Outlines Flashcards
(45 cards)
Trace American Choral Music through the Romantic Period
Billings (I am the Rose of Sharon); Ingalls (Honor to the Hills, Northfield); Peter/Moravians; MacDowell; Beach (Service in A/Sea Fairies);
Trace American Choral Music through the 20th Century
Ives; Copland; Carter/Oliveros; Thompson; Dawson; Parker; Hogan; Stravinsky/Britten?; Pinkham; Ticheli; Lauridsen; Whitacre
Trace Anthems through the Baroque
Tallis (If Ye Love Me. Full); Gibbons (This Is the Record of John, Verse); Purcell (Funeral Sentences, Full); Handel (Let God Arise/Zadok)
Trace Anthems Classical to Current
the Priest); Mozart (Ave Verum Corpus?); Billings (I Am the Rose of Sharon); Romantic/20th Century
Trace Chansons
Landini (Non avra ma’ pieta); Ma fin est mon commencement (Machaut); LeJeune (Revecy); Bon jour mon coeur (di Lasso); La Guerre (Janequin)
Trace the Cantata to the Classical Period
Caccini (????); Krieger (Ein feste Burg ist unser Gott); Bach (Jesu, der du meine Seele); Classical (Mozart, _________)
Romantic Cantatas
Beach/Sea Fairies; Mendelssohn/Walpurgisnacht
20th C. Cantatas
Prok/Nevsky; Brit/Lamb; Hind/Apparebit; Orff/Carmina; Pink/Xmas; Thompson/T2Free; VW/DNP; Strav/Noces; Webern/1; Tormis/Curse)
Discuss Catch, Glee, and Canon
Tis women makes us love (Purcell); Glorious Apollo (Webbe); Nascoso e’il mio sol (Mozart);
Development of chant
Hodie Christus natus est; Magnificat anima mea; Nato canunt omnia; O frondens virga (Hildegard)
Choral Symphony
9th (Beethoven); 2nd (Mahler); Psalms (Stravinsky)
Folk Song Arrangements
Fisk; Really early (?????); Dawson (Ezekiel Saw de Wheel); Parker/Shaw (Hark I Hear); Witness (Halloran); Battle of Jericho (Hogan)
Early Italian Madrigal
Il bianco e dolce cigno (Arcadelt)
Middle Italian Madrigal
Or si rallegri il cielo (deWert)
Late Italian Madrigal
Dolcissima mia vita (Gesualdo); Ride la primavera (Schütz); Zefiro torna e di soavi accenti (Monteverdi)
Other Madrigals
April Is in My Mistress’ Face (Morley); Three Madrigals (Emma Lou Diemer); Musicians Wrestle Everywhere (Carter); ????? (Lauridsen)
Missa Brevis
Buxtehüde (alla breves); Bach (several); Haydn (F Major); Mozart (D, K. 194); Kodaly; Poulenc/Rutter Gloria?
Requiem
Ock; Rue (MPD); Schütz (M.E.); Cherubini (Cm); Mozart (626); Berlioz (Op5); Verdi; Brahms; Faure; Durufle; Britten (War); Strav (Canticles)
Mass Renaissance
Machaut; Ockeghem (prolationum); Palestrina (L’Homme arme, CF); Victoria (OMM, parody); Byrd (Mass for ????? Voices);
Mass Baroque to present
Charpentier (Noel); Bach (Bm); Haydn (Nelson); Mozart (Cm, 427); Beethoven (Solemnis,123); Schubert (G); Bruckner (Em); (Strav/Kodaly)
Psalm-Settings through Renaissance
De profundis (Di Lasso); Sicut Cervus (Palestrina); Chantez a Dieu (Sweelinck); Domine ad adiuvandum (1610 Vespers, Monteverdi);
Psalm-Settings Baroque to Romantic
Dixit Dominus (Handel); Laudate Pueri (Mozart, Vespers solennes de Confessore); Gott ist mein Hort (Peter); Stanford (Beati quorum via);
Psalm-Settings 20th C
Psalm 90 (Ives); Psalm 130 (Boulanger, L.); De profundis (Schoenberg, Op. 50B); Stravinsky (Symphony of Psalms)
Motet Medieval
deVitry (Tuba sacre fidei/In arboris/Virgo sum); Dufay (Ave regina coelorum, a3);
