Race and outsider status Flashcards
(8 cards)
“For that I do suspect the lusty moor hath leaped into my seat” Act 2 scene 1
Iago’s realised deception of Othello as inherently lustful reinforces stereotypes and fuels his manipulative schemes
“To fall in love for what she feared to look on” Act 1 scene 3
Brabantio suggests that Desdemona’s love for Othello is irrational because of his race. The idea that she should fear him highlights deep- seated racial biases.
“Even now, very now, an old black ram is tupping your white ewe” Act 1 scene 1
Iago’s crude metaphor highlights racialised fears about Othello’s relationship with Desdemona, using animalistic imagery to present him as a threat
“The moor, howbeit that I endure him, is of a constant, loving, noble nature” Act 2 scene 1
Iago acknowledges Othello’s virtues but still dehumanises him through racialised contempt and a need to fuel his manipulative schemes against Othello.
“Her name, that was as fresh as Dians visage, is now begrimed and black as mine own face” Act 3 scene 3
Othello often associates his racial identity with corruption and disgrace, showing how internalised racism influences his perception of Desdemona’s supposed betrayal.
“Or else the devil will make a grandsire of you” Act 1 scene 1
Iago associates race with evil this further holds significance as the Othello portrayed later in act 1 is honourable and kind
“Haply for I am black, and have not those soft parts of conversation that chamberers have” Act 3 scene 3
Othello expresses insecurity about his race, believing it makes him less refined and desirable. This self doubt reflects the internalisation of racist ideals present in Venetian society.
“These Moors are changeable in their wills- fill thy purse with money” Act 1 scene 3
Iago exploits racist stereotypes, portraying Othello as fickle and incapable of sustaining love. By convincing Roderigo that Othello will inevitably reject Desdemona, Iago manipulates racial anxieties to serve his own schemes.
