Othello A05 Flashcards
Exploring literary texts informed by different interpretations (15 cards)
Julia Briggs, about race in England
“Although the number of people of colour in England was growing during the sixteenth century, they were still unusual enough to be treated as wonders”
Briggs, A05 about place of Africans in England
“from the 1570’s African slaves were regularly brought to England”, “black entertainers” (Scottish court)
A.C. Bradley:
“Othello is by far the most romantic of Shakespeare’s heroes.”
📝 Supports a noble, tragic view of Othello as a deeply feeling man.
F.R. Leavis:
“Othello is egotistical and self-dramatising.”
📝 Useful to challenge the idea that Othello is purely a victim — shows tragic flaws.
Ania Loomba
“Othello is both a victim of racism and a complicit enforcer of it.”
📝 Excellent for postcolonial readings of race, power, and identity.
T.S. Eliot:
“Othello’s final speech is a terrible exposure of human weakness.”
📝 Use to argue that Othello tries to excuse or romanticise his actions.
Lisa Jardine:
“Desdemona becomes the stereotype of female passivity.”
📝 Supports feminist readings of Desdemona as silenced and controlled.
Harold Bloom:
“Iago is a projection of Othello’s own fears and weaknesses.”
📝 Psychological reading — Iago represents Othello’s internalised doubt.
Coleridge:
Iago’s “motiveless malignity.”
📝 Presents Iago as evil for the sake of evil — creates debate on human nature.
Marilyn French:
“The play is structured by the patriarchy and expresses its values.”
📝 Use in essays about how all women are controlled, distrusted, or destroyed.
Postcolonial Reading:
Othello is “the outsider invited in, but never truly accepted.”
📝 Helps show Othello’s precarious position in Venetian society.
Psychoanalytic Reading:
Iago exploits “unresolved anxieties about race, sex, and power.”
📝 Useful for exploring deep, repressed insecurities in Othello and others.
Feminist Reading:
Investigates how female characters are controlled, silenced, and victimised by patriarchal society. E.g Desdemona and Emilia
New Historicist Reading:
Places the play in the context of Elizabethan racial attitudes, Venice as a powerful empire, and gender politics of the time.
Queer Reading:
Looks at possible homoerotic tensions, particularly in Iago’s relationship with Othello and the nature of jealousy.