RIDQC Flashcards
(238 cards)
1
Q
What direction does the house face? Sketch out the front of the residence, and write some descriptive adjectives.
What is the tone of the house if set to music?
What is the layout of the rooms? Is there symmetry? What is the flow of the rooms? Is there a brightness or darkness to the room? How high are the ceilings?
A
First Impressions
2
Q
Design has to do with the _______ of the various parts
A
wholeness
3
Q
consider the _______ of windows and the effect they will have on ________ in the space depending on the time of day and the season.
A
orientation, lighting
4
Q
Consider the ______ from the windows, seeing out to the exterior and the _____ seeing into the space
A
Views
5
Q
As a designer, you are instrumental in making changes to a space that can be made at a small _____ but result in a _______________
A
cost, dramatic impact
6
Q
Keep a list of characteristics including the ________ elements that need to be emphasized, the _______ elements that are neither good or bad, and the ________ elements that need to be altered or minimized
A
positive, neutral, negative
7
Q
Keep these in mind when designing entryways, exits, stairs and traffic patterns
A
security issues, building codes
8
Q
wall colors, materials, lighting and furniture size and placement
A
ways to alter the appearance of a poorly shaped room
9
Q
using bodily dimensions to establish the dimensions for clearances, countertops, heights of furniture and shelving
A
anthropometry
10
Q
Consider bodily dimensions, counter, chair, and table heights in regards to ________
A
function
11
Q
________________________ deals with how one interacts with a space, as well as how color impacts ones emotions and behaviors
A
Environmental psychology
12
Q
deals with how a design is going to last, as well as it’s social, political, cultural and economic impact on the environment
A
Sustainable design
13
Q
deals with how one is able to live in the same place for a long time using the same products and services
A
universal design
14
Q
a designer should always have the ______ present during the meetings with the _________/_______
A
client, architect, builder
15
Q
function, quality, aesthetic
A
RIDQC design fundamentals
16
Q
Notice how they interact, what things they agree on, and who makes the decisions
A
working with a couple
17
Q
relates to the design of a building, pattern, or piece of furniture. The _____ may be described as “clean and straight,” or “curvilinear”
____ is the overall shape that consists of positive space
A
line, form
18
Q
the eye-pleasing relationship between various parts; the comparison of scale
A
proportion
19
Q
the comparison of one thing to the size of a human figure; the size of one object in relation to another
A
scale
20
Q
the spatial dimensions of an object
A
size
21
Q
the even display of visual weight
A
balance
22
Q
having the same reflection across an axis
A
symmetry
23
Q
having different reflections across an axis
A
asymmetry
24
Q
repetition in shape, color, tone, texture, accents, direction, and orientation. More complex forms include progression, gradation, transition, and radiation
A
rhythm
25
the focal point for a design; gives more importance or significance to any given part of a design
emphasis
26
the perceived surface of an object; the roughness, smoothness, hardness, or softness of a surface. This can be either tactile, actual, or perceived.
