MUS 139 EXAM 2 Flashcards
(41 cards)
Time Periods of Classical Music
[M] mighty [R] reef [B] bats [C] catch [R] robot [M] monsters
(0400 - 1450) Medieval (1450 - 1600) Renaissance (1600 - 1750) Baroque (1750 - 1825) Classical (1825 - 1900) Romantic (1900 onward) Modern
Identify the composer, time period, genre, and form of the following piece:
Three Dances
Composer: Susato
Time Period: Renaissance
Genre: Ronde
Form: Binary Form
Identify the composer, time period, genre, and form of the following piece:
Fair Phyllis
Composer: Farmer
Time Period: Renaissance
Genre: Madrigal
Form: 6 lines ABABCC, 10 or 11 syllables
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When I am laid in earth
Composer: Purcell Larger Work: Dido and Aeneas Time Period: Baroque Genre: Opera Form: Opera in 1 Act
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Rejoice Greatly
Composer: Handel Larger Work: The Messiah Time Period: Baroque Genre: Oratorio Form: Da Capo Aria
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A Mighty Fortress is Our God
Composer: Bach
Time Period: Baroque
Genre: Chorale Cantata
Form: Religious Text
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Movement 1 from Spring Concerto
Composer: Vivaldi Larger Work: The Four Seasons Time Period: Baroque Genre: Concerto Form: Ritornello Form
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Hornpipe
Composer: Handel Larger Work: Water Music Time Period: Baroque Genre: Orchestral Suite Form: Ternary (ABA)
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Prelude from W.T.C.
Composer: Bach Larger Work: Well Tempered Clavier Time Period: Baroque Genre: Prelude & Fugue Form: 12 each, Prelude & Fugue, in each key (12 minor, 12 major)
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Contrapunctus I
Composer: Bach Larger Work: The Art of Fugue Time Period: Baroque Genre: Fugue Form: 4-voice, mono-thematic
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Movement 1 from E.K.N
Composer: Mozart Larger Work: Eine kleine Nachtmusik Time Period: Classical Genre: Serenade Form: Serenade for Strings
Secular Renaissance music
Nonreligious music; when texted, usually in the vernacular.
Madrigal
Renaissance. Secular work. Origin: Italy.
Designed for voices with or without instruments, set to a short, lyric love poem; also popular in England.
Monody
Vocal style established in the Baroque, with a solo singer and instrumental accompaniment.
Florentine Camerata
Also known as the Camerata de’ Bardi, was a group of humanists, musicians, poets, and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de’ Bardi to discuss and guide trends in the arts, especially in music and drama.
Basso Continuo
“continuous bass”
Refers to performance group with a bass, chordal instrument (harpsichord, organ), and one bass melody instrument (cello, bassoon).
Figured Bass
Baroque practice consisting of an independent bass line that often includes numerals indicating the harmony to be supplied by the performer. Also thorough-bass.
Baroque Opera
Music drama that is generally sung throughout, combining resources of vocal and instrumental music with poetry and drama, acting and pantomime, scenery and costumes.
Recitative
Solo vocal declamation that follows the inflections of the text, often resulting in a disjunct vocal style; found in opera, cantata, and oratorio.
Aria
Lyric song for solo voice with orchestral accompaniment, generally expressing intense emotion; found in opera, cantata, and oratorio.
Ground Bass
A repeating melody, usually in the bass, throughout a vocal or instrumental composition.
Oratorio
Large-scale dramatic genre originating in the Baroque, based on a text of religious or serious character, performed by solo voices, chorus, and orchestra; similar to opera but without scenery, costumes, or action.
Cantata
Vocal genre for solo singers, chorus, and instrumentalists based on a lyric or dramatic poetic narrative. It generally consists of several movements including recitatives, arias, and ensemble numbers.
Chorale Tune
Baroque congregational hymn of the German Lutheran Church.