Module 4 Flashcards

1
Q

Proto Renaissance

A

describes art of previous two centuries that anticipate the coming of Renaissance

Development of Western art from classical antiquity to midevial period to return to classical art

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2
Q

Classical Antiquity date

A

600 BC - 400 AD

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3
Q

Middle Ages date

A

400 - 1400 AD

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4
Q

The Renaissance date

A

1400 - 1600 AD

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5
Q

Italy in 13th -14th century

A

Independent city states
idea of civic pride ran strong for each city state
centers of increasing prosperity
centers of humanistic learning

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6
Q

Italo Byzantine

A

Late antiquity- Rome split to Western (Rome) and Eastern (Byzantine)

refugees from iconoclastic controversy in east introduced Italo Byzantine style

flat, gold background; heavy use of line, somewhat unnatural representation of figures and space

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7
Q

Italo Byzantine Artists

A

Cimabue
Giotto
Duccio
Martini
Lorenzetti

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8
Q

Cimabue

A

transitional figure from Italo-Byzantine style to Proto-Renaissance style
Madonna enthroned w Angels and Prophets

flat, gilded space
3D implied at throne; attemps at naturalism and realistic depiction of form and space

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9
Q

Giotto

A

Rise of Naturalism
GRANDFATHER of Renaissance for his more naturalistic and humanistic representation
trained by Cimabue

still Italo-Byzantine style, more 3D sense
Arena Chapel

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10
Q

Giotto’s Arena Chapel

A

represent Giotto’s culmination of his advancement in both naturalism and humanist themes

True Fresco- 38 pictures- life of Mary and Christ
Natural blue sky- normally gold
Imitiation marble veneer- from Rome
Lamentation Fresco-
-more naturalism- individualized facial expressions and asymmetrical comp.

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11
Q

Art in Siena

A

Wealthy bc of silk tade
stronghold of Artistic traditionalism
considered ideal city- centered around civil monument

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12
Q

Duccio

A

Sienese artist of Proto- Renaissance
Maesta ALterpiece
-conservative Sienese style roted in Italo-Byzantine tradition
13ft. altar piece- Mary surrounded by Saints, religious with Civic, less naturalism- gold background, crowded

Betrayal of Jesus- emotions expressed, landscape naturalistic, classic drapery

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13
Q

Martini

A

International Style
Pupil of Duccio- contact with French Art
Absorved French Gothic style- tracry of frame, use of brilliant colors, lavish costumes, intricate ornaments

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14
Q

Lorenzetti

A

large fresco- effect of good gov’t in city and country
-allegorixal representation of good gov’t should promote- peace, prosperity, and virturous civic life
- work of propoganda (comissioned by city gov’t)

embrace secular themes and interest in depicting nature show impeding

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15
Q

Middle Ages Art feel

A

accumulation of riches in beyond to avoid hardship of purgatory and hell created anti-materialist attitude

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16
Q

Renaissance art feel

A

celebrated, classical texts, wordly accomplishments, and enjoyment of finer things

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17
Q

REnaissance interest

A

renewed one of pagan authors of Classical Antiquity
Plato, Socrates, Aristotle, Ovid
Teaching not always approved by Christian Church

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18
Q

Renaissance Invention

A

Printing Press- movable type- Johannes Gutenberg, 1445

easier spread of ideas across Europe
Dante’s Divine Comedy published in local vernacular

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19
Q

Humanistic mindset

A

promote investment in here and how by epousing civic pride and responsibility to one’s city
also fame, honor, wordly accomplishments, and accumulation of weath

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20
Q

new art patrons

A

wealthy merchantsd and ind. engaged in mercenaries
allowed for arts to flourish outside of patronage of Church
Most influential ones were Medici Family of Florence- wealthy through banking- art center of Italy

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21
Q

Renaissance artist

A

Bruneleschi
Donatello
Michelangelo
Davinci
Raphael

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22
Q

Fabriano

A

Early Renaissance- international Style
Adoration of the Magi

Gothic tracery of patterns and visual splendor
inclusion of Chivalry (horse) of French
Illustrate Foreshortening
continue interest in naturalism, add depth through visual contraction

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23
Q

Masaccio

A

Master of Florence Painting
continued earlier steps of Naturalism
fully mature single point perspective and Chiaroscuro (light and shadow)

