PE and Health Flashcards

(91 cards)

1
Q

It’s good for your heart, it makes you stronger, and it can help with balance and coordination.

A

Dance

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2
Q

30-minute dance class burns between?

A

130-250 calories

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3
Q

Depending on the type of dance you choose, some of the steps/moves will engage the
core muscles.

A

Core

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4
Q

Although most dances focus on your lower body, you’re also using your arms.

A

Arms

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5
Q

The choreography will have you doing moves that work your lower body, including
your quads and hamstrings.

A

Legs

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6
Q

Dance uses your core muscles, including those in your back.

A

Back

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7
Q

Most dance-inspired workouts include moves that improve flexibility.

A

Flexibility

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8
Q

Dancing raises your heart rate. The more up-tempo the dance style, the better it is for
your heart.

A

Aerobic

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9
Q

You won’t be lifting weights, but your body weight counts, helping to build muscle
strength.

A

Strength

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10
Q

Dancing can be a high-or low-impact workout depending on the style of dancing.

A

Low-Impact

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11
Q

In the east, the Chinese have their own symbolic

A

Dragon Dance

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12
Q

the Japanese have the ancestral dance

A

Bon Odori

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13
Q

the Americans
have their own

A

Square Dance

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14
Q

Philippines would not be left behind for

A

The Pearl of the Orient

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15
Q

Luzon dances traces its cultural
influences from

A

Indu, Buddist Spanish

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16
Q

One of the interpretative dances created during the KAYAW days.

A

Banga

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17
Q

a mock-war dance that demonstrates a fight between the Moros and the Christians
over the prized latik or coconut meat during the Spanish rule.

A

Maglalatik

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18
Q

comes from the Spanish dance “fandango” that requires excellent balancing
skill to maintain the stability of three tinggoy, or oil lamps, placed on head and at the back of each hand.

A

Pandanggo sa Ilaw

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19
Q

was a popular dance in Marikina, Rizal during the Spanish times. This dance was
performed after the lutrina (a religious procession) and the music that accompanied the dancers was played by the musikong bungbong.

A

Balse

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20
Q

The Visayas, are grouped into 3 sections:

A

Central, Eastern, and Western

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21
Q

The people in the Visayas consist of

A

Austronesians, Negrito and the Animist Tribal Group.

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22
Q

The dance imitates the movement of the Tikling birds as they walk between grass
stems, run over tree branches, or dodge bamboo traps set by rice farmers.

A

Tinikling

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23
Q

is highly favoured by the Waray people of the Eastern Visayan region in the
Philippines.

A

Kuratsa

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24
Q

is a Spanish-inspired ballroom dance from the Bohol province of the Philippines.

