Purcell Flashcards

(30 cards)

1
Q

Tempo

A

no tempo markings; would be interpreted as slow

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2
Q

ground bass

features

A
  • 3 bars long
  • consists entirely of quaver rhythms
  • arpeggio-based melodic shape
  • uses semitone intervals
  • characterstic fall of an octave at the end of the ground
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3
Q

Explain how Purcell uses word painting to convey the meaning of the word ‘eased’.

A
  • dissonant
  • resolution
  • descending
  • ornamentation
  • sequence
  • scalic / stepwise
  • suspension
  • appoggiatura
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4
Q

Dynamics

A

no dynamic markings

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5
Q

Metre

A

4/4

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6
Q

What voice type is the singer?

A

soprano

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7
Q

Tonality

A
  • A minor
  • modulations to closely related keys in central section
  • can seem tonally ambiguous because of chromatic and non-diatonic ground bass
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8
Q

Identify features of harmony (from when “the snakes drop” until the end) that are characteristic of the Baroque period.

A
  • ground bass
  • perfect cadences
  • functional
  • false relations
  • Tierce de Picardie
  • suspensions
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9
Q

Describe three features of the harmony from the beginning to the first “Wond’ring” that are characteristic of Baroque music.

A
  • functional
  • ground bass
  • perfect cadenses
  • false relations
  • suspensions
  • realisation
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10
Q

Texture

A
  • polyphonic and MDH
  • accompaniment provided by ground bass (LH of harpsichord and bass viol)
  • RH of harpsichord is an elaborate realisation and provides some counterpoint with vocal line
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11
Q

Name the melodic interval in the vocal line between ‘Music’ and ‘music’.

A

perfect 5th

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12
Q

What plays the ground bass?

A

left hand of harpsichord and bass viol

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13
Q

Identify features of instrumentation (from when “the snakes drop” until the end) that are characteristic of the Baroque period.

A
  • harpsichord
  • bass viol
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14
Q

Between bars 15 beat 4 and 22 beat 1, the soloist tries to soothe the mythical Fury, Alecto.

Explain how Purcell establishes a sense of calm referring to melody.

A
  • melismas
  • ornaments
  • sequences
  • word painting
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15
Q

Explain how Purcell uses melody to create a sense of drama through word painting to set the word ‘drop’.

A
  • descending
  • syllabic
  • disjunct
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16
Q

Identify features of melody (from when “the snakes drop” until the end) that are characteristic of the Baroque period.

A
  • ornamentation
  • word painting
  • diatonic
17
Q

Harmony

A
  • chords are diatonic and functional
  • perfect cadences confirm modulations in B section
  • occasional suspensions
  • false relations
  • infrequent dissonances
18
Q

Describe features of the harpsichord melody at the end of the B section.

A
  • ornamented
  • realisation
  • ascends then descends
  • (mostly) conjunct / scalic
  • (some) leaps / 3rds
19
Q

Describe the melody of the introduction.

A
  • conjunct / stepwise
  • passing notes
  • ornamented
  • some leaps
  • some dotted notes
  • starts on tonic
20
Q

Rhythm

A
  • mostly SQs and quavers
  • some dotted rhythms in vocal part but mainly in RH harpsichord
  • occasional syncopation and off-beat rhythms
21
Q

What is the structure of the piece?

A

ground bass (aria)
da capo aria (ABA)

22
Q

Name the musical device heard throughout the whole piece.

A

ground bass / basso continuo

23
Q

Between bars 15 beat 4 and 22 beat 1, the soloist tries to soothe the mythical Fury, Alecto.

Explain how Purcell establishes a sense of calm referring to tonality.

A
  • modulation
  • major
24
Q

What is a Tierce de Picardie?

A

when a minor piece ends on a major chord

25
Explain how Purcell uses **rhythm** to create a sense of drama through word painting to set the word 'drop'.
- (regular) quavers - (quaver) rests / silence - syncopated / off beat - repetitive
26
How long is the introduction?
3 bars
27
Describe the texture when the voice enters after the introduction.
polyphonic
28
Melody
- range of a 9th - mostly conjunct - frequent passing notes - small leaps (no greater than 4th) - some descending sequences - extensive use of ornaments in soprano line and RH of harpsichord
29
Between bars 15 beat 4 and 22 beat 1, the soloist tries to soothe the mythical Fury, Alecto. Explain how Purcell establishes a sense of calm referring to **harmony**.
- perfect cadence - suspensions/ resolutions - ground bass / repeated chord progression
30
What is a false relation?
two notes a semitone apart