RADIO 1 PRODUCTION Flashcards

(15 cards)

1
Q

Who produced the show?

A

BBC studios (BS is broadcast and produced by BBC studios)

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2
Q

Vertical integration?

A

BBC has the ability to produce, broadcast, and stream their own content without having to outsource.

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3
Q

Who selects the music played on BBC Radio 1 Breakfast?

A

Radio 1 Playlist Committee (R1PC)
Young staff members who choose around 40 records each week.

These records are organised into an A List/ B-List/ C-List

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4
Q

How is the music played on radio 1 selected and organised?

A

A-List (25 weekly plays)
B-List (15 weekly plays)
C-List (8-10 plays).

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5
Q

The Head of music at BS has been…?

A

trying to get away from the typical data-driven approach for a more distinctive approach.

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6
Q

What is the PBS quota for the breakfast show?

A

at least 50% British artists

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7
Q

Guest bookings?

A

Celebrities aligned with youth audience (e.g., Stormzy, Olivia Rodrigo).

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8
Q

Interactive audience elements?

A

Audiences can interact with the show via social media, whatsapp, phone-ins.

Interactive audience elements include:
1. ‘Hot takes’ segements
2. ‘Is it Just us?’ segements
3. ‘10 minute take-over’ segements

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9
Q

Giveaways & prizes

A
  • Sports: Tickets to see FA cups finals.
  • Music: Tickets to see festivals (Glastonbury)
  • TV: Tickets to see Strickly Come Dancing 2025 launch show.
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10
Q

Comedy (content)?

A

Humorous sound bites

Banter between cast

Ridiclous challenges (Escape room episode)

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11
Q

Informative (content)

A

At 8:00 am, there is a newsbeat segment in which topical news stories, social and political issues are discussed.

Examples:
Topical: Misogyny in the music industry, Labour considering banning NDA’s in cases involving sexual misconduct, bullying or discrimination—4 June 2025
Human interest: Female killer in Australia.
Sport: Discussions of the primier league, crickets final.

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12
Q

Post-producion elements?

A

Repurposing Content: Produce a podcast version, trimmed to remove music, and uploaded to BBC Sounds.

Social media Clips: Viral moments (e.g., funny interviews, challenges) are cut for TikTok/Instagram.

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13
Q

Social media interactions?

A

Social Media Polls: Twitter/X, Instagram Stories for instant feedback (e.g., “Track of the Week”).

Challenges & Stunts: Greg James’ “Gregathlon” (absurd physical tasks) encourages shares/memes.

Theory Link: Jenkins’ ‘Participatory Culture’ – Listeners co-create content (e.g., submitting “Unpopular Opinions”).

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14
Q

Music Strategy & Youth Appeal

A

Playlist diversity: Focusing on emerging UK artists as well as global hits.

Exlusive premieres of music

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15
Q

Presenter Persona & Relatability

A

Greg James’ Informal Tone: Self-deprecating humour, sarcasm (“lad banter” for young men).

Authenticity: Shares personal stories (e.g., mental health discussions).

Guests: YouTube/TikTok stars (e.g., KSI) alongside musicians.

Theory Link: Gauntlett’s ‘Identity’ – Greg’s “everyman” persona lets listeners construct their own identities.

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