p.e Flashcards
(116 cards)
1
Q
cultural movement that attained widespread popularity in the 1980s and ’90s;
A
hip hop
2
Q
the backing music for rap, the musical style incorporating rhythmic and/or rhyming
speech that became the movement’s most lasting and influential art form.
A
hip hop
3
Q
a dance style, usually danced to hip-hop music, that evolved from the hip-hop culture.
A
hiphop dance
4
Q
The first dance associated with hip-hop was
A
breakdancing
5
Q
hip-hop refers to a complex culture comprising four elements:
A
deejaying
rapping
graffiti painting
b-boying
6
Q
encompasses hip-hop dance, style, and attitude, along with the sort of virile body language that philosopher Cornel West described as “postural semantics.”
A
b-boying
7
Q
also known as “MCing” or “rhyming”;
A
rapping
8
Q
“turntabling”;
A
deejaying
9
Q
also known as “graf” or “writing”;
A
grafitti painting
10
Q
Hip-hop originated in
A
African American economically depressed South Bronx section of New York City in the late 1970s.
11
Q
the aspects of the culture that first caught public attention, had the least lasting effect.
A
Grafitti and break dancing
12
Q
, the graffiti movement was started about
A
1972
13
Q
a Greek American teenager who signed, or “tagged,
A
taki 183
14
Q
where did taki 138 name dervied>?
A
(his name and street, 183rd Street) on walls throughout the New York City subway system.
15
Q
The first major hip-hop deejay was
A
DJ Kool Herc (Clive Campbell),
16
Q
an 18-year-old immigrant who introduced the huge sound systems of his native Jamaica to inner-city parties.
A
DJ Kool Herc (Clive Campbell),
17
Q
Using two turntables, he melded percussive fragments from older records with popular dance songs to create a continuous flow of music.
A
Kool herc
18
Q
Types of Hip Hop Dance Styles:
A
Locking Popping Electric Boogie Breakdance / B-Boying Uprock Funk Streetdance Tutting/Tetris Battle Liguid Dancing Boogaloo Ragga House Dance Lyrical Stepping Free Running Punking Waacking Voguing
19
Q
locking was originally?
A
campbellocking
20
Q
can be traced back to the late 1960’s and was created by Don Campbell.
A
locking
21
Q
It is a style of funk and street dance and originally danced to traditional funk music such as James Brown.
A
locking
22
Q
what is the concept of locking?
A
freezing from a fast movement and “locking” in a certain position, holding that position for a short while and then continuing in the same speed as before. It relies on fast and distinct arm and hand Hip Hop Manual movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music.
23
Q
includes quite a lot of acrobatics and physically demanding moves, such as landing on one’s knees and the split.
A
locking
24
Q
These moves often require knee protection of some sort.
A
locking
25
Other important stylistic features are waving of arms, pointing, walking stationary and grabbing and rotating the cap or hat.
locking
26
created the original freezes, incorporating his unique rhythm and adding gestures such as points and handclaps.
Don campbell
27
commonly use a distinctive dress style, such as colorful clothing with stripes, suspenders, pegged knee length pants, hats and gloves.
lockers
28
is quite performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical in nature.
Locking
29
The best way to describe the movement of ??? would be to imagine a force of energy going through the body causing it to move like a wave..
Popping
30
This style is difficult to manage at the technical level as it requiring command of isolations, a perfect knowledge of the body, and a good sense of the rhythm with major use of counter-tempo.
popping
31
The style demands continuous contraction of the muscles to the beat to give a jerky/snapping effect – a bouncy style.
popping
32
is a style of popping (ticking) but the major difference is that Popping creates a soft wave whereas ? creates more jerky waves with microwave moves, executed with a high velocity more difficult than classical popping.
electric boogie
33
The Robot, and the more smooth and controlled movements of mime are characteristic.
electric boogie
34
is more like mime in the sense that it imitates a live wire of electrical current or rippling river, but it still needs the control of The Robot to give it style.
electric boogaloo
35
commonly called breakdancing, is a style of dance that evolved as part of hip-hop culture among Black and Latino American youths in the South Bronx during the 1970s.
Breakdancing / b-boying
36
It is danced to both hip-hop and other genres of music that are often remixed to prolong the musical breaks.
Breakdancing / b-boying
37
a term referring to the upright dancing and shuffles.