Tribue money
Expulsion of Adam and Eve
Holy Trinity

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24
Q

Tribute Money

A

Masaccio
tax collector from contrapasto
3 dif. movements of time
atmospheric perspective- illusion of space
linear perspective
dif. people having dif. reactions
foreshortened halos
classical drapery

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25
Expulsion of Adam and Eve
Masaccio nude bodies modeled after Classical Greek
26
Holy Trinity
Masaccio use of accurate single point perspective architectural frame showing ionic and corinthian columns
27
Fra Angelico
The Florentine Friar Painter Monasteries- social and religious import Friar and painter at Sam Marco Monastery in Florence Annunciation
28
Castagno
Florentine painter used perspective Last Supper
29
Last Supper
Castagno comissioned from dining hall of monastery Sant'Apollonia new development- psychological introspection of drama- each Apostle have own expression inspired by Classical- colorful Near Eastern Chimera
30
Perugino
Fresco- Christ delivering the Keys of the Kingdom to St. Peter
31
Christ delivering the Keys of the Kingdom to St. Peter
culmination of single-point perspective founding myth of Vatican triumphal arches (Arch of COnstantine) comissioned by Pope Sixtus IV
32
Mantegna
use of extreme foreshortening of human body to achieve 3D Room for Newlyweds fresco Dead Christ painting
33
Room for Newlyweds
Mantegna- Fresco comissioned by ruler of Mantua- Gonzaga for wedding Mantuan court life with group, duke's family, and himself roman wall paintings of Pompeii oculus- eye to sky- ceiling di sotto in su (seen from below)
34
Dead Christ
Mantagna- painting foreshortenting- staring at feet precedence over message of Redemption
35
Savonarola
during time a monk (savonarola) condemned hedonism of Renaissance as heretic and return to Christian balues= outsted Medicis Renaissance artist lost most important patron Italy put more emphasis on ideas of sin and repentace
36
Signorelli
Damned Cast into Hell fresco Savonarola's effect on art
37
Wool Merchant Guild of Florence competition
find sculptor for east doors of Florence baptistery two finalist- Brunelleschi and Ghiberti story of Isaac, Gothic= Quatrefoil
38
Bruneschelli- competition
angel coming out and stopping the hand violence is present distorted "scary"
39
Ghiberti- competition
drama classical canon of male nude muscalutture anatomy of body comp is 3D, animated, wind-swept
40
Bruneschelli
went to architecture built dome of Florence Cathedral
41
Banco
comission to fill niches of sculpture's guild Four Crowned Saints
42
Four Crowned Saints
represent CHristian sculptors who lived at time of Emperor Diocletian- refuse to sculpt images of emperor and executed classical, free-standing figure- not engage in wall classical drapery, proportions, unique physiognomy advertisement for sculptor's guild
43
Donatello
Revival of Classical Nude also create sculpture for niches of the guild- Or San Michele finanaced by linen drapers guild St. Mark David
44
St. Mark
first completely free-standing sculpture on building since CLassical antiquity bends knee in contrapposto more life-like (Kritios)
45
David- Donatello
first free standing classical nude figure since antiquity reinvigorate proportions canon and contrapposto Daid, Goliath slayer symbolic for republic of FLorence commissioned by Medici David- introspective, quiet, classical, looking towards head (down) in humility
46
David- Verrocchio
not nude but contours of body visible David is brash, confident, self-assertive, gaze directed to spectator, more mature
47
Dome of Florence Cathedral
Brunelleschi created it Giotto Bondone- painter- designed the bell tower build dome composed of ogival (pointed arch) sections with ribs for internal reinforcement thin, double shell for reducing pressure on base compression ring inserted on base
48
Medici Palace
coming back after being ousted by Savonarola's campaing, more careful about wealth flounting Michelozzo Bartolommeo took over project hyprid structure of palace and fortress facade- heavily rusticated, adorned with increasingly refined structure going up- heavy cornice inner courtyard light and airy- corinthian
49
Alberti
Architect and Mathematician deisgner, builder, translator and commentator on Vitruvius' texts on architecture Church of Santa Maria Novella facade west facade of church of Sant'Andrea in Mantua
50
Facade for Santa Maria Novella
Alberti marble patter completely symmetrical, sense of rythym designed according to mathematical ratios- symmetry lateral scrolls- upper portion with rose window
51
west facade of Sant'Andrea in Mantua
temple like elevation merged with triumphal arch rigidly symmetrical and utilizes mathematical ratios as design principles
