulkner's The Sound and the Fury?
There is a definite contrast between the way the preacher is described and his sermon. He is described as frail and funny-looking, while his sermon is described as strong and passionate. He talks about seeing the blood of the Lamb and also talks about Jesus and his resurrection.
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"I see the beginning and the end." Who says this and what does the character mean by it?
Dilsey (William Faulkner's The Sound and the Fury). She seems to suggest that there is hope for the Compson family to start over anew, much like Jesus and his resurrection
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What is the significance of Dilsey's appearance in Faulkner's The Sound and the Fury?
She is described as looking more frail and aged, but wears striking clothing (purple) that suggests power and royalty. While she has become older, she has definitely become wiser, and is also the leading character in the Compson family (she knows many of the family's secrets).
77
In Ellison's Invisible Man, what is the significance of the Sambo doll?
Represents racism. It's a caricature of a black man with crude lines and depicts bigotry. It also represents the Brotherhood, because they are the ones "controlling the doll," pulling the strings and controlling everything.
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After publishing Fine Clothes to the Jews, why did Langston Hughes receive negative feedback from the African American community?
Because they didn't approve of the way he portrayed them in his poetry.
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True or false: Fine Clothes to the Jews expresses its meaning through the blues.
True
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What is the significance of Hughes' "Hard Luck"?
The structure is rhythmic, like a song. The overall theme of it focuses on people as a collective, talks about broke people buying clothes from others. It gives the chronological facts about what's happening.
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What is the significance of Hughes' "Brass Spittoons"?
Talks about the low-down jobs. The narrator talks about maintaining a job to support his family, while also having some fun/entertaining of his own. He collects as many spittoons as he can to offer them up to the Lord. The speaker is not necessarily saying he’s depressed; he’s actually happy. Hughes doesn’t seem to want to portray African Americans in a negative light, in poor conditions, like the middle classes and high classes thought he was; he wanted to shed some positivity on them
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What is the significance of Hughes' "Prayer Meeting"?
There's a mystery surrounding the poem: who is that woman? Why is she in the church at midnight? Hughes seems to be showing a hope for African Americans to be freed from slavery and oppression. "De-dawn's a-coming" means that freedom is coming their way.
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What is the significance of Hughes' "Prayer"?
The speaker prays for guidance, for he doesn't know where to go. Suggests that the speaker is actually Jesus Christ; he may be praying to God his Father and is about to die for everyone's sins.
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What is the significance of Hughes' "Young Gal's Blues"?
The speaker says she doesn't want to be left alone when she is old, just like the deceased she is visiting at the graveyard. She has a fear of loneliness and mortality.
85
What is the significance of Hughes' "The Negro Speaks of Rivers"?
The overall theme of the poem talks about the history of slavery. Irony: - Statement of pride of this river is contrasting the slavery and oppression that ran rampant during that year - Lincoln traveled down the Mississippi river and was horrified to see hundreds of bodies floating along the water
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What is the significance of Hughes' "Proem"?
In this poem, which differs greatly from "The Negro Speaks of Rivers" by actually giving us the facts straightforwardly without beating around the bush, shows that slavery is still going on in America. But despite the turmoil African Americans have gone through, it also shows that they still have strength and character.
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What is the significance of Rukeyser's "The Road"?
``` She’s leaving New York City and heading towards West Virginia, pointing out the elite spas and other locations Class distinction (high class) ``` ``` Trying to raise questions that is hidden underneath the surface There is a sense of eliteness and high class in the town, but also suspects something dark lurking there and wants her readers to investigate (“You should want to know what is happening in your country”) Encourages her readers to get out of the city and figure out what is occurring around them ``` Uses pathos to persuade readers to place themselves in her shoes as well (empathy)
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What is the significance of Rukeyser's "West Virginia"?
Acknowledges the harsh history that has occurred there in West Virginia She says that we are the ones who are alive now, so are we going to listen to what the dead is trying to tell us? Argues that they want justice Encourages her readers to get involved “Just because all of this happened in the past, doesn’t mean we’re not connected to it,” she argues Trying to make us aware of that history
89
What is the significance of Rukeyser's "Gauley Bridge"?