Toprock,
38
which refers to footwork dancing
| performed on the floor.
downrock
39
the poses that breakers throw into their dance sets to add punctuation to certain beats and end their routines.
freeze
40
These are the most impressive acrobatic moves normally made up of circular motions where the dancer will spin on the floor or in the air.
power moves
41
what are the 4 basic elements of breaking
toprock, downrock, freeze, power moves
42
is a soulful, competitive street dance using the rhythms of Soul, and Funk music.
uprock
43
The dance consists of foot shuffles, spins, turns, freestyle movements, sudden body movements called "jerks" and hand gestures called "burns".
uprock
44
said to be mastered with discipline, patience, heart, soul, and knowledge.
uprock
45
dancing originated on the West coast of the United States, where it developed in the late 60’s as a reaction to the fusion of Soul and Disco, as well as early R’n’B and Hip Hop music.
funking
46
It is a highly choreographed dance form, similar to dances seen on commercial video clips. It features a mixture of sharp and fluid movements, popping & locking and animated expression.
funk
47
is very physical and incorporates dance moves from all over the world.
streetdance
48
Various dance styles are mixed with a multi- cultural influence and funky tune
streetdance
49
a FUSION of styles from the Hip Hop genre.
streetdances
50
s a dance style that mimics the angular poses common to ancient Egyptian art.
tutting or tetris
51
Whoever coined the term probably imagined that this was how King Tut danced.
tutting / tetris
52
The style is rapidly evolving but there are some constant rules that define it.
tutting / tetris
53
The style is rapidly evolving but there are some constant rules that define it.
tutting / tetris
54
While this constraint is fundamental, and for the most part is not violated, other aspects of the dance are in flux.
tutting / tetris
55
Dancers used to utilize a limited set of static hiero-inspired poses, but they now have begun to create more complex geometric patterns involving interaction between multiple limbs.
tutting / tetris
56
is a freestyle where dancers 'fight' against each other on the dance floor without contact.
battle
57
They form a circle and take turns trying to show each other up by using either a better style, more complex combinations, or harder moves.
battle
58
a form of gestural dance that sometimes involves pantomime
Liquid dancing
59
a form of gestural dance that sometimes involves pantomime
invokes the word liquid to describe the fluid- like motion of the dancers’ body and limbs
primarily the dancers’ arms and hands which are the focus, though more advanced dancers work in a full range of body movements
similar to the styles of popping or locking.
Liquid dancing
60
primarily the dancers’ arms and hands which are the focus, though more advanced dancers work in a full range of body movements
Liquid dancing
61
similar to the styles of popping or locking.
liquid dancing
62
a fluid style, that uses every part of the body and involves using angles and smooth movements to make everything flow together
boogalo
63
it often uses rolling of the hips, knees, and the head and is often used as a transition
it often uses rolling of the hips, knees, and the head and is often used as a transition
64
a dance style originating (in the late 70’s) from street dance by AfroJamaïcans, AfroCarebians, which uses music which evolved from classical Reggae with a hip hop influence
ragga
65
ragga is a dance style originating (in the late 70’s) from street dance by
AfroJamaïcans, AfroCarebians,
66
he style used is a combination between hip hop moves, afro moves with latin influences with sensualit
ragga
67
it requires very good physical condition, as many muscles are involved in the Raggajam, particularly in the lower part of the body
ragga
68
correct execution requires good technique.
ragga
69
a group of dance styles primarily danced to house music that have roots in the clubs of Chicago in the late 70’s and early 80’s
House Dance
70
the main styles include Footwork, Jacking and Lofting. Like hip hop dance it was created by black and latino Americans and is often improvisational in nature
House Dance
71
it emphasizes fast and complex foot oriented steps combined with fluid movements in the torso
HOUSE DANCE
72
ncorporates movements from many other sources such as Capoeira, tap, jazz, bebop, and salsa
house dance
73
t includes a variety of techniques and sub-styles that include skating, stomping, and shuffling
House dance
74
one of the primary elements in house dancing is a technique called jacking and involves moving the torso forward and backward in a rippling motion, as if a wave were passing through it
house dance
75
this movement is repeated and sped up to match the beat of a song
house dance
76
this technique is the most important movement in house dancing
house dance
77
all footwork in house dancing is said to initiate from the way the jack moves the center of gravity through space
house dance
78
other than footwork, jacking, and lofting, ??? has grown to include other related styles such as vogue, waacking and hustle
house dance
79
is a fluid and more interpretive version of new style hip-hop most often danced to downtempo rap music or R&B music
lyrrical hip hop
80
"hip-hop with emotion“
lyrical
81
it focuses more on choreography and performance and less on freestyles and battles
Lyrica
82
comes from the word "lyrics" because dancers use the lyrics of a song or instrumental music to inspire them to do certain movements or show expression
lyrical
83
the goal of a lyrical dancer is to use gesture, facial expression, and controlled movements in order to execute their movements and emotions fully
lyrical
84
besides emotional connection to music, lyrical dance typically encourages use of articulation, line, weight, and movement qualities
lyrical
85
is a form of percussive dance in which the participant's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps
Stepping or step-dancing
86
though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations
Stepping or step-dancing
87
may also draw from elements of gymnastics, tap dance, march, or African and Caribbean dance, or include semi-dangerous stunts as a part of individual routines
Stepping
88
a form of urban acrobatics in which participants, known as free runners, use the city and rural landscape to perform movements through its structures
free running
89
It incorporates efficient movements from parkour, adds aesthetic vaults and other acrobatics, such as tricking and street stunts, creating an athletic and aesthetically pleasing way of moving.