52
Early Renaissance Art and Architecutre Summary
similar easthetic denominators symmetry, rythym, rationality, mastery of space, focus of human form and proportions, interest in reviving Ancient Greek and Roman works
53
Renaissance of Northern Europe
regions of Flanders (belgium) and Burgundy- created Dutchy of Burgundy- Philip the Good ruled= art lover and patron economic prosperity through wool trade with Italy stock exchange created-Bourse- first use of credit instruments
54
Northern Renaissance Art Characterization
interest in devotional images small religious paintings to be displayed and used for prayer in private home lingering Medieval pre-occupation with sin, damnation, and redemption moralizing themes, either showing how to live righteous life, or condemning sinful life by showing what not to do
55
Jan Van Eyck
invention of oil paints (oil glazes) applied to panels (not canvas) Ghent Altarpiece lot of symbolic meaning smaller scale portratis- man in red turban Giovanni Arnolfini and his Bride
56
Ghent Altarpiece
Jan Van Eyck polyptych- altarpiece with multiple wings/hinged panels tracery patterns emphasis on gold and jewels- metaphor for riches one can expect in heaven Christ- 12 apostles- Mary- Holy Confessors
57
Christ as lamb with apostles, Mary, Confessors
one of first landscape painting since Classical
58
the man in the red turban
Jan Van Eyck first self portrait since classical inscription- As I can milestone for expressing self aware, self affirming modern consciousness through mirrors and portraits
59
Giovanni Arnolfini and His Bride
Jan Van Eyck private commision to commemorate the marriage - visual marriage contract private art- strong religious overtones dog- fidelity single lit candle- God's all seeing eye medallion surrounding mirror- illustrate scenes of Passion of Christ wooden shoes- wedding gift from Husband Sociological dimension- rise of Middle Class; material culture; creation of merchants; trade netowrks
60
Deposition
Rogier Van der Weyden triptych one of first oil paintings- oil on wood comissioned by archer's guild in louvain- hidden crossbows on spandrels emphasis of richness of cloth
61
Portinari Alterpiece
FLemish arting commissioned by Italian patron Van der Goes figure type (large, bearded figures) manner landscape is depicted (midieval architecture, green vegetation) Northern European- sensation among Italy
62
Campin- Private Devotional Altarpiece
increasing emphasis on private prayer and devotion over course of century leading to the Reformation allegory for Hoseph trapping devil (mousetraps)
63
Bosch- Farden of Earthly Delight
tyiptych depict life as carnal orgy earthly delights- deeply moralizing overtones alchemy, nudity, Hwaven and Hell no idea about intention or if religious
64
High Renaissance in Italy
15-16 century age of technical innovations of art, scientific discoceies, revival of Classical Leonardo da Vinci, Michelangelo, Raphael Universal Man- Da Vinci human experience is center of universe
65
what stopped the High Renaissance
sack of Rome by German soldiers in 1527
66
Birth of Venus
Botticelli poem by humanist writer polizinao= mimiched verse and themes of Roman times about Roman gods Venus, Zephyrus, typle product of humanist culture aticipates artistic trends of High Renaissance
67
humanist culture of Renaissance
not only reappreciate classical past but also recreate it through art and literature
68
trends of High Renaissance
iconography not only exclusive religious hedonistic subject volumetric bodies and mytholigical characters
69
Leonardo da Vinci
milirary engineering, geography, anatomy, sculpture, painting master of psychological introspection atmospheric perspective (misty soft focus) Virgin on the Rocks The LAst Supper Mona Lisa mystic- intellectural, scientific, artistic interest
70
Virgin on the rocks
Da Vinci atmospheric perspective (misty, soft focus) pyramidal comp cave setting- never had that env for religious works before St, John blessed by Christ, Mary, angel- know each other well, loving relationship first introduction of tender emotions
71
Leonardo Draftsman
large related sketch of virgin on the rocks even more relaxed conventions than painting Christ child playing with St. John, emotional ties even stronger atmospheric perspective
72
The Last Supper
Da Vinci mural for dining hall of Convent of Santa Maria delle Grazie emphasis on the Eurcharist single point perspective- vanishing point Christ's head original one deteriorated- restoration campaigns
73
Mona Lisa
Da Vinci depict Lisa di Antonio Maria Gherardini atmospheric perspective- Sfumato- smoky manner popular because of theft in 1911
74
Michelangelo
Sculptor 3 perspective- painting, architecture, sculpture Ceiling of Sistine Chapel
75
Ceiling of Sistine Chapel
