MUS 139 Vocabulary Flashcards

(49 cards)

1
Q

Name and define all time periods in classical music.

[M] Mighty
[R] Reef
[B] Bats
[C] Catch
[R] Robot
[M] Monsters
A
Middle Ages: 400 - 1450
Renaissance: 1450 - 1600
Baroque: 1600 - 1750
Classical: 1750 - 1825
Romantic: 1825 - 1900
Modern: 1900 - present
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2
Q

melody

A

Succession of single TONES or PITCHES perceived by the mind as a unity.

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3
Q

contour

A

The overall shape of a melodic line. It can move upward, downward, or remain static.

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4
Q

range

A

Distance between the lowest and highest TONES of a MELODY, an instrument, or a voice.

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5
Q

interval

A

Distance and relationship between two PITCHES.

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6
Q

conjunct

A

Smooth, connected MELODY that moves principally by small INTERVALS.

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7
Q

disjunct

A

Disjointed or disconnected melody with many leaps.

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8
Q

phrase

A

Musical unit; often a component of a MELODY.

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9
Q

cadence

A

Resting place in a musical PHRASE; music punctuation.

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10
Q

countermelody

A

An accompanying MELODY sounded against the principal MELODY.

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11
Q

rhythm

A

The controlled movement of music in time.

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12
Q

meter

A

Organization of rhythm in time; the grouping of BEATS into larger, regular patterns, notated as MEASURES.

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13
Q

measure

A

Rhythmic group or metrical unit that contains a fixed number of BEATS, divided on the musical staff by bar lines.

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14
Q

beat

A

Regular pulsation; a basic unit of length in musical time.

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15
Q

downbeat

A

First BEAT of the MEASURE, the strongest in any METER.

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16
Q

simple meter

A

Grouping of RHYTHMS in which the BEAT is subdivided into two, as in duple, triple, and quadruple meters.

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17
Q

compound meter

A

METER in which each beat is subdivided into three rather then two.

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18
Q

upbeat

A

Last BEAT of a MEASURE, a weak BEAT, which anticipates the DOWNBEAT.

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19
Q

offbeat

A

A weak BEAT or any pulse between the beats in a measured rhythmic pattern.

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20
Q

syncopation

A

Deliberate upsetting of the METER or pulse through a temporary shifting of the ACCENT to a weak BEAT or an OFFBEAT.

21
Q

polyrhythm

A

The simultaneous use of several rhythmic patterns or METERS, common in twentieth-century music and in certain African musics.

22
Q

nonmetric

A

Music lacking a strong sense of BEAT or METER, common in certain non-Western cultures.

23
Q

Name and define the three layers of listening.

[S] Slacking
[E] Every
[M] Monday

A

SENSUAL: Listening to music while unengaged. You are playing music as background noise.

EXPRESSIVE: Listening to music while interpreting the artists meaning. What story does the music tell?

MUSICAL: Listening to music while analyzing its musical components. What is the melody, rhythm, harmony, and other elements?

24
Q

harmony

A

The simultaneous combination of notes and the ensuing relationships of INTERVALS and CHORDS.

25
chord
Simultaneous combination of three or more TONES that constitute a single block of HARMONY.
26
scale
Series of tones in ascending or descending order; may present the notes of a KEY.
27
triad
Common CHORD type, consisting of three PITCHES built on alternate TONES of the SCALE (e.g. steps 1 - 3 - 5, or do - mi - sol).
28
major scale
Scale consisting of seven different tones that comprise a specific pattern of WHOLE and HALF STEPS. It differs from a MINOR SCALE primarily in that its third degree is raised half a step.
29
minor scale
SCALE consisting of seven different TONES that comprise a specific of WHOLE and HALF STEPS. It differs from the MAJOR SCALE primarily in that its third degree is lowered half a step.
30
tonality
Principle of organization around a TONIC, or home, PITCH, based on a major or minor SCALE.
31
tonic
The first note of the SCALE or KEY, "do." Also KEYNOTE.
32
dissonance
Combination of tones that sounds discordant and unstable, in need of a resolution.
33
consonance
Concordant or harmonious combination of TONES that provides a sense of relaxation and stability in music.
34
octave
INTERVAL between two tones seven diatonic pitches apart; the lower note vibrates half as fast as the upper and sounds an octave lower.
35
half step
Smallest INTERVAL used in the Western system; the OCTAVE divides into twelve such INTERVALS; on the PIANO, the distance between any two adjacent keys, weather black or white. Also SEMITONE.
36
whole step
Interval consisting of two HALF STEPS, or SEMITONES.
37
chromatic
MELODY or HARMONY built from many if not all twelve semitones of the OCTAVE. A CHROMATIC SCALE consists of an ascending or descending sequence of SEMITONES.
38
diatonic
MELODY or HARMONY built from the seven tones of a MAJOR or MINOR SCALE. A diatonic scale encompasses patterns of seven WHOLE TONES and SEMITONES.
39
sharp
Musical symbol (#) that indicates raising a pitch by a SEMITONE.
40
flat
Musical symbol (b) that indicates lowering a pitch by a SEMITONE.
41
microtone
Musical interval smaller then a SEMITONE, prevalent in some non-Western musics and in some twentieth-century art music.
42
tonic chord
TRIAD built on the first scale TONE, the I chord.
43
active chords
In the DIATONIC system, chords which need to resolve to the TONIC CHORD. These include the DOMINANT CHORD and the SUBDOMINANT CHORD.
44
dominant chord
CHORD built on the fifth scale step, the V chord.
45
subdominant chord
CHORD built on the fourth scale step, the IV chord.
46
transposition
Shifting a piece of music to a different pitch level.
47
key
Defines the relationship of TONES with a common center or TONIC. Also a lever on a keyboard or woodwind.
48
modulation
The process of changing from one KEY to another.
49
Name all four musical voice ranges. [S] Susan [A] Always [T] Toots [B] Brazenly
Soprano Alto Tenor Bass