free running
90
It is commonly practiced at gymnasiums and in urban areas (such as cities or towns) that are cluttered with obstacles
free running
91
was coined during the filming of Jump London, as a way to present parkour to the English-speaking world
the term free running
92
The founder and creator of Free running
Sébastien Foucan
93
This style came in 1970s from the West coast, directly Los Angeles, where it was developed in clubs and underground scene
Punking
94
was first spotted in gay clubs in Hollywood
PUnking
95
Dancers began to represent it on television and it became well-known thanks to Soul Train
Punking
96
s a name that some of the Soul Train dancers began to use instead of the initial term punking
waacking
97
at this time the music is moving in more funk direction. Clothing was very colorful, funky. Dancers had a funky feeling. This is why this style mixed with lockin. In fact, these two styles were very close to each other thanks to a funky feeling
Punking-1970-1974
98
about this time broke out "Disco Madness". Music began to take a different direction.
Waacking-1974
99
Women danced in a dress and heels, men exchanged a funky T-shirts for shirts and jackets. The style began to change more in the direction of jazz. The dance included a lot of lines, poses (which was
mostly inspired by movie stars of 1930s’) and other technical design movements of hands that you wouldn’t definitely find in the punking.
Waacking
100
In particular, the overall attitude of the body has changed thanks to the footwear and clothing. Dancers began to dance everything more in upright stand unlike in punking, which was far more in the knees.
Waacking
101
this style was "forgotten" for a while and survived in a small group of dancers who are so devoted
Waacking
102
today waacking and punking is experiencing a "rebirth" in different forms
Waacking
103
For example, in NY you will see primarily jazzy form, but more funky in Japan
Waacking
104
a form of modern dance, as well as waacking and was created by the gay community
vouge
105
The style is inspired by photos of models in poses in various positions such as posturing hands, feet, body movements in linear, angular and precise, fixed position.
vouging
106
This style of dance arose from Harlem ballrooms by African Americans and Latino Americans in the early 1960s
vouging
107
It was originally called "presentation" and later "performance”.
vouging
108
is continually developed further as an established dance form that is practiced in the gay ballroom scene and clubs in major cities throughout the United States—mainly New York City, Los Angeles, Atlanta, Philadelphia, Washington D.C., Miami, Detroit, and Chicago
vouging
109
Currently there are 3 different styles, or we can say "schools" in Voguing
```
Old Way (pre- 1980)
New Way (1990)
Vogue Fem (started around 1985)
```
110
characterized by the formation of symmetrical and precise lines, creating a wonderful variable action with proper attitude
Old way
111
Egyptian hieroglyphs and fashion poses serve as the original inspirations for old way voguing
Old way
112
characterized by a more precise geometric patterns associated movements called "Click" (arm twisting in the joint) and "arms control" (agility hands and wrist illusions, which usually make "tut" or "tutting" and locking or stopping movement
new way
113
can also be described as a modified form of mime - where imaginary geometric shapes such as boxes, are presented during the move, that move progressively around the body of dancer and showing dancers dexterity
new way
114
largest extreme flexibility and fluidity, exaggerated feminine movements, influenced by ballet, modern dance and in the case of "dramatic" Vogue Fem, emphasize jumps and tricks
Vogue Fem
115
includes other forms of dance moves such as: Modern jazz, ballet, gymnastics, martial arts, break dancing, yoga
vouge fem
116
Some dance historians even point out that breakdance and vogue evolved together in a bilateral loan of movement, with artists from both parties interacting one another in Central Park, Christopher Street pier, Harlem and Washington Square Park
vouge fem
