NYIAD Flashcards

(159 cards)

1
Q

Sources/Inspiration

A

Showrooms, tradeshows, antique stores, auctions, furniture stores

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2
Q

Design guidelines

A

Function, mood and harmony

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3
Q

Suitability of function

A

is it practical for the room?

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4
Q

suitability of mood

A

does it look and feel the way you intend it to?

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5
Q

suitability of style

A

what period is the style? what mood does the style convey?

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6
Q

suitability of quality

A

are all the pieces similar in craftsmanship and quality?

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7
Q

Created the Color Wheel

A

Isaac Newton

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8
Q

the purest form of a color. the quality that gives a name to a chromatic color. there are five principal ____

A

hues

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9
Q

principal hues

A

red, blue, yellow, green, orange, violet

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10
Q

what was the first synthetic color ever created

A

Mauve (pale purple)

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11
Q

a mixture of primary and secondary colors (6)
yellow-orange, red-orange, red-purple, blue-purple, blue-green, yellow-green

A

tertiary colors

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12
Q

intermediate hues

A

hues that fall between primary and secondary colors

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13
Q

color attributes (characteristics)

A

value and intensity

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14
Q

color value

A

the lightness or darkness of a color

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15
Q

The brightness or dullness of a color. The saturation

A

Color intensity

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16
Q

adjacent colors on the color wheel. create a gradient

A

analogous color scheme

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17
Q

complementary color scheme

A

opposite colors on the color wheel

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18
Q

uses tints and shades (different chroma and value) of the same hue

A

monochromatic color scheme

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19
Q

the design process:
1.
2.
3.
4.
5.
6.

A

Interview the client
assess and measure the home
create a floor plan
design a furniture layout
plan for lighting
create a final presentation

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20
Q

can be 2” to 14” in height and anywhere from 1/4” to 3/4” thick,
always measure from wall to wall

A

baseboards

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21
Q

(elevations) is measured from the wall to the opening of the door, including the trim

