Russian Formalism and French Structuralism Flashcards

Eagleton, Schklovsky, Roman Jacobson (89 cards)

1
Q

Modern literary theory focuses on

A

language and
literature as systems of signs

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2
Q

It challenges metaphysics, by showing that…

A

language ‘originates’ with its practice rather than
transcendental meaning.

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3
Q

The focus lies on how language….

A

works as a self-governing system in the present.

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4
Q

Parole

A

refers to utterance,
language as practice, speech.

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5
Q

Langue

A

is the system of rules
that underlies all utterances.

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6
Q

Langue (language as a shared system) possesses
aspects

A

of synchrony and diachrony.

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7
Q

Synchrony

A

is concerned with the present state of the
linguistic system.

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8
Q

Diachrony

A

is concerned with the historical changes
in the linguistic system.

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9
Q

For Saussure, diachrony

A

is non-existent for the
ordinary language user.

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10
Q

Diachronic suspension is

A

a necessity to be able to
analyse language as the knowledge and
practice of the speaker and community.

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11
Q

In divorcing synchrony and diachrony,

A

“authentic”
meaning is replaced by the meaning possessed for
a specific group at a specific time.

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12
Q

Outrage

A

derives from Latin ultra (“beyond”) and the
suffix –age, “going beyond the bounds”

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13
Q

Rage

A

derives from French rage and Latin rabies
(“madness”).

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14
Q

Linguistic behaviour

A

Language is a uniform system complete and
functioning at every period of existence.

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15
Q

The linguistic system is

A

made up of signs.

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16
Q

The sign is

A

diacritical, i.e. it consists of two
elements that form one inseparable unity.

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17
Q

Sign consists of the

A

signifier (Saussure’s
signifiant) or the sound-image + signified
(Saussure’s signifié) or the mental concept that is
connected with this sound image.

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18
Q

Referents are

A

real objects behind linguistic signs,
therefore outside the linguistic system and its
study.

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19
Q

The relationship between signifier and signified is

A

arbitrary, i.e. conventional.

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20
Q

Arbitratiness

A

Arbitrariness in human language refers to the fact that the meaning of linguistic signs is not predictable from its word form, nor is the word form dictated by its meaning/function.

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21
Q

The linguistic system operates on the basis of

A

relations of difference; it is a differential system.

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22
Q

Meaning results from

A

the differences between signifiers and is determined
by convention (e.g. the fat cat sat on the mat).

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23
Q

Linguistic elements

A

have a relational, not a substantial
value (i.e. defined negatively through relations to other
elements in the system).