Michelangelo 5800 square feet, curvaturre of celing, 70 ft distance from floor work up close on scaffold directly under ceiling design on papers, held close to wall, charcoal traced, then filled with paint central strip illustrate Genesis central panel- Creation of Adam and Fall of Adam and Eve starting point- Separatte light and dark ending point- drunkeness of Noah
76
The Last Judgement
Michelangelo seven years after sack of Rome Reformation well under way Counter Reformation- loved arts- most people illiterate Risen Christ of judgement day- Saved souls near and marytrs (Heaven) bottom- anguished souls tortured (Hell) Back to Middle Ages- crises getting to him
77
Raphael
Stanza della Segnatura- 4 walls represent Theology, Law, Poetry, Philospohy Moadonna and Child seen as sweet/sentimental (3rd best) created Philosophy wall
78
Stanza della Sednatura- Philosophy
Raphael imaginary gathering of greatest thinkers from all ages (Plato, Aristotle, ancient philosphers) typical of infatuation with Humanist culture
79
Raphael's images of the Virgin
oil panel epitome of HIgh REnaissance style Raphael combine Leonardo and Michelangelo based on stories called GOlden LEgend single point perspective and classical architecture- central round temple surrounded by Roman arcade
80
High REnaissance in Venice
no classical past central trading hub- very wealthy oligarchy very concertned with art and architecture aesthetically- color, airiness, decorative qualities
81
Bellini
defined cinquecento- consisted of spledid colors and serenity of composition Sacra Coversazione Bright Colors
82
Sacra Coversazione
fictional conversation of saints and biblical figures assembled across ages and locations
83
Pastoral Symphony
Giorgione secular art connotations with music making and poetry
84
Giorgione's
color- red and blue shepherds- idealize stress-free and serene lifestyle subject of carefree parties of men in luxurious dress in parl picked up again in Rococo art
85
Titan
brings together religious and civic virtues emphasize surface, texture, color of work, but not the content or design Meeting of Bacchus and Ariadne Venus of Urbino
86
Meeting of Bacchus and Ariadne
TItal humanist uncertainties of event depicted and artist ambivalent intentions part of appeal
87
Venus of Urbino
established conventions for portriats of reclining female nudes until end of 19th century- emphasis of sensuality and ambiguity
88
Michelangelo- Sculpture
David
89
David- Michealangelo
epitome of High Renaissance sculpture and civic monument of Florence carved from single block of marble left over theme identical to Donatello and Verrocchio did young man, not adolescent- who is self assured and vigilant BEFORE fighting goliath political allegory- telling people to be watchful always as enemies could be on prowl
90
Pope's tomb design
Michelangelo Moses Bound Slave
91
Bound Slave
almost finished Michelangelo work struggle to free themselves from bondage interest in study of anatomy and figures in action
92
Bramante
draft plan for new St. Peter's Cathedral High REnaissance- symmetry, regularity, measure defined by idea of nine interlocking crosses, covered by large cupola Michelangelo simplified it
93
Tempietto
Bramante design that was built little temple inspiration of found temples of classical two concentric circles, one for columns, one for inner sanctuary most perfect form is circle
94
Michelangelo as architect
simplified Bramante's project of St. Peter's Greek Cross Plan with lateral chapters Facade- rhythmical and highly ornate staccato of Corinthian pilasters marks transition to Mannerist and Baroque architecture
95
Mannerism
celebrates qualities like artificially and distorted forms style of excess and exaggeration Renaissance order, symmetry, proportions abandoned elongated figures (figura serpentinata) vertical orientation ambiguous space hypher-sophistication and decadence
96
Pontormo- Descent from Cross
no central focus rendering space ambiguous figures elonfated and flaccid (spineless) weightless- twist in space pastel colors
97
Parmigianino - Madonna with Long Neck
epitome of mannerist style body parts lose all proportional relationships Figura Serpentinata "Serpentine Figure" setting imbued with decadent air of luxuriousness- proprs like curtains, amphora vase, cushion for Virgin's throne free standing white column
98
Brozino
portrays time as bearded man hedonism- enjoyment for senses sake and without remorse poreclain whiteness of bodies- artificioso- anything that is artifical or contrived
99
Romano
remodel his stables into a pleasure palace rusticated blocks of masonry disruption of regularity, geometry, and measure sliding triglyphs- crushing on passerby portruding keystones- palace on edge of collapse humorous and ironical