Focusing on a weird blend of the town, between static and movement Mix of activity in the town and stillness Negro standing there, watching, still Photograph of boy running Town looks nice and peaceful on the outside, but is actually suffering on the inside Coughing man: disease/illness in progress Inhaling particles of glass is killing the townspeople Includes subtle effects that show that the town is suffering Poet wants to point out the seriousness of the situation Argues that we shouldn’t pretend that nothing is going on Wants us to be more aware of everything that is happening
90
What is the significance of Rukeyser's "Absalom"?
Mother gives a testament in the trial to talk about the silica situation that killed her three sons “Born a second time” Starting over “He shall not be diminished, never / I shall give my mouth to my son” The mother says she is speaking for him Theme: Loss, grief, testimony, trial
91
What is the significance of Rukeyser's "George Robinson: Blues"?
A lot of the miners who were killed were African American Poet wanted to point out the African American voices that were a part of this disaster Wants us to be aware of them as well “… With a white man, nobody could have told which man was white / The dust had covered us both, and the dust was white.” Everyone is equal in death The silica disease does not distinguish between black and white; it kills everybody
92
What is the significance of Rukeyser's "Book of the Dead"?
“Stand alone” If you’ve been with me throughout the whole poem, here is what we need to do to prevent this from occurring again in the future Take political action; gives us advice Keep extending your voice and that’s how we’ll help those who are affected by these things If we keep silent, we’re just as bad as those who hurt people
93
What is the significance of Eliot's "A Game of Chess"?
Describes a contrast between the higher class and the dark occurrences happening within their household. There is sexual violence between the married couple, and a lack of communication. When the setting switches to the bar, the narrator and her friends are talking, and one of her friends tells her that if she doesn't fix up her appearance, her husband will leave her. It is suggested that the narrator had an abortion.
94
What is the significance of Eliot's "The Fire Sermon"?
The poem is told through the narration of a man who has sex with a woman. However, the woman appears bored or disinterested in the sex, suggesting that he had raped her.
95
What is the significance of Eliot's "Death by Water"?
The person that is being focused on in this poem is drowning, and is also terrified of the water. Message of mortality: speaker tells us to think about our own mortality and about our own values.
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How does Langston Hughes portray the African American high, middle, and lower classes in his work "The Negro Artist and the Racial Mountain"?
High: - Subconsciously trying to be as white as possible - Separate themselves from black people Middle: - Strive to be like white people - Deny their race - Look down upon people who are not white Lower: - Embrace their race and are proud of being themselves - Not worried about what others think - Celebrate who they are and express themselves in ways they are comfortable with
97
True or false: black people are more likely to criticize Langston Hughes' work than white people are.
True. White people are more likely to ignore, while black people are more likely to avoid.
98
What is the significance of Tod Clifton in Ellison's Invisible Man?
He acted as a sort of messenger for the invisible man, sacrificing his own life to show the narrator that the Brotherhood was betraying both him and Clifton. Unfortunately, the narrator doesn't understand this until much later in the novel.
99
What is the correlation between the narrator and speechmaking in Ellison's Invisible Man?
The narrator finds his own true form when he's making speeches. Unfortunately, the Brotherhood tries to take these speeches away from him repeatedly.
100
Ras the Exhorter vs. Ras the Destroyer?
Exhorter: racist, makes powerful speeches Destroyer: creates destruction in Harlem
101
What is the significance of Rinehart in Invisible Man?
The narrator dons sunglasses and a hat, and is immediately mistaken for Rinehart, a preacher who is apparently quite friendly with the townspeople. He realizes that Rineheart has multiple forms that fit well with his identity, which makes him wonder if finding only one true form is actually necessary.
102
"Could he himself be rind and heart?"
Ralph Ellison
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“'You’re like one of these African sculptures, distorted in the interest of design.' Well, what design and whose?"
Ralph Ellison