A

door orientation

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22
Q

usually located one foot above the base of the wall

A

duplex outlet symbol

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23
Q

measured by standing under the outlet and measuring from that point to the wall

A

electrical ceiling outlet symbol

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24
Q

usually located 4 feet above the floor

A

wall switch symbol

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25
phone outlet symbol
26
standard flush
27
double panel
28
French doors
29
Farmhouse
30
double hung window
31
casement windows
32
awning windows
33
vertical and horizontal
pivot windows
34
the distance from the floor to the bottom of the window opening
sill height
35
the windowsill to the top of the window (the trim width is measured the same way as doors)
window height
36
clamshell molding
37
Crown/French molding
38
The weight of an object
Actual Weight
39
how much an object attracts attention
visual weight
40
symmetrical balance or two identical items carrying the same weight
formal balance
41
asymmetrical balance or two different items carrying different weight
informal balance
42
bright colors, bold patterns (for large rooms)... do what for a room?
add visual weight
43
neutral colors, small patterns (for small rooms)...
reduce visual weight
44
When you add white to a color
Tint
45
any hue or mixture of pure colors to which white is added
tint
46
a hue or mixture of pure colors to which only black is added
Shade
47
a hue or mixture of pure colors to which only pure gray is added
tone
48
Very robust, rough, simple chairs: square/rectangular arms, legs, and back organic and unrefined originals were painted square frame structure rush seats
Colonial/Early American Farmhouse
49
made of straw fiber stretched over a wood frame
rush seats
50
refined and ornate chair legs, arms, and backs are made with a lathe turnings are decorative
American Georgian
51
higher-backed
ladderback
52
vertical slats, rush seats
bannister back
53
based on the Greek instrument
Fiddleback
54
back splat based on the Greek instrument (one continuous shape), cabriole legs, restrained ornamentation
Queen Anne/Fiddle Back
55
Rococo decoration
Louis XV Chairs
56
made by wheelwrights long-lasting, more comfortable- spindles arranged in a curve, wooden seat shaped to fit human contours spindles and legs are splayed (spread out) and sunken into holes for sturdy structure
Windsor Chairs
57
mid 1800s minimal and utilitarian genuine versions are rare have finials
Shaker Chairs
58
knob ornament on the backs of chairs
finial
59
practical seating for more than one person
Settee
60
4 legs, no ornamentation, rigid frame, some have drawers, often with an apron/skirt
Work/farm table
61
have perpendicular legs, central stretcher that joins the legs mobility and easy storage
trestle table
62
used for serving food, sturdy
Tavern table
63
dropleaf/butterfly table
64
low four posters
65
high four posters
66
"to roll" bed
Trundle bed
67
furniture that is used for storage
casepiece
68
furniture that is used for storage
casepiece
69
the axis that evenly divide a room
Balance Lines
70
the scheme that determines how frequent spaces are occupied for doors openings you need a 36" open space
traffic pattern
71
Earth tones are _____ colors
warm
72
______ colors are best used as a dominant color in the composition and they are the best paired with highly saturated or pure hues
neutral
73
______ are produced by adding black or brown
Shades
74
You ____ down a color by adding its compliment
tone
75
_____ surfaces reflect more light and have a cooling effect
smooth
76
______ surfaces have a warming effect by absorbing light and producing shadows
rough
77
______ and ____ affects color scheme
geographic location, orientation
78
natural light in a _____ -facing room is cool
north
79
cool natural lighting occurs as the sun _______
rises
80
warm natural lighting occurs as the sun ______
sets
81
_____-facing walls often have cool colors
south
82
______-facing walls often have warm colors
north
83
meanings that cultures associate with colors example: red is seen as a color of wealth and luck in Asian countries
Color Psychology
84
fabrics like broadcloth, muslin, percale, gingham, organdy and voile. Uses only two elements.
taffeta/plain weave
85
made of silk or cotton. made when the weft passes over 4-6 warp yarns. The warp lines are closer, creating a higher thread count. the difference between this and silk is that silk is a natural fabric and ____ is a weaving technique
satin
86
the yarns pass over two warp yarns to create a diagonal pattern denim and herringbone
twill weave
87
terrycloth is a variation, shaggy look velvet, loops are cut off corduroy, alternate rows of loops are cut
Pile Weave
88
Joseph Marie Jacquard invented this (the basis of the modern automatic loom) fabrics include Jacquard, brocade, damask and machine-made tapestry
the Jacquard loom
89
pattern carved into wood block
block printing
90
a decal is added to the fabric using heat. Limited to only synthetic materials
Transfer printing (heat transfer)
91
a stencil is placed on the screen then placed on the fabric and paint is applied to the screen
silkscreen
92
fabric is run through a printing press repeats in the designs/patterns often help determine how the fabric is used. Up to 16 colors can be applied at once
roller printing
93
A plain weave made of cotton. A type of canvas. Has a high thread count. Is waterproof when coated with wax
duckcloth
94
chiffon (shuh-fawn)
95
light, shiny fabric, or thin wool. Glazed to produce shine
chintz
96
Tightly twill-woven fabric
gabardine
97
is a machine above the loom that instructs the loom to follow the pattern according to the machine
Jacquard (juh-card)
98
muslin (muhz-lin)
99
percale
100
ticking
101
Made of wool.
tweed
102
soft, tight weave similar to muslin
voile
103
Over one and under one. Examples: Taffeta, muslin, flannel, percale
plain weave
104
The sun rises in the ____, and sets in the ____
East, west
105
Typically striped or plaid
Gingham
106
This is the opposite of satin with more wefts than warps
Sateen
107
