Module 4 Flashcards
Proto Renaissance
describes art of previous two centuries that anticipate the coming of Renaissance
Development of Western art from classical antiquity to midevial period to return to classical art
Classical Antiquity date
600 BC - 400 AD
Middle Ages date
400 - 1400 AD
The Renaissance date
1400 - 1600 AD
Italy in 13th -14th century
Independent city states
idea of civic pride ran strong for each city state
centers of increasing prosperity
centers of humanistic learning
Italo Byzantine
Late antiquity- Rome split to Western (Rome) and Eastern (Byzantine)
refugees from iconoclastic controversy in east introduced Italo Byzantine style
flat, gold background; heavy use of line, somewhat unnatural representation of figures and space
Italo Byzantine Artists
Cimabue
Giotto
Duccio
Martini
Lorenzetti
Cimabue
transitional figure from Italo-Byzantine style to Proto-Renaissance style
Madonna enthroned w Angels and Prophets
flat, gilded space
3D implied at throne; attemps at naturalism and realistic depiction of form and space
Giotto
Rise of Naturalism
GRANDFATHER of Renaissance for his more naturalistic and humanistic representation
trained by Cimabue
still Italo-Byzantine style, more 3D sense
Arena Chapel
Giotto’s Arena Chapel
represent Giotto’s culmination of his advancement in both naturalism and humanist themes
True Fresco- 38 pictures- life of Mary and Christ
Natural blue sky- normally gold
Imitiation marble veneer- from Rome
Lamentation Fresco-
-more naturalism- individualized facial expressions and asymmetrical comp.
Art in Siena
Wealthy bc of silk tade
stronghold of Artistic traditionalism
considered ideal city- centered around civil monument
Duccio
Sienese artist of Proto- Renaissance
Maesta ALterpiece
-conservative Sienese style roted in Italo-Byzantine tradition
13ft. altar piece- Mary surrounded by Saints, religious with Civic, less naturalism- gold background, crowded
Betrayal of Jesus- emotions expressed, landscape naturalistic, classic drapery
Martini
International Style
Pupil of Duccio- contact with French Art
Absorved French Gothic style- tracry of frame, use of brilliant colors, lavish costumes, intricate ornaments
Lorenzetti
large fresco- effect of good gov’t in city and country
-allegorixal representation of good gov’t should promote- peace, prosperity, and virturous civic life
- work of propoganda (comissioned by city gov’t)
embrace secular themes and interest in depicting nature show impeding
Middle Ages Art feel
accumulation of riches in beyond to avoid hardship of purgatory and hell created anti-materialist attitude
Renaissance art feel
celebrated, classical texts, wordly accomplishments, and enjoyment of finer things
REnaissance interest
renewed one of pagan authors of Classical Antiquity
Plato, Socrates, Aristotle, Ovid
Teaching not always approved by Christian Church
Renaissance Invention
Printing Press- movable type- Johannes Gutenberg, 1445
easier spread of ideas across Europe
Dante’s Divine Comedy published in local vernacular
Humanistic mindset
promote investment in here and how by epousing civic pride and responsibility to one’s city
also fame, honor, wordly accomplishments, and accumulation of weath
new art patrons
wealthy merchantsd and ind. engaged in mercenaries
allowed for arts to flourish outside of patronage of Church
Most influential ones were Medici Family of Florence- wealthy through banking- art center of Italy
Renaissance artist
Bruneleschi
Donatello
Michelangelo
Davinci
Raphael
Fabriano
Early Renaissance- international Style
Adoration of the Magi
Gothic tracery of patterns and visual splendor
inclusion of Chivalry (horse) of French
Illustrate Foreshortening
continue interest in naturalism, add depth through visual contraction
Masaccio
Master of Florence Painting
continued earlier steps of Naturalism
fully mature single point perspective and Chiaroscuro (light and shadow)
Tribue money
Expulsion of Adam and Eve
Holy Trinity
Tribute Money
Masaccio
tax collector from contrapasto
3 dif. movements of time
atmospheric perspective- illusion of space
linear perspective
dif. people having dif. reactions
foreshortened halos
classical drapery