texture
27
Can be either structural (3D) or applied (2D). A design in which lines, shapes, forms and colors are repeated. The thing that is repeated is a motif
pattern
28
use of motifs and patterns to decorate
ornamentation
29
how big something is in comparison to something else
relative size
30
the literal dimension of a space or object
absolute size
31
_____ is used when designers are considering proportion
scale
32
the area in which shapes and forms exist, defined by the walls, floors, and ceiling
space
33
solid forms
positive space
34
the area surrounding solids; using too much of this makes the room feel crowded
negative space
35
1:1.618; the most eye pleasing, invented by the Greeks
Phi/Golden Ratio
36
The _________ was built in Athens, Greece and made use of the Golden Ratio. Formerly a temple on an acropolis, dedicated to Athena. construction began in 447 BC when the empire was at the peak of its power
Parthenon
37
developed a system or proportions using the human figure. the "Vitruvian" man
Leonardo da Vinci
38
20th century designer, ____________ developed a system of proportion using a human figure with a raised arm
Le Corbusier
39
the study of how one interacts with objects in a given space; arranging objects so that people can use them easily and safely
ergonomics
40
heavily textured surfaces are more ______/________
casual, informal
41
smooth, slick surfaces are more ______
formal
42
The Golden Ratio and the Fibonacci Sequence relate directly to ______. Examples: the spirals on the surface of pinecones and pineapples, and the centers of daisies and sunflowers
nature
43
symmetrical, asymmetrical and radial
types of balance
44
the most common reflection is __________, as the central axis is vertical
horizontal
45
if two equal objects are the same distance from the fulcrum
symmetrical balance
46
having two objects different distances from the fulcrum, or having two unequal objects at the same distance from the fulcrum
asymmetrical balance
47
based on a circle with elements arranged around a central point; concentric circles in a floor or textile design
radial balance
48
the gradual change in size while maintaining the exact same shape. i.e. a group of nestling tables
progression
49
color movement from light to dark
gradation
50
the repetition of an architectural element such as a molding
transition
51
the repetition of something around the central point of a circle
radiation
52
refers to the fabrics used in an interior. Sometimes decorative, and can have various patterns
furnishing
53
well-designed rooms have _______, _______, and _____________. A repetitious pattern may give a room a dynamic/rhythmic quality.
texture, pattern, ornamentation
54
Designers use pattern to add _____________ to a space
visual weight
55
How much an object attracts attention
visual weight
56
__" is best for traffic patterns
36
57
In a living room, between _ and __ feet is a comfortable range of distance for conversation. If larger numbers of people will be occupying the space on a regular basis, consider seating in separate groupings, possibly movable seating.
4, 10
58
This means made of carefully selected components and appropriate materials
quality
59
pleasing to the eye
aesthetically pleasing
60
Discovered that ratios that best serve our human needs lie between 1:1 and 2:1
The Greeks
61
The ___________ has impacted many buildings, ancient and modern
Golden Ratio
62
the "mirror" effect, or when an object is identical on either side when divided by an axis
bi-lateral symmetry
63
The most used materials for structural soundness and interior enhancement are ____, _______, ______, _____, _______, _______
wood, masonry, metals, glass, plastic, hybrids
64
________ is a wet combination of cement, aggregate (fine sand or coarse gravel), and water. Is strong enough for walls and columns, but has to be reinforced with steel bars to form flooring
Concrete
65
______ is a dry mix of chalk and clay ground into fine particles, then mixed with gypsum and water to form a paste that hardens
cement
66
the ________ of concrete is primarily determined by the ratio of water to cement. The less water, the better
strength
67
coarse and fine aggregates mixed together to form concrete is called ___-__ __________
all-in aggregate
68
Introduced at the beginning of the 20th C. Made by removing some of the carbon content of Iron. Dipped in non-flammable materials and coated in zinc to prevent corrosion
Steel
69
Conifer trees, for example pine, used for rough carpentry or joinery; carcass woods; cedar, redwood, fir, spruce, larch, and hemlock
Softwoods
70
Deciduous trees; denser than pine; oak, ash, beech, birch, elm, maple, poplar, sycamore, walnut, mahogany, rosewood, cherry, and teak
Hardwoods
71
Most timber used in interiors is required to have _ to __ percent moisture content (MC). __ percent is substantial for exteriors and roofing
8, 15, 18
72
The area of wood paneling on the lower part of the walls. Typically made of hardwood if custom, otherwise made of a softwood
Wainscoting
73
Different than plywood, made of hardwood and softwood fibers, solidified into a strong, smooth material.