typically symmetrical and medallion like with floral patterns (positive/negative patterns-use positive and negative space). uses a satin weave in the background (or vise versa) to create a contrast. can be made from any fiber: silk, sateen, wool, or linen, but made on a Jacquard loom
Damask
108
is made by roller printing a pattern on the fabric, called the resist, which the fabric is then dyed and the resist is removed to show the pattern
resist printing
109
yarn fibers are classified as _______ and ___-____. _______ fabrics come from animal or vegetable fibers.
natural, man-made
110
_______ wool is a fabric with a weave in which the fibers are parallel
Worsted
111
These fibers are from the Angora goat. Silky feel and very opulent. Makes high quality velvet
Mohair wool
112
natural fiber harvested from an alpaca
Alpaca
113
Harvested from a Kashmir goat. This fabric is too soft for furniture but great for a throw, or blended with wool or silk
Cashmere
114
woven from horses and used as the weft in upholstery fabric. in vogue in the late 18th c. among aristocrats. It is a smooth material and is durable
horsehair
115
is smooth and has high luster. harvested from the cocoons of various Asian moths. it is sensitive to fading when exposed to light.
Silk
116
the production of silk
Sericulture
117
silk yarn is formed by taking the silk from the cocoons and slightly twisting them. This is called ________.
throwing
118
the gum that coats natural silk fiber
serecin
119
___ silk is silk that has a serecin coating
raw
120
cultivated silk waste made up of short fibers. It has a nubby texture
Noil
121
double strand of fiber that twin worms produce when they join in one cocoon.
Dupioni (do-pee-oh-ni) silk
122
a lump or thick place in yarn
slub
123
the ability of a fabric to withstand tension without tearing. Silk is strong in this
tensile strength
124
the strongest natural fiber. used to produce linen. it is expensive and smooth. it lasts long even after being washed repeatedly
flax
125
a natural fiber and material similar to flax and linen
ramie
126
a cheap vegetable fiber. its production is similar to that of cotton. used to make hessian
jute
127
similar to cotton although very absorbent and more durable than cotton
hemp
128
used to make rugs. the fiber is removed from the leafy parts. Tropical mood
sisal
129
the most versatile and most used plant fiber. it is a staple fiber. it is graded by length, luster and fiber quality. this material absorbs water, feels cool to the touch, and dyes beautifully.
cotton
130
from the West Indies, with fiber lengths 1.75-2" long, the longest of these fibers
Sea Island Cotton
131
from Egypt. fibers are 1.4-1.75" long
Egyptian cotton
132
a natural fiber from rubber
latex
133
a fiber developed from wood pulp. the first man-made fiber. 1910. developed as a low cost alternative to cotton (now it costs relatively the same) and silk. tends to shrink when wet. two examples are acetate and viscose
rayon
134
a semi-synthetic fiber derived from wood pulp, similar to viscose. can't be ironed or put in hot water
acetate
135
a semi-synthetic fiber made from wood pulp that is used as a silk substitute
viscose
136
materials that are not made from natural materials. have long-chain polymers derived from petrochemicals. polyester, nylon, spandex, olefin, and acrylic
synthetic
137
synthetic fiber best used for upholstery. introduced in 1940. has great tensile strength
nylon
138
often blended with nylon and polyester. popular wool substitute used for blankets. not suited for upholstery.
acrylic
139
used as an alternative to wool. crease resistant. it is warm, soft and drapes well: does not shrink or stretch. dries quickly and is as strong as nylon
Ardil
140
highly elastic. used lightly in upholstery and yarn
spandex
141
a color's intensity, purity or saturation. measured in the Munsell system on a scale of 1-14. low numbers indicate that the color is low chroma or close to grey
chroma
142
black, white and grey. colors without chroma
achromatic colors
143
________ (neutral) color schemes use a single color of low chroma with limited range of values
Monotone
144
made by mixing two complimentary colors
neutral colors
145
the color wheel
146
the most subtle and pleasing color scheme. it uses a base color and two colors adjacent to its compliment
split-complimentary
147
three colors that are equidistant from one another on the color wheel
triad
148
four colors equidistant from each other on the color wheel. uncommon schemes
tetrad
149
these occur when white or black is added to a color until its value is reversed. For example, if enough black is added to yellow, the lightest of the colors, its tonal value will reverse and it will become the darkest of the colors, reversing the natural order of colors. Add enough white to purple, the darkest of the colors and it becomes the lightest color.
discordant colors
150
are near the red end of the color spectrum, including red, orange, and yellow
warm colors
151
greens and blues.
cool colors
152
this color may be warm or cool depending on its closeness to red or blue. Neutral colors also vary depending on their content of warm or cool color
violet
153
Research suggests that strong, ____ _______ are most clearly seen by the elderly
warm chromas
154
techniques that trick the eye.
trompe l'oeil
155
1400-1650 Began in Italy and expanded to other parts elsewhere: to Spain, France, Belgium (the Flemish), and England. The ideas and styles of Italian revival, "all things classical" spread over the next 250 years
Renaissance
156
a semicircular recess in the wall of a basilica/church at the east end of the church
apse
157
a monument of the Byzantine and Ottoman Empires. Once a church and then converted into a mosque, is now a museum in the Turkish Republic (Istanbul)
Hagia Sophia
158
a concave triangular piece of masonry, four of which support a dome over a square
Pendentive
159
a style of architecture dating 1140-1500. characterized by pointed arches, flying buttresses and the ambulatory (the walking path around the apse). Built with severe craftsmanship and civic pride, made by the glory of God. Primary example is the Notre Dame in Paris
Gothic