PE Flashcards by SANTIAGO, ISAIAH MICAH L.

Influences from immigrants and conquerors while at the same time maintaining distinctly Filipino roots.

Philippine Folkdance-

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a true reflection of daily life in past centuries while enchanting modern audiences at the same time

Folkdancing

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A classification of Philippine Folkdances that found throughout the island (Examples: Rigodon, Carinosa, Jota)

National Dances

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classification of Philippine Folkdances found in specific locality. (Examples: Tinikling, Subli)

Local Dances

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Most dances begins and ends with this.

SALUDO

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Found In Non-Christian Tribes.

War Dances

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with foreign elements

Low Lands Dances

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Characteristics of Philippine Folkdances.

Traditional Dances-

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Depicts actions of a particular occupation. (Examples: Planting, Punding)

Occupational Dances-

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Associated with religion ceremonies. (Dugsu)

Religious Dances

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Associated with vows ceremonies. (Sua-sua)

Ceremonial Dances

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Depict funny movements (Kinotan, Makonggo)

Comic Dances

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Done with play elements (Lubi-Lubi, Pavo)

Game Dances

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Performed during wedding feast.

Wedding Dances

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The art of courtship (Hele-hele, Tadek, Pantomina)

Courtship Dances

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Suitable for special occasions (Pandanggo, Habanera)

Festival Dances-

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Show imagery combat (Sagayan, Palu-Palo)

War Dances

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Foster Patriotism and Nationalism

Objectives of Philippine Folkdances

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the traditional recreational dance of an indigenous society showing the cultural characteristics of a specific people at given time and place.

FOLK DANCE

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traditional, social expression through movements with rhythmic accompaniment which are characteristics of some community life of the people of different nationalities.

FOLK DANCE

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The vivid intimate bond of customs, ideals, and traditions of the past through which a multitude of national characteristic in music, steps, and costumes are preserved.

FOLK DANCE

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a dance developed spontaneously and naturally by specific folk, usually handed down from generation to generation and following a fixed basic patterns.

FOLKDANCE

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are often integral to their rituals and cultural practices.

DANCES OF THE TRADITIONALIST OR “PAGAN” GROUPS.

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Have cultural influence from hindu, japanese, chinese and arab-persian civilizations
Are oriental, exotic and stylized
The musical instruments are agongs, kulingtang, bamboo xylophones and drums.

DANCE OF THE MUSLIM GROUPS

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They are focused on the feet. The arm movements are simple and free. Musical instruments include bamboo and wooden sticks, clappers, sheilds and native lutes (kudyapi, kettle drums, mass metal drums, bronze gongs.)

DANCES OF THE AETAS OR NEGRITOS

DANCE ARE: 1.Rituals 2. Flirtation 3. Courtship 4. Game dance 5. Animal dance 6. Duel or war dance

dances coming from places with Western influences such as that of the Tagalogs, Ilokanos, Pampangueños, Pangasinense, Bisayans, and Bicolonas. They’re dances are influenced by Hispanic and European cultures.

Lowland Christian dances

The________colonization of the Philippines brought many Western influences including religion, social customs, dress, dance and music. European dances like the waltz, mazurka, the Spanish jota, paso doble, fandango and others were transformed to suit the climate and the temperament of the people.

SPANISH COLONIZATION

A courtship dance characterized by playful movements and the use of fans or handkerchiefs, symbolizing flirtation and romance. It features graceful steps and is performed at festive gatherings.

Cariñosa

Known as the national dance of the Philippines, it involves dancers stepping between and over bamboo poles. The dance showcases agility and rhythm, often accompanied by lively traditional music.

Tinikling

three different racial groups

Pygmies, the indonesians, and the malays.

decendants of the pygmies

Negritos and proto-malays

traditional dance throughout the philippines with a common basic movement or pattern but with slight variations.