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24
Q

Syntagmatic relations

A

are
concerned with positioning

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25
Paradigmatic relations
are relations of selection and substitution.
26
syntagm
is an orderly combination of interacting elements which forms a meaningful whole within a text.
27
paradigm
is a set of associated elements which are all members of some defining category, but in which each is significantly different.
28
Syntagmatic axis
is horizontal (Principle of co-presence)
29
Paradigmatic axis
vertical (principle of absence)
30
The signifier is
non-reducible to the vehicle of meaning because it cannot function autonomously, without the system.
31
The Russian Formalists were
a community of revolutionary scholars and intellectuals critical of naïve and empiricist readings of literature.
32
Formalism is interested
not in meaning as such, but in how language is used so as to hinder our arrival at meaning.
33
Formalism focus is on
how the text is put together
34
Formalism is an attempt
“to create an independent science of literature which studies specifically literary material.”
35
Early Formalist agenda aimed to define
the properties of literature as distinct from other discourses
36
Literariness
is defined as being the feature that makes a given work a literary work
37
Literariness entails
a specific use of linguistic material.
38
For early Formalism, literariness is
the aspect of verbal communication which interferes with the processes of meaning.
39
Formalist analysis evolved by gradually shifting its attention....
from form to technique to function
40
Shklovsky conceptualised
the fundamental tenets of early Formalism.
41
For Shklovsky, literary language possesses the quality
of defamiliarisation
42
Defamiliarisation
is a characteristic of poetic language, which makes us aware of the value and quality of the linguistic material that appears to be familiar.
43
The abundance of metaphors...
enable the transcendence of grief through language.
44
Parody
lays bare the artistic device and makes it perceptible to the audience, thus exposing its conventionality and allowing for defamiliarisation.
45
Deviation
in the poetic structure of the limerick creates a disruption of expectations and becomes a source of surprise and humour.
46
Limerick
a humorous five-line poem with a rhyme scheme AABBA
47
Roman Jakobson
The most influential thinker of the Formalist school. He worked in Prague in the early 1920s and later moved to the USA.
48
For Jacobson, ordinary, prosaic, practical speech is ...
a heterogeneous phenomenon, (consisting of dialects, sociolects, functional styles ,etc.)
49
Literariness is premised on language in...
a peculiarly self-aware relationship to itself.
50
Poetic language foregrounds ...
verbal signs so that they become more palpable.
51
Palpable
(of a feeling or atmosphere) so intense as to seem almost tangible.
52
Poetic function
is keyed to language as displaying its own aesthetic qualities.
53
Literature is concerned with....
language as and for its own sake. (cf. Kant’s notion of purposeless purpose)
54
Paronomasia
is the use of similar-sounding, but distinct signifiers to establish semantic links.
55
Poetic function is displayed
as phonological affinity becomes suggestive of semantic correspondence.
56
Formalism thinks of literature as...
a system of elements in relation to one another and the whole system. The text is a formal system to be examined in structural terms.
57
Formalists attempt to overcome ...
the dualism of form vs. content.
58
In Formalist theory of signification...
form determines content.
59
Parallelism
establishes symmetry and asymmetry in formal elements; it activates all linguistic strata.
60
Repetition
brings out the significance of recurring formal elements.
61
Parallelism and repetition connect....
formal equivalence to semantic unity.
62
Poetic function transposes the...
principle of equivalence from the paradigmatic axis to the syntagmatic.
63
Rhyming scheme, linguistic devices in this poem are?: Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those?
Rhyming scheme: ABAB. Imagery - creates vivid imagery of distant land, described as 'far country' Personification - 'an air that kills' personifies the air as something deadly Assonance - the repetition of the long 'o' sound in 'blows' and 'those', which creates a sense of unity and musicality in the stanza
64
The Prague school of linguistics enabled
the transition from Formalism to Structuralism.
65
Structuralist analysis derives from
the Saussurean conception of language as “a set of signifying relations sufficient unto itself.”
66
structuralism
“a mode of analysis of cultural artifacts which originated in the methods of modern linguistics
67
A binary structure
is the basic unit of meaning.
68
Structuralist analysis focuses on
combinations of signs in terms of binary oppositions.
69
Structuralist assumption is
hat meaning is determined by differences between structures, not structures themselves.
70
Structuralism brackets the text off from...
what is not text and isolates the text from non-aesthetic phenomena. The text is conceived as an immanent structure, a unified system.
71
Formalism transformed....
the study of poetry.
72
Structuralism revolutionised
the study of narrative.
73
Narrative consists of
plot and story.
74
Story is the sequence of
events as they have taken place.
75
Plot is
the narrative form in which the events are presented.
76
Function is
an act of character defined from the point of view of its significance for the course of the action”
77
Characters are defined by
what they do rather than what they are. (e.g. the hero, the false hero, the villain, the helper, the donor, the sought-for person, the dispatcher)
78
Functions (syntagmatic elements) are defined
by their unchanging position in the order of the story.
79
Literary competence is
the “grammar” of the literary system that permits the reader to convert linguistic sequences into literary structures and meanings.
80
Structuralist poetics aims
to make explicit the underlying system which makes literary effects possible.
81
Literary competence enables us
to find “the properties of literary texts that make them aesthetically meaningful.”
82
Competent reading (often with guidance) develops
“a sense of the possibilities of literature.
83
Meanings are determined...
not by readers, but by the institution of literature.
84
What does analysis of the text serve as for both Formalists and structuralists
For both Formalists and structuralists, analysis of the text works as a way of understanding the system of language in relation to which the text gains meaning.
85
Analysis of the text is considered to be....
neutral, disinterested and innocent of ideology.
86
Like the New Critics, Formalists are
interested in what sets literary discourse apart from other discourses
86
Formalist analysis developed by
shifting its attention from form to technique to linguistic function in literary texts.
87
Even though primarily working with narrative, structuralism, like Formalism
approaches the text as a system of formal relations.
88
In structuralist terms, our ability to interpret literary texts depends on our
“literary competence”, i.e. the extent to which we have internalised the operative logic of the literary system.