100
Palazzo del Te
Romano heaven collapsing- gians try to hold up columns supporitng heaven central spot marked by terrazzo floor
101
Veronese
paint on monumental scale primary representative of Mannerism in Venetian painting official painter of republic artist are independent minded from Church
102
Christ in the House of Levi
Supposed to be Last Supper but takes place in loggia of upper-class Palazzo that oligarch yowned bustling with well dressed guests, dogs, jesters, attendents
103
Triumph of Venice
Veronese Civic virtue higher than religious- expressed in art and architecture fire in palace- repleace decorations female personification of Venice crowned and born aloft in clouds- framed by architecture, twised columns, military heroes, upper class, lion of St. Mark excessiveness of visual content
104
Protestant Reformation in Germany and Netherlands
one trigger is sale of indulgences to deeply devout population (exemption of purgatory for coin) Pope Julius II selling, financial problems because of warfare and beautifying vatican Martin Luther- objected indulgences 95 THeses, Bible into German
105
Protestantism Religious
personal accountability to God punitive consequences of sin reject intercession og saints Church interiors sparce and not have artwork emphasis on word, or music, not visual iconoclastic Bible is sole authority on spiritual matters
106
Counter-Reformation
Catholic Church response to Protestant Reformation Council of Trent- Churches have splendid artworks and decorations to reach an illiterate population gave rise to Baroque Style
107
Reformation in Germany and Netherlands
German speaking counteis center of Protestantism Netherland's north is protestant Netherlands south (belgium) Catholic
108
Durer
leading artist from age of Reformation ties to art and publishing industires first northern artist to fully understand and apply to innovations of Italian Renaissance- perspective and correct human anatomy important accomplishments in printmaking
109
Durer self portrait
audacious to portray in frontal pose- reserved for representations of Chirst mimic Christ's act of blessing
110
Durer's prints
charged with symbolic meaning interprested in variety of ways Knight defies death and the Devil dog is companion (fidelty) lizard is sin one is that flashback to Crusades and renewed threat of Ottoman Turks other is that for the soldier, Death and Devil not antagonist but attributes of his profession
111
Durer and the Apostles
different from others bc of context put in city Hall put St. Peter (Vatican- Keys) in background and put St. John (Bible) in front REformation expressed
112
Massys- Money Changer and His Wife
completed before Reformation but alludes to ethical issues point that material and commercial concerns needs to be balanced with spiritual and religious concerns money changer is weighing coins, wife is reading Bible
113
Brudgel the Elder- Dutch Fantasy Landscapes
Netherland apart because of interest in low life or genre scenes genre- everyday scenes from commoners lives depcit peasant, village life, and country in uncouth behavior- still look out of fairytale Satirical and fantasy artist
114
Age of Baroque in Italy
17-18th century- literature, music, art, architecture emphasis on convoluted forms- spiral colimns, heightened emotionalism, intense religiosity, theratricality, rapture, irrationality, over-decoration combined with Catholicism first found in Vatican
115
Bernini
sculptor and architect- defiened Baroque style in Rome Baldacchino infused with emotionalism and drama in sculptures
116
Baldacchino-
Bernini giant bronze canopy- 100 ft high- spot where St. Peter is buried defined by 4 spiral columns with bronze over decorated- vines and bees on columns theatricality- viewer's glance drawn from canopy to Cathedra Petri
117
Ecstasy of St. Teresa
Bernini Illuminated from hidden light source niche of colored marble, gold, architectural decorations streeses belief, devotion, and pietry over reason
118
Caravaggio- Invention of Tenebrism
defined Baroque painting painted conversation of Pharisee Saul to St. Paul use indirect light sources, situated in night settings, introduce dramatic highlights most of art is biblical great strength was to depict real, everyday people Calling of St. Matthew
119
tenebrism
night scenes with strong contrasts and indirect light outside of picture frame assocaited with Caravaggio and Baroque art
120
Calling of St. Matthew
Christ enter house of Levi- Tax collector- become St. Matthew Tenebrist small hint of trace of halo above Christ's face master of psychological renderings impact on contempory painters
121
Carracci
Bologna- own group of masters founded local art academy Flight into Egypt Love of the Gods
122
Flight into Egypt
