Second Exam Flashcards
(54 cards)
Renaissance
Virgin of the rocks
Leonardo da vinci
Balanced pyramidal composition
Chiaroscuro
Sfumato
Ambiguous two infants
Leonardo emphasizes role of baptism in life of worshipper
Poetic ambiguity brings out role of baptism without undermining centrality of christ
Sfumato
Smoky
Barrel vault
Extrusion of curve along given distance
Linear perspective
System using converging imaginary lines to create illusion of depth
Tympanum
Prominent semi circular lunette above door way proper
Longitudinal plan
Central nave/apse at one end
Early christian
plan and section of church of santa costanza
Central design plan
Generally used for adjacent structures not the main basilica
Has antecedents traceable to the tholos tombs of the mycenaeans and the domed structures of ancient rome (pantheon)
Severe brick exterior
Interior adorned with mosaics
Gothic
Good samaritan window
Chartres cathedral
Cluster medallion window
Allegory on sin and salvation
Principal subject is parable of christ meant to teach moral truth
Narrates allegory for christs redemption of humanitys sin
Juxtaposed with adam and eve who introduced sin and only through christ is humanity saved
Tenebroso
Dark style
Half barrel vault
Barrel vault cut in half
Early christian
plan and reconstruction drawing of old st peters basilica
Stood on the spot where peter was believed to be buried
enshrined second most hallowed site in christendom
based on roman basilica
Longitudinal plan gave unobstructed view of altar
Colonnaded courtyard recalled roman forums
Atmospheric perspective
Illusion of distance by diminuation of color intensity
Byzantine
Empress theodora and her attendants
Church of san vitale
Moves toward the apse
Theodora carries cup for wine while husband carries paten for bread
Definite architectural setting
Rank indicated by her place outside the church
Demonstrates power theodora held by being included at san vitale
Naturalism
Based on close observation of nature
Early christian
Oratory of galla placidia
Cruciform shaped structure with tower at crossing
Cross arms of unequal lengths with focus at square crossing
Tower represents earliest fusion of longitudinal and central plan
introduces building type that has long history in church architecture
Domed crossing
Cruciform
Cross shaped
Ambulatory
Semicircular aisle
Rib vault
Intersection of two or three barrel vaults
Renaissance
Double portrait of giovanni arnolfini and his wife
Jan van eyck
Verisimilitude Convincing surface textures Quality of light Dog symbolizes fidelity Marriage contract
Baroque
Entombment of christ
Carvaggio
Tenebroso
No background so spotlight is more dramatic
Everything in foreground close to viewer
Cropped so we feel part of the composition
Diagonal lines create movement
Very realistic
Early christian
Good shepherd lunette
Oratory of galla placidia
Deep blue background characteristic of early christian mosaics
Sheep are distributed evenly in groups of three
Loose informal arrangement
All forms have three dimensional bulk still deeply rooted in classical tradition
Byzantine
Christ enthroned
Flanked by angels
Church of san vitale
Christ sits on orb of the world
Four rivers of paradise flow beneath
Extends martyr’s wreath to vitalis
Angel presents ecclesius with model of san vitale
Golden background characteristic of byzantine mosaics
Nave
Central space of a church where worshippers gather
Repoussé
Design hammered in from reverse side of surface