Medium Density Fiberboard (MDF)
74
Used for exterior walls and flooring. Similar to particle board, this is layered in a specific pattern and made into a strong material (as strong as plywood)
Oriented Strand Board (OSB)
75
wood polish brings out the _____, _____, and _______
grain, color, texture
76
_____________________, consider stock sizes, effective seasoning (drying), strength, defects,
workability, fire grading, resistance to worm, fungi and decay, color before and after weathering and the process involved in laying, sealing, polishing and painting the wood in question
When evaluating woods
77
used structurally and decoratively in buildings and interiors. used for furniture, floors, walls, and screens.
bamboo
78
used for furniture. comes from a tall grass.
cane
79
is used in its pure form and also used in composites. comes from the bark of the evergreen oak
cork
80
rabble, fieldstone, ashlar and travertine are examples of this. It is often used for structure and décor. Long-lasting and enduring. Public buildings in DC are examples of enduring legacy
masonry
81
sedimentary, igneous, and metamorphic
types of rock/stone
82
rock that solidify from a molten state. Example: Granite (durable but not fireproof)
the green color comes from black mica, and the pink, buff (golden/yellow), red, brown, and grey are from white feldspar
Igneous rock
83
formed from highly pressurized sand, silt, fossil, and animal debris. Limestone is the most common example. Sealant makes it usable in the kitchen. Travertine is a form of Limestone.
sedimentary rock
84
This is a form of sedimentary rock. It can be used for fireplace and hearth design because it is heat resistant.
Sandstone
85
this type of rock is a combination of sedimentary and igneous rock formed under pressure, heat, and/or moisture. Marble and Slate are examples. Marble is maintained by a yearly spraying of plastic lacquer or acetate. Slate is fire resistant
metamorphic rock
86
_______________________________, ask your suppliers about density, strengths, fire class, damp-proof requirements, thermal and acoustical values, recommendations for use and suitable mortars and application.
When considering natural stones
87
A mixture of copper and zinc. Is used for decorative trimmings, doors, fittings and hardware
Brass
88
a mixture of tin and copper. darker and redder than brass.
bronze
89
a soft non-magnetic metal made from bauxite (box-ite). In the 1920s it was used for ornamental grilles, railings, meshwork, chain curtains, screens, panels, wall and acoustic tiles, Venetian blinds, and outdoor furniture. Different finishes include scratching, sand-blasting, embossing, polishing, electrochemical and anodized finishes that produce metallic colors
aluminum
90
the metal most associated with the modern interior. non-magnetic and oxidation resistant. used in stainless steel (10%).
Chromium (chrome)
91
a blend of highly alloyed steel and chromium. it is resistant to heat, oxidation and corrosion. it a strong material and is easy to manufacture.
stainless steel
92
used in a limited amount in the modern interior. they are elegant materials and used for decorative finishes. One is used extensively for mirrors. These metals along with many others come in a variety of finishes: roughing, burnishing, sand-blasting,
and hammering for example
Gold and Silver
93
use of this material reduces consumption of wood
Masonite
94
woodchips and sawdust pressed together and bonded with an adhesive to form a wood alternative
particleboard
95
products that give off fumes over time
off-gassing
96
a condition linked with the health and wellness of people who spend a significant amount of time in a particular building. no specific illness can be identified. Ways this can be prevented: increase ventilation and air distribution, removal of the source, air cleaning from air filters and gardens, legislation
sick building syndrome
97
consider the functional criteria, their aesthetic, and their economic impact. also consider where it will be used: walls, doors, windows, columns, floors, ceilings, steps and stairways.
evaluating materials
98
Consider what the role ________ has in the overall design of the room. Should it fade into the background or be a focal point of the room? This should flow with the other areas of the house. This must be beautiful and functional. Should be at least __% of the budget
flooring, 30
99
flooring comes in three categories: ____, _________, and ____ flooring
soft, resilient, hard
100
Soft flooring are _______ and ____ made of natural and/or synthetic fibers
carpets, rugs
101
Resilient flooring is ____, ____, ______, _______, ________, _______, and _____.
wood, cork, rubber, leather, linoleum, asphalt, vinyl
102
hard flooring is _____, _____, _________, ____________, ____________, ________, and _______
stone, brick, porcelain, ceramic tile, mosaic tile, concrete, terrazzo
103
the surface of the carpet beneath your feet
face fiber
104
Some carpet is glued to the floor, while others require good quality padding or ____________ to ensure that the carpet lasts long
underlayment
105
carpet is made by the ____, ranging from 27 inches to more than 18 feet. Carpet woven on a loom that is wider than 6' is known as _________.