Carracci figure group with Holy Family in foreground secondary to landscape landscape is idealized- cultured nature setting with evidence of human intervention and Mediterranean flora
123
Love of the Gods
Carracci fresco ceiling is barrel vaulted and curving illusion of collection of framed pictures influenced by michelangelo and sistine chapel
124
Baroque Painting in Spain
Spain hotbed- Habsburg strong supporter of Catholicism and Vatican
125
El Greco
transition from Mannerism to the Baroque in Spain not native Spaniard, Greece, trained in Venice and learned about Mannerist Style first to introduce innovations of Italian later REnaissance to country Burial of Count Orgaz
126
Burial of Count Orgaz
benefacto of Church of Santo Tome where passing caused much grief composition follows typical Baroque formula of separating the wordly and heavenly realm into two levels Upper half- Orgaz welcomed into heaven lower half- burial attended by dignitaries of Toledo visionary and mysterious quality- strong black and white contrasts and swirling clouds figures unnaturally elongated- mannerist concieved to stir religious fervor in believer
127
Martyrdom of Saint Bartholomew
Ribera foregrounding of saints and their suffering Plebian figure- old, bearded, emaciated Caravaggio's influence
128
Martyrdom of Saint Serapion
Zurbaran painted for monastic order of Mercy- funerary chapel Serapion on 3rd Crusade, preaching Gospel to Muslims, captured, tortured, beheaded Suffering of Saint is emphasized Black and white contrasts
129
Velazquez
most famous Baroque painter court painter to king Philip IV of SPain- King's personal confidence Water Carrier of Seville Las Meninas- Maids of Honors
130
Water Carrier of Seville
genre or lowlife scene Spain- hit country- no running water- water sellers water carrier- rugged, old, unsophisticated- torn clothing man of people, Caravaggio inspired Brownish tonalities prevail
131
Maids of Honor
princess watches as parents are being painted by Velazquez king and queen seen by mirror or workign on very same cavas we're currently seeing reader in role of king and queen
132
Baroque architecture in Italy
drafted in purpose of affirming leadership role of Catholic Church grandiosity, spectacular effects, drama and visual propogranda undulating facades, oval or irregular plans, general preference for asymmetry associated with Pope Sixtus V
133
Maderno
design Facade of St. Peter's in Rome first came to attention of Sixtus V when he built the Church of Santa Susanna modeled facade after Gicomo della Porta's church of II Gesu in ORme- prototype for churches the Jesuit order bui;t
134
Facade of St. Peter
shift towards novelty embodied by Baroque style no more symmetry, decorative elements take over, multiplication of niches with sculptures, columns, dramatic recesses, scroll buttresses
135
Borromini
Baroque style St. Charles at the Four Fountains
136
St. Charles at the Four Fountains
irregular plot of land small church at busy intersection in city- marked by fountains in four corners two facades encrusted with sculptures, niches, columns, recesses central theme- oval (multiple) culmination point of Baroue style in Rome
137
Baroque in Flanders and Netherlands
northern part of Netherlands (Holland) became Protestant southern part of Netherlands (Flanders- northern part of Belgium) remained Catholic Flemish- Belgium
138
Catholic Southern Netherlands Art
Baroque art in Italy and Spain Peter Paul Ruebens
139
Art in Protestant North Netherlands
rejected images of saints and religious subject matter art turned secular, became smaller in format- privately owned rudimentary beginnings of Art Market developed here
140
Habsburg
not allow Northern Netherlands to become Protestant After Thirty YEars War- they relented
141
Golden Age of Dutch art
17th century peace and economic expansio- oversea trade great number of highly skilled painters- little masters-
142
Rubens
most important artist in Flemish tradition influenced by Baroque art in Italy added own hallmarks of heightened emotionalism, voluptuous bodies, and rose-colored flesh muscular bodies, chiaroscuro, and dramtic light effects Large art workshop- active art dealer- help end Thirty YEars war as diplomat Most of art under his name executed by his numerous workshop assistants 21 large canvases of Maria de Medici
143
21 large canvases of Maria de Medici
destined for Luxemburg Palace in Paris see her arrival in France by boat, marriage with King Henry IV allegorical figure of France welcome her show how king assassinated, she became queen, fallout and reconciliation of her and her son
144
Van Dyck- Flemish court painter in LOndon
Anthony Van Dyck- one of Ruben's assistants- reputation of his own portrait paoting pioneered the formula of full-length portrait seen here- popular with monarchs across Europe HUnting self assertive pose but no sceptor or crown