NATIONAL DANCES

Examples: Carinosa kuratsa balitaw Rigodon pandango surtido

Local or regional dances Examples: Alcamfor (leyte) Maglalatik (san pablo, laguna) Basulto (pampanga)

NATURE OF THE DANCE Occupational dance

the largest number of dances

Rice festivals Pagtatanim paggapas paggiik Paglulugas paghangin pagbabayo

depicts the different stages of gold panning

PABIRIK

Tuba gatherer

MANANGUELE

Religious or ceremonial dance

Examples: Obando Dugso Sinurog

Courtship dances

Examples: Rogelia Lulay Hele-hele bago quiere

Wedding dances

(bride and groom)

Pantomina

(bride and groom and friends or relatives of each side)

Padang-padang

( dance by the parents of future groom, the visit of the parents of the bride)

Soryano

Festival dances

Examples: Kuratsa La jota Putong

War dances Examples: Inabaknon Sagayan

Comic dances Examples: Makonggo ( movement of monkey) Kinoton (movements of person bitten by ants)

Social dances Examples: Rigodon Lanceros

Game dances Examples: Lubi-lubi Gayong gayong Pabo

Acronym for bontocs, ifugaos, benguets, apayao, kalinga, itneg, ilonggo, and gaddang.

Bibaking

highest form of kanyaw or kesheng (ibaloy term for feast), a prestige feast performed by the wealthy, who owns many heads of animals and a vast rice plantation.

PESHITS

In general, a cañao or kanyaw is a special feast of the igorot cordillerans or the indigenous people from the cordillera admistrative region (car) of the philippines. It is a special feast that entails community gathering not only for social purposes but also for spiritual reasons.

Kanyo

flirtation love or wedding, dance from westernbontoc

Takik

dance by 1 or 2 warriors

Pattong

from lagawe igudao, it is dance festival performed by men and women during major feast.

Dinuya

among apayaos, dacing imitating “woodpeckers”

Tarektek

victory dance

BENDIAN

among apayaos, dance imitating a high flying bird.

TURAYEN

kalingga word for dance

Tadeck

kalinga women where they carry basket on their heads.

Ragragsakan

victory dance after a head- hunting spree.

Takiling

Dance have touches of hindu, javanses, chinese and arab phersian culture.

DANCE OF THE MINDANAO GROUPS

among maranao, is dance with the use of beautifully decorated umbrella.

Kinakulangan

is a war dance which dramatize the hero warrior prince.

Sagayan

is a doll dance for girls

ASIK

shows trace of hindu – vedic influence, where the five dancers represent the sounds of the gandingan.

Silong sa ganding

from jolo sulu, portrays the varied life activities of the people.

Pang-alay

dance class of nobel samal women.

Maglanka

is a martial art dance in the langka tradition of mindanao dances

Burong talo

depicts the movement of a fish.

PINDULAS

is a manobo hawk dance

Binanog

is a dance of married couples in botolan, zambales.

Habanera botolena

is a festival dance from the province of bicol depicting the happy and contented life of the people.

Pandango rinconada

-If there were dance for the so called “bourgoise” during spanish period, there were also dance for the poor, farmers and people in the rural areas. -Dance were light and more informal -Frequetly, the dance requires skills and character which depict their kind of work.

DANCES OF THE COUNTRYSIDES

is a dance that requires a balancing skills with glass of wine.

Binasuan

performed during eastern sunday.

BATI

game dance

Gayong-gayong

which means sticks, is a pangasinan dance that bears the chinese influence.

Binislakan

DANCES OF THE LESS-KNOW GROUPS

is a tiboli dance with mythical bindings imitative of the movements of birds.

Kadal blelah

is a courtship dance.

Karasaguyon

is a dance that depicts the movement of the bird in the middle of the forest.

Kadal tajo

BENEFITS OF DANCE

-Boosts confidence -Encourages creativity -Develops counting skills -Builds social skills -Improves balance -Enhances memory

1. Fitness Dacing is one of the versitile and satisfying activities one can participate in as a form of expression, recreation or a form of exercise to develop fitness.

2. Joy and satisfaction The physical well being of a person who participates is improved

3. Grace and coordination It improves response to rhythmic patters. Constant participation in dance activities will improve one’s neuromuscular coordination and help ones acquisition of grace

4. Self – expression It develop poise and good posture