yard, broadloom
106
most carpets and rugs are either ______ or _____. Today woven carpet is available in 30’ widths, and tufted carpet in 18’ widths, with __’ being the standard width.
tufted, woven, 12
107
The carpet nap is also called the carpet ____.
pile
108
when selecting carpet, consider natural vs synthetic, the ____, __________, ___________, ___-______, _________, and _______________
cost, durability, fire safety, off-gassing, allergies, stain resistance
109
Authentic Oriental rugs that are hand-knotted using either the Persian knot (Senneh) or the Turkish knot (Ghiordes)
traditional handmade rugs
110
quality rugs are determined by the types of ____ used and the number of cords and _____ per square centimeter. Modern rugs are usually 16-35 per centimeter, the more per centimeter, the thicker the pile and clearer the pattern
dyes, knots
111
Oriental Rugs come in 6 categories: _______, ______ (Dhurrie), ________, _________, _______, and _______
Persian, Indian, Turkmen, Caucasian, Turkish, and Chinese
112
woven with geometric designs, deep red color, and have webbed fringes at the ends. made of wool or cotton
Turkmen Rugs
113
have intricate patterns, bi-lateral symmetry, muted colors or soft pastels, include floral and human/animal motifs, are fringed on both ends. made of wool, cotton, or silk
Persian Rug
114
Have geometric patterns, colorful pastel hues, made of cotton, wool, jute, silk, or a combination.
Indian/Dhurrie Rugs
115
have bold geometric patterns made in primary colors
Caucasian Rugs
116
Also called Anatolian rugs, these are hand-woven and made of either wool or cotton and dyed with natural dyes. tied with symmetrical knots (Ghiordes)
Turkish Rugs
117
cut-pile velvet, background color beige, yellow or coral, designs are often blue, often depict nature scenes/motifs
Chinese Rugs
118
Named after an English town. The yarn is woven into the backing. Machine-made. The weaving technique is now obsolete. It can come in a variety of colors and designs.
Axminster Rug
119
A non-pile rug from Eastern Europe, with natural motifs (flowers, animals). the ends of the yarn is woven in so that the pattern is reversible
Kilim
120
made from an adaptation of the Jacquard loom and have a variety of textures. limited to 5 or 6 colors. the density and quality determined by the number of rows per square inch (warp lines)
Wilton Carpet
121
Polypropylene. A type of polyester. used in upholstery. found in indoor-outdoor rugs and is commonly used because it is stain, mildew, and insect resistant
Olefin
122
______ carpet is made by adding yarn to a backing, usually coated with latex, then laminated to a second backing for stability. 95 percent of carpets are made like this.
tufted
123
when the rug pile is cut at different lengths to produce a pattern
random shear
124
_____ can be monofilaments, multifilament, spun, twisted, plied, slub and stretch. Are continuous strands or threads made from fiber
yarn
125
the yarn that runs lengthwise. needs to be as strong as the weft
warp
126
the yarn that runs across the warp
weft
127
fabrics that are woven
textiles
128
also called plain weave. uses two elements. simple over-and-under interlace
taffeta
129
has a simple two-and-two interlace. Canvas and Duckcloth are examples
basket weave
130
a third element is added to this type of weave. it protrudes from the basic weave and created the pile. Plush, corduroy, velour and velvet are examples
pile weave
131
a weaving technique that appears quilted or padded. can be handmade or made on a Jacquard loom.
