PERCEPTION Flashcards

(34 cards)

1
Q

the method by which the brain takes all the
sensations a person experiences at any given
moment and allows them to be interpreted in
some meaningful fashion.

A

Perception

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2
Q
  1. Size constancy 2. Shape constancy 3. Brightness constancy
A

Constancies

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3
Q

the tendency to interpret an object as always
being the same size, regardless of its distance
from the viewer (or the size of the image it casts
on the retina).

A

Size constancy

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4
Q

So if an object that is normally
perceived to be about 6 feet tall appears very small on the retina, it will be interpreted as
being very far away.

A

Size constancy

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5
Q

why a person still perceives a coin as a circle
even if it is held at an angle that makes it
appear to be an oval on the retina.

A

Shape constancy

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6
Q

the tendency to perceive the apparent
brightness of an object as the same even when
the light conditions change.

A

Brightness constancy

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7
Q
  1. Figure-Ground Relationships
  2. Proximity
  3. Similarity
  4. Closure
  5. Continuity
A

Gestalt Principle

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8
Q

Refer to the tendency to perceive objects or
figures as existing in a background. People
seem to have a preference for picking out
figures from backgrounds even as early as birth.

A

Figure-Ground Relationships

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9
Q

the tendency to perceive objects that are
close to one another as part of the same
grouping.

A

Proximity

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10
Q

refers to the tendency to perceive things that
look similar as being part of the same group.

A

Similarity

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11
Q

the tendency to complete figures that are
incomplete.

A

Closure

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12
Q

refers to the tendency to perceive things as
simple as possible with a continuous pattern
rather than with a complex, broken-up pattern.

A

Continuity

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13
Q

It is the capability to see the world in three
dimensions

A

Depth Perception

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14
Q
  1. Linear Perspective
  2. Relative Size
  3. Overlap or interposition
  4. Aerial Perspective
  5. Texture Gradient
  6. Motion Parallax
  7. Accommodation
A

7 Monocular Cues

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15
Q

are often referred to as pictorial depth cues
because artists can use these cues to give the
illusion of depth to paintings and drawings.

A

Monocular Cues

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16
Q

the tendency for lines that are actually
parallel to seem to converge on each other.

A

Linear Perspective

17
Q

tendency when the objects that people
expect to be of a certain size appear to be small
and are, therefore, assumed to be much farther
away.

A

Relative Size

18
Q

happens if one object seems to be blocking
another object, people assume that the blocked
object is behind the first one and, therefore,
farther away.

A

Overlap or interposition

19
Q

occurs when the farther away an object is, the
hazier the object will appear to be due to tiny
particles of dust, dirt, and other pollutants in
the air.

A

Aerial Perspective

20
Q

is another trick used by artists to give the
illusion of depth in a painting.

A

Texture Gradient

21
Q

makes use of something that happens inside
the eye. The lens of the human eye is flexible
and held in place by a series of muscles, process of visual accommodation
as the tendency of the lens to change its shape,
or thickness, in response to objects near or far
away.

A

Accommodation

22
Q

perception of motion of
objects in which close objects appear to move
more quickly than objects that are farther
away

A

Motion Parallax

23
Q

cues for perceiving depth
based on both eyes

A

Binocular cues

24
Q

1 Convergence
2 Binocular disparity

A

2 Binocular cues

25
a perception that does not correspond to reality: People think they see something when the reality is quite different.
ILLUSIONS
26
visual stimuli that “fool” the eye
ILLUSIONS
27
a distorted perception of something that is really there
ILLUSIONS
28
originates in the brain, not in reality
HALLUCINATIONS
29
Hermann Grid
Perceptual Illusions
30
One explanation for this illusion is attributed to the responses of neurons in the primary visual cortex that respond best to bars of light of a specific orientation
Hermann Grid
31
3 neurons discovered by David Hubel and Torsten Wiesel
simple cells, complex cells, end-stopped cells
32
neurons in the primary visual cortex that respond best to bars of light of a specific orientation
simple cells
33
which respond to orientation and movement
complex cells
34
respond best to corners, curvature, or sudden edges
end-stopped cells