145
Supper Party
Honthorst looks like Last Supper but is a tavern scene with drunk men and women having party allegory of gluttony and hints of prostition deeply moralizing exemplifies genre subjects
146
Hals
specialty is group portraits depicting confraternal organizations, guilds, or civic militia groups all people individualized
147
Rembrandt
greatest artist of Dutch "Golden Age" started as portrait painter attests to rational scientific mind- prevalent in Northern Netherlands Anatomy Lesson of Dr. Tulp Night Watch most famous for nocturns- night scenes religious matter with vProtestant Overtones
148
Anatomy Lesson of Dr. Tulp
attests to rational scientific mind- prevalent in Northern Netherlands shows Surgeon's guild as dissecting corpse dissection was new- Catholic Church opposed- however led to knowledge of disease, cause of death, improvemtn to health and longer lives
149
Night Watch
Rembrandt full name is The Company of Captain Frans Banning Cocq largest and most important painting example of nocturns- night scenes group portrait of civic guard in 30 war all people individualized for public setting- banquet hall where such people would meet self portraits
150
The Prodigal SOn
Rembrandt first one to take into consideration that story happened 2000 years ago in Middle East, not contemporary Holland accounted by historical and cultural context by dresses and racial types represented avoided Madonnas, halos, and saints- Catholic bags for empathy- old father with embrace for forgiveness, other borther keep cold distance
151
Rembrandt's Etchings
more artistic than engravings Hundred Guilder Print Christ with the Sick around Him, Receiving the Children reworked his plates many times over the years Three Crosses
152
Cuyp
Dutch landsacpes painting of cows- national animal milkmaid's work- beautified, but not classical landscape- real city in background
153
Van Ruisdael
stressed aspect of domestic wellbeing linen bleached in sun church in distance- God-fearing life windmills dot the scenery
154
Vermeer
depiction of domestic wellbeing major painter of Dutch "golden age" now but was forgotten view slightly out of focus use for camera obscura- primitive viewing device that serve as aid for draftsman all are small to fit into interior- cabinet pictures show material wealth of middle class interiors spectator intruder in domestic harmony soft focus
155
Dou
Rembrandt's student small scale, minutely rendered cabinet pictures celebrated early on but then forgotten pursuit of knowledge for its sake astronomer- uncover forces of universe along in middle of night
156
The Dropsical Women
Dou archaic medical term that refers to swelling of soft tissues due to accumulation of excess water scientific rational aspect of quest for finding cure makes it modern richly decorated setting, dutch interior Napoleon thought this was most important painting
157
Brouwer
range of genre subjects The Smokers interior of tavern at night, filled with smokers, reverlers, drunks, rude, ugly sitters
158
Claesz
still lifes musical instruments and fineries skull- memento mori- reminder of death all wealth is temporal, life is fleeting
159
Kalf
still life painting impact of Dutch overseas trade on material culture and lifestlye render luxury goods very good on rendering reflections on surfaces
160
The Sun king
Louis XIV France rose to become the leading power in Europe- economy, military, culture French took place of Latin freedom and tolerance were limited protestant minority persecuted
161
Poussin
dominance of classical mythology and classical history in French Painting classicism- dogma of academic training in art root of heirarchy of genres- history painting at top of prestige
162
Et in Arcadia Ego
Poussin arcadian landscape- group of shepherds in foreground who study inscription of sarcophagus that reads "I, too, was once in Arcadia) shepherds discover their own mortality
163
Lorrain
specialized in pseudo-classical landscapes and port scenes often take place in and around ROme most appreciated for renderings of all suffusing, golden sun light and harbor scenes Biblical/classical stories often no more than pretexts
164
Le Nain
iconographic tradition different from Poussin or Claude subjects related to Netherlandish genre of lowlife painting - interested in peasants and country folk French contemporaries thought him to be Dutch or Flemish artist
165
Family of Country Peopl
Le Nain final phase of 30 Years War covers up real hardships, famines, and desctruction in countryside at time peasants have time to eat, live with dignity, enjoy music, subservient reality: uprisings and armies, ravaging farms brownish tonalities