matelassé (mat-uh-lass-ay)
132
the loom is used to create small geometric patterns. Similarly, the fabric of the same name is created on Jacquard looms today
Dobby
133
most fabrics go through two _________ processes, standard and preliminary. This prepares the fabric for sale
Finishing
134
when the fabric is pressed between two weighted, heated rollers
calendaring
135
coating a fabric with wax, shellac or resin before calendaring to give it a polished luster finish like chintz
Glazing
136
rubbing the surface of the fabric with felt to give the pile a plush look
polishing
137
controlled shrinkage of a fabric. makes it thicker. eliminates oils and dirt
fulling
138
coating the fabric with acrylic latex to reduce seam fraying, and abrasion resistance (pile fraying prevention)
back coating
139
fabrics taken directly off the loom. undyed. an efficient way of producing solid colored fabric
Greige (gray-juh) goods
140
an efficient way of dying solid color fabrics
piece dyeing
141
when the yarn is stirred in a large vat by hand. used to produce single or multicolor yarns. Medium tones are chosen in areas where bright light will cause fading
yarn dyeing
142
using pleasing, balanced colors that work together to give visual pleasure. a ratio of 3.5:6.5
color harmony
143
a characteristic of light. the ability of different wavelengths to be received by the receptors in the eye, further transmitting that information to the brain
color
144
red, orange, yellow, blue, indigo and violet (blue and violet are on similar wavelengths so they are also called purple). red has the longest wavelength and violet the shortest
the light spectrum/ rainbow
145
varying degrees of black and white that can be seen by the eye
tonal quality
146
Red, Blue and Yellow. they cannot be created by mixing other colors. a pure color
The Subtractive Primaries
147
created by mixing two subtractive primary colors. Orange, Green, Purple
Secondary
148
has an infinite number of color variations, focusing on three characteristics: hue, value, and chroma
The Munsell System
149
the more neutralized colors of the color scheme should cover the larger areas
the law of chromatic distribution
150
describes the effect adjacent areas of color have on one another. also refers to the effect the size of the contrasting colors. a light color may appear darker when it is contrasted with another darker color.
simultaneous contrast
151
warm colors that appear like they are closer. use these to make a high ceiling seem closer and a room cozier.
advancing colors
152
cool colors that appear like they are moving away. use these on a ceiling or walls that are close.
receding colors
153
the rougher a texture the darker its color will appear. a smooth texture will appear lighter
the texture and nature of surfaces
154
different colors in _____ areas ___ when seen at a distance. Always look at your textiles and wallpapers from a distance to discern the changes in color
small, mix
155
when an object or textile looks one color in one light and another color in a different light
metameric shift
156
mortise-and-tenon, tongue and groove, pegging, and dovetail joints
joining techniques
157
surface decoration using geometric shapes that fit together (geometric inlays)
parquetry
158
usually depicts nature scenes inlaid in the surface (representational inlays)
marquetry
159
paint is applied directly to wet plaster creating a durable surface, a technique we associate with the Sistine Chapel,
fresco
160
by 600s BCE this culture spread throughout the eastern Mediterranean through conquest, especially during the time of Alexander the Great. Used the post and lintel system in architecture
Greeks
161
the Greco-Roman period of history. between 8th century BCE and 6th century AD (from Homer's the Iliad/Odyssey to the collapse of the HRE)
Classical Period (Antiquity)
162
753 BCE-476 BCE. imported goods from all over their empire. developed a taste for luxury and the arts. this culture imitated Greek culture throughout the eastern Mediterranean before the birth of Christ.
the Romans
163
term used to describe something "of enduring value" (pertaining to the Greco-Roman era). a car, a suit, or the lines of a sofa can be this.
classic
164
the term used to describe a certain aesthetic during the Greco-Roman era; "our sense of the beautiful."
classical revival: where the _________ aesthetic influenced different periods in history i.e. the Renaissance, the Enlightenment, the Neo-Classical period
Classical
165
someone with knowledge in multiple subjects; the ideal Greek male
polymath
166
the simpler, more masculine style column, with an abacus (large square block) placed on top. it has no base at the bottom. this column sits directly on the platform
doric
167
this style column is less heavy, more feminine. has scrolls at the top.
ionic
168
the most elaborate style column. The Romans favored this style
Corinthian
169
this style chair was made as early as 5th c. BCE. it was depicted in Greek pottery and sculpture. splayed legs, curved back and backrest.
klismos
170
the Greeks used this for dining and sleeping
Kline
171
considered the finest Roman building. not very large. was a temple to the gods, and it stands in great condition despite wars and modern air quality and climate.
the Pantheon
172
a roofed interior courtyard or skylight covered space surrounded by a building. they were common in ancient Roman dwellings, providing light and air to the interior
atrium/atria
173
designed by Romans, became models for Christian churches
Basilica
174
Late 1400s-mid 1500s. The search for excellence produced many feats of the Renaissance. Designers were treated with great dignity and respect by patrons.