A

Mazurka Boholana

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25
southernmost region of the Philippines. It is the second largest island group and its cultural group consists of mostly Muslim and “Moro” people,
Mindanao
26
A martial arts dance originating from the Tausug people of the Sulu archipelago in the Southwestern part of the Philippines.
Kini-kini
27
is a traditional Tausug dance characterized by elaborate body postures and gestures and the graceful arm and hand movement of the dancer, amplified by the use of janggay or metal claws.
Pangalay
28
It is a re-telling of an episode from the Maranao epic legend involving the rescue of Princess Gandingan (abducted by the diwatas) by the legendary Prince Bantugan.
Singkil
29
Maranao epic legend involving the rescue of Princess Gandingan (abducted by the diwatas) by the legendary Prince Bantugan.
Darangen
30
based on classical and traditional Indian dance forms.
Kandingan
31
depict the lifestyle and daily work of the people living in various topographies, for example, planting and pounding.
Occupational Dances
32
are those associated with religion, vows and ceremonies. A religious dance may be performed to drive away evil spirits and for having recovered from sickness, favors granted and vows fulfilled.
Religious or Ceremonial Dance
33
are those that are done with play elements.
Game Dances
34
are those dances that are performed during wedding feasts.
Wedding Dances
35
depict the art of courtship.
Courtship Dances
36
-Both arms are raised forward in a circle in front of the chest with the fingertips about an inch apart.
1st Position
37
-Both arms are raised sideward with graceful curve at shoulder level.
2nd Position
38
-Left arm is raised sideward as in 2nd position; right arm raise upward.
3rd Position
39
-Left arm is raised in front as in first position; right arm raised overhead.
4th Position
40
-Both arms are raised overhead.
5th Position
41
-Heels close together; toes apart within an angle of around 45 degrees.
1st Position
42
-Point the right toe sideward; bring down the heel of the right foot.
2nd Position
43
-Heel of one foot is close to in step of other foot.
3rd Position
44
-Point the right toe forward; bring down the heel of the right foot.
4th Position
45
-Close the right foot to the left by circling and return to the first position.
5th Position
46
both arms are at one side, either sideward right or left, this may be done at shoulder, chest or waist level.
Arms in Lateral Position
47
weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction.
Brush
48
like the motion of the hands of the clock. R shoulder is toward the center of an imaginary circle.
Clockwise
49
the reverse direction of clockwise. L shoulder is toward the center of an imaginary circle.
Counterclockwise
50
to displace quickly one foot with the other, thus completely taking off the weight of the body from the displaced foot.
Cut
51
the vis-à-vis (opposites) both advance forward, pass each other’s right (or left) side, step across to the right (or left), move backward without turning around pass each other’s left (or right) side to proper places. This is of foreign origin and is used in many Philippine dances.
Do-si-do
52
Opposites
Vis-a-vis
53
the foot not bearing the weight of the body.
Free Foot
54
the hand not placed anywhere or not doing anything.
Free Hand
55
place hands at the waistline.
Hands on Waist
56
to place one forearm in front and the other at the back of the waist. This is a Visayan term.
Hayon-Hayon
57
primarily to celebrate unity amidst diversity of cultures.
Festivals
58
Dubbed as the Mother of All Festival in the Philippines,
Ati-atihan - Kalibo
59
On the same day (3rd Sunday of January), Cebu City also pays tribute to the Santo Niño
Sinulog - Cebu City
60
Exactly a week later on the 4th Sunday of January, holds the same cultural and religious festivity in honour of the Child Jesus.
Dinagyang - Ilolo City
61
a 20-day street party replete with food, drinks, dances, and a bevy of wild contests like chasing after a pig and downing coconut milk. Held on the weekend closest to October 19,
Masskara - Bacolod
62
This time it's primarily to give thanks for a plentiful harvest so the streets are decorated with freshly picked fruits and vegetables.
Kadayawan Festival - Davao City
63
During Holy Week each year, a biblical re-enactment of the crucifixion of Jesus Christ is seen on the roads of Marinduque.
Moriones Festival - Marinduque
64
when locals dance around the streets with inked bodies to symbolize the brave warriors of the past. Portraying the natives’ practice of idolatry along with their penchant for music and dance, this June 29th festival provides a glimpse of how the native people lived prior to the Spaniard's arrival.
Pintados Festival - Tacloban
65
Every year during the month of February, thousands of tourists both domestic and foreign go up to the Summer Capital of the Philippines to witness the city bloom, literally.
Panagbenga Festival - Baguio
66
be part of its larger than life celebration
Higantes Festival - Angono, Rizal
67
is the time when people in Lucban, Quezon give thanks to San Isidro Labrador for a good harvest.
Pahiyas Festival - Lucban, Quezon
68
Pahiyas means
Decor
69
The paru-paro (known as butterfly in English) is a universal symbol of change, transformation and celebration.
Paru-Paro Festival
70
Butterflies are a symbol of? (3)
change, transformation and celebration.
71
3rd Sunday of January.
Ati-atihan and Sinulog
72
4th Sunday of January,
Dinagyang
73
Held on the weekend closest to October 19,
Masskara
74
3rd week of August.
Kadayawan
75
Holy Week each year,
Moriones
76
June 29th festival
Pintados
77
during the month of February,
Panagbenga
78
23rd of November,
Higantes
79
May 15,
Pahiyas
80
Kalibo
Ati-atihan
81
Cebu City
Sinulog
82
Iloilo City
Dinagyang
83
Bacolod
Masskara
84
Davao City
Kadayawan
85
Marinduque
Moriones
86
Tacloban
Pintados
87
Baguio
Panagbenga
88
Angono, Rizal
Higantes
89
Lucban, Quezon
Pahiyas
90
Dasma Cavite
Paru-paro
91
a type of rice dough made from a traditional recipe.
Kiping