POETRY OF DEPARTURES Flashcards

(17 cards)

1
Q

sometimes you hear fifth -hand/ as epitaph

A

immediate unreliable and second hand nature of societal idea/story - has been repeatedly told = doubt the truth of the promises of freedom

epitaph= words spoken at a funeral - unfulfillment of conforming

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2
Q

he chucked up everything/ and just cleared off

A

mocks dramaticised superficial image of change - views them as being careless/reckless due to their inexperience which makes them naive

the fact that the story is coming from the voice of someone else removes the individuality+ freedom of the image

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3
Q

certain you approve

A

speaker is irritated at the complacency to such blatantly superificial ideals - blind obedience is emph by direct address

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4
Q

this audacious, purifying, elemental move

A

enj and tricolon emph the significance of change that social ideals project - false hope + appears momentuous when in reality everyone else has done it

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5
Q

and they are right I think.

A

speaker is just as oblivious and unsure as those who do conform on the ideas of freedom

doubts the idea that conformity brings happiness

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6
Q

we all hate home

A

plural noun - speaker’s critique of himself + the shared idea of life becoming boring which incentivises an innate desire for change

inherent unfulfillment + greed society to always want more

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7
Q

It’s specially chosen junk

A

juxtaposition emph how items that were once valued now are viewed as boring + discarded - emph the fleeting nature of happiness and passion as humanity always desires more

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8
Q

the good books, the good bed

A

monosyllable emph the lack of ‘good’ and the repetitive monotony of change

objects that were once significant become worthless

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9
Q

and my life, in perfect order

A

life being regimented and monotonous = desire for change

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10
Q

he walked out on the whole crowd

A

societal voice emph in italics - pushes people to conform to ideal of dramatic change + hope

in reality lacks uniqueness + appears performative

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11
Q

leaves me flushed and stirred, like then he undid her dress/ or take that you bastard;

A

speaker mocks societal rebellion being associated with change - overdramatic - just another form of conformity

endstop emph the speaker’s separation and rejection of such misleading ideals

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12
Q

surely I can, if he did?

A

speaker’s own temptations to the fantasy of change and its promises being exemplified by such allusions

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13
Q

sober and industrious

A

speaker questions the nature of these ideals - respectable since it encourages people to be hardworking but is inevitably undermined by the superficial nature of ambitions they work towards

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14
Q

yes swagger the nuts strewn roads/ crouch in the focsle

A

cliche idea of becoming carefree after change - actually just conforming

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15
Q

such a deliberate step backwards

A

life inevitably becomes boring - change + conformity = self sabotage - will always return to the monotony and patterns of the old life

the happiness obtained from conforming as non permanent - speaker has been deceived

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16
Q

to create an object/ books; china; a life

A

image of crafting + creativity being undermined by the social conformity - speaker creates the same objects + product of change = no actual uniqueness and value will depreciate overtime and will be discarded as worthless

structurally parallels image of boredom associated with meaningless objects in stanza 2

use of listing of objects emph the monotony + cyclical nature of unfulfillment

17
Q

reprehensibly perfect

A

oxymoronic - speaker rejects the idea that happiness can be obtained through conforming to such fantasies of freedom and the idea of a perfect life - impossible