High Renaissance
175
an example of secular architecture. A townhome to Italy's ruling families of individual states and provinces.
palazzo
176
a country house
villa
177
a mix of crushed marble and concrete
terrazzo
178
painting on wet plaster that has slightly dried. the most expensive form of decoration for ceilings and walls during the Renaissance period. status symbol.
fresco
179
a Renaissance architect who worked in Venice, who wrote a series of essays, “The Four Books of Architecture,” on design, providing instruction and illustration.
Andrea Palladio
180
"bizarre" or "ugly," 1600s-1700s. mixture of illusion, light, color, and movement, meant to impress and overwhelm the occupants. Characterized by contrasts between light and dark (often dark), emphasis on movement, grand scale and sense of drama. Associated with Louis XIV. this style was backlash against the rationalism of the Classical style.
Baroque
181
Influenced by Neo-Classical styles, straight lines and rectilinear forms. similar legs to Hepplewhite. the rear legs continue into the chair back. ornamental splats often shaped like vases. made of mahogany
Sheraton
182
lighter and more airy than Baroque. pastel colors and nature motifs (cockleshell motif). Symbolism. Asymmetry. Frivolity as a theme. associated with Louis XV
Rococo
183
Revival of the classicism of the Greco-Roman era and the Renaissance. Simpler design and straight lines. Fine materials and rare woods like mahogany and ebony were used. Associated with Louis XVI
Art: Characterized by clean lines and form, patriotic themes, scientific ideals over religion, and Classical subject matter.
Neo-Classical
184
gold leaf fused with brass
ormolu
185
chairs noted for their curved lines and a splat back, cabriole legs and club foot. Smaller, lighter, and more comfortable than its predecessors. also called fiddleback
Queen Anne
186
classic, French, Chinese, and Gothic influences. popular during the mid 18th c. some have cabriole legs, other, later chairs have straight legs. pierced splats. made of mahogany
Chippendale
187
elegant straight lines, slender legs that have a spade or thimble foot. the chair back is curved in an oval, heart, or shield pattern. made of mahogany
Hepplewhite
188
early 19th c. exudes characteristics of Egyptian, Chinese and Moorish designs. Reflects the 19th c. age of imperialism (military force).
Regency Style
189
this style emerged to celebrate the rise of democracy, by evoking the characteristics of Classical Athens. US.. version of Neo-Classical style
Federal
190
revival of Greek architecture. Interiors included Greek accents, vase painting and architectural elements.
Greek Revival
191
Revival of Gothic style as a rebellion against the Neo-Classical style in 1800s Europe
Neo-Gothic
192
1861. AN English design reformer. he and his company led the Arts and Crafts Movement, a movement against the misuse of materials & machine-made furniture, instead championed high-quality craftsmanship
William Morris
193
asymmetrical and exudes nature motifs (flower and insect), vines, and natural curving lines,
Art Nouveau
194
an Art Nouveau architect who made the style popular in Barcelona
Antoni Gaudi
195
1848-1933. The U.S. Art Nouveau movement was led by _____________. He was a part of the Tiffany Jewelry Family, and invented Tiffany Lamps
Louis Comfort Tiffany
196
Also part of the U.S. Art Nouveau Movement. used steel-frame construction, glass, and nature motifs, for his designs. Coined the mantra "form follows function" for modern design.
Louis Sullivan
197
One of the pioneers of Modernism. Designed buildings, furniture, lighting, and rugs. had the idea of unifying the exterior of the house with the interior, and the building with the natural setting (surroundings). used nature motifs
Frank Lloyd Wright
198
This style uses plain surfaces and straight lines, rejecting the flowing forms of Art Nouveau. Becomes a trend throughout Europe. Interiors were austere and unornamented, and were mostly black, white, neutrals, and primary colors
Bauhaus
199
Said "Less is More."
Ludwig (Ludvig) Mies (MEES) van der Rohe
200
This style has decorative motifs including sunbursts, zigzags, stair and waterfall patterns. Its name is from the 1925 Exposition Internationale des Arts Decoratifs et Industriles Modernes in Paris. Handmade furniture and craftsmanship was on display.
Art Deco
201
This movement is known for designing classically inspired buildings in a more simplified, less ornamented way, called Stripped Classicism. very eclectic style
Beaux-Arts
202
borrowing or blending from many sources
eclecticism
203
a pioneer in interior decorating (the first). worked for wealthy New Yorkers.
Elsie de Wolfe
204
70s and 80s. Late Modernism, High Tech, and Deconstructivism, are sub-styles of this era of design. Many designs transform traditional and classical designs. no ornamentation. purposely absurd.
Post-Modernism
205
1980s. looks "deconstructed." It is based on the appearance that many elements have been ripped apart and put back together. Frank Gehry and the Guggenheim Museum Bilbao
Deconstructivism
206
These designers associate the industrial/machine age with Modernism. Their designs are impacted by technology. Futuristic
High Tech
207
(1632-1656) Built in Agra, India. It was built as a mausoleum by Shah Jahan (Mughal sultan) for his wife Mum-Taz Jahan. The gardens represent paradise
Taj Mahal
208
electric lighting is __________________
artificial lighting
209
daylight is _______________
natural lighting
210
light source shining directly into a person's eyes
direct glare
211
light reflecting on a shiny surface such as a tv screen
indirect glare
212
having enough light in order to see the space
visibility
213
lighting that is used to allow someone to function in the space. could be a single fixture in the center of the room. This does not define shape, form, or texture
general lighting
214
dim light (candlelight) makes a space intimate and cozy while bright light energizes and stimulates, giving a very active/alert mood.
mood determination
215
brightly lit areas in a dim space can draw focus toward one area and away from another
focal point determination
216
lighting that is required to ensure safe movement in a space
utility lighting
217
lighting intended to aid the person in doing certain tasks in the space
task lighting
218
groups of lighting working together, which allows flexibility, since different sources of small wattage are more useful than a single source of high wattage.
layering light
219
light that sets the mood for the room
ambient layer lighting
220
illuminates architectural features and sometimes displays
focal layer lighting
221
concentrated light aimed at the center of an item on display. used interchangeably with focal lighting
accent lighting
222
Is provided by floor lamps, undercabinet lights, desk and table lamps, or a down light such as a canned or recessed fixture.
Task layer lighting
223
is used to send light upwards towards the ceiling, providing indirect lighting.
up lighting
224
a technique used to light a wall using narrow lights in a narrow trough (troff) close to the wall
wall grazing
225
places a continuous light source at the joint of the wall and ceiling
slot outlining
226
the amount of light that strikes a surface.
illumination
227
a unit that describes light intensity or how much light is emitted from a source.
candlepower
228
is equal to one candlepower, or the level of light delivered to a surface one foot away from a standard-size candle
candela
229
lighting fixtures. devices that include a lamp holder, a means of electrification and support for that device.
luminaries
229
the direction of the light emitted
light distribution
230
lamps that generate light when electric current heats up the lamp filament. tungsten
incandescent
231
a type of incandescent lamp that give off a whiter light and they last longer. 2k-10k hours vs your standard incandescent (750-1k hrs)
halogen
232
an electrical component that starts the lamp and regulates the electric power flow to the lamp
Ballast
233
light emitting diode. have high output with lower power consumption
LED
234
___________ are either functional or aesthetically pleasing
accessories
235
the designer's written orders to a supplier/vendor
Purchase order
236
a second order that is sent to the supplier/vendor with the original purchase order number indicating a change is being made
change order
237
Greek architectural elements
