Second Exam Flashcards

(54 cards)

1
Q

Renaissance
Virgin of the rocks
Leonardo da vinci

A

Balanced pyramidal composition
Chiaroscuro
Sfumato
Ambiguous two infants
Leonardo emphasizes role of baptism in life of worshipper
Poetic ambiguity brings out role of baptism without undermining centrality of christ

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2
Q

Sfumato

A

Smoky

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3
Q

Barrel vault

A

Extrusion of curve along given distance

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4
Q

Linear perspective

A

System using converging imaginary lines to create illusion of depth

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5
Q

Tympanum

A

Prominent semi circular lunette above door way proper

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6
Q

Longitudinal plan

A

Central nave/apse at one end

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7
Q

Early christian

plan and section of church of santa costanza

A

Central design plan
Generally used for adjacent structures not the main basilica
Has antecedents traceable to the tholos tombs of the mycenaeans and the domed structures of ancient rome (pantheon)
Severe brick exterior
Interior adorned with mosaics

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8
Q

Gothic
Good samaritan window
Chartres cathedral

A

Cluster medallion window
Allegory on sin and salvation
Principal subject is parable of christ meant to teach moral truth
Narrates allegory for christs redemption of humanitys sin
Juxtaposed with adam and eve who introduced sin and only through christ is humanity saved

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9
Q

Tenebroso

A

Dark style

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10
Q

Half barrel vault

A

Barrel vault cut in half

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11
Q

Early christian

plan and reconstruction drawing of old st peters basilica

A

Stood on the spot where peter was believed to be buried
enshrined second most hallowed site in christendom
based on roman basilica
Longitudinal plan gave unobstructed view of altar
Colonnaded courtyard recalled roman forums

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12
Q

Atmospheric perspective

A

Illusion of distance by diminuation of color intensity

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13
Q

Byzantine
Empress theodora and her attendants
Church of san vitale

A

Moves toward the apse
Theodora carries cup for wine while husband carries paten for bread
Definite architectural setting
Rank indicated by her place outside the church
Demonstrates power theodora held by being included at san vitale

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14
Q

Naturalism

A

Based on close observation of nature

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15
Q

Early christian

Oratory of galla placidia

A

Cruciform shaped structure with tower at crossing
Cross arms of unequal lengths with focus at square crossing
Tower represents earliest fusion of longitudinal and central plan
introduces building type that has long history in church architecture
Domed crossing

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16
Q

Cruciform

A

Cross shaped

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17
Q

Ambulatory

A

Semicircular aisle

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18
Q

Rib vault

A

Intersection of two or three barrel vaults

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19
Q

Renaissance
Double portrait of giovanni arnolfini and his wife
Jan van eyck

A
Verisimilitude
Convincing surface textures
Quality of light
Dog symbolizes fidelity
Marriage contract
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20
Q

Baroque
Entombment of christ
Carvaggio

A

Tenebroso
No background so spotlight is more dramatic
Everything in foreground close to viewer
Cropped so we feel part of the composition
Diagonal lines create movement
Very realistic

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21
Q

Early christian
Good shepherd lunette
Oratory of galla placidia

A

Deep blue background characteristic of early christian mosaics
Sheep are distributed evenly in groups of three
Loose informal arrangement
All forms have three dimensional bulk still deeply rooted in classical tradition

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22
Q

Byzantine
Christ enthroned
Flanked by angels
Church of san vitale

A

Christ sits on orb of the world
Four rivers of paradise flow beneath
Extends martyr’s wreath to vitalis
Angel presents ecclesius with model of san vitale
Golden background characteristic of byzantine mosaics

23
Q

Nave

A

Central space of a church where worshippers gather

24
Q

Repoussé

A

Design hammered in from reverse side of surface

25
Renaissance The ambassadors Hans holbein the younger
``` Depiction of renaissance men who stare back and acknowledge viewer Self awareness Emergence of emotion is modern Objects represent 7 liberal arts Studia humanitas Memento mori Dark side of renaissance Religious debate and discord shown with luthers hymn book and cross ```
26
Strip buttress
Vertical embellishment that lends support to wall
27
Byzantine Emperor justinian and his attendants Church of san vitale
Justinian stands at saviors right Both wear halos and purple 12 attendants equivalent to 12 apostles Underscores dual political and religious roles of emperor whose right to rule was not given Bishop only labeled figure, indicating importance Leader of each group indicated by feet placement Church/imperial powers balanced Emperor is eternal participant
28
Renaissance David Michelangelo
Embodies antique ideal of athletic nude male Emotional power and concentrated gaze are entirely new David prepares himself psychologically Supremacy of right over might Symbol of florence
29
Renaissance Christ giving the keys to st peter Perugino
Study in linear perspective Paving stones provide orthogonal and horizontal lines People/buildings become increasingly/logically smaller
30
Relic
Part of deceased holy persons body, belonging of a deceased holy person, object of reverence
31
Early medieval Crucifixion with angels and mourning figures Lindau gospels
Depicts youthful christ in early christian tradition Rendered in repoussé Personifications of sun and moon Four angels rendered in linear style
32
Narthex
Porch
33
Transverse arch
Supporting arch that runs side to side
34
Apse
Semicircular recess typically on the eastern end of a church
35
Reliquary
Container for relics
36
Realism
Naturalistic mode of representation
37
Pendentive
Triangular areas supporting dome
38
Memento mori
Reminder of death
39
Late medieval Virgin and child enthroned Cimabue
First artist to break away from italo-byzantine style New form of naturalism Byzantine features (gold background) Uses gold to enhance three dimensionality Constructs deeper space for figure to inhabit
40
Romanesque | Church of saint vincenc
Example of first romanesque style Used strip buttresses to counter vault thrust Masonry strips continue up and over vault to form transverse arch Creates compound piers that divide nave into series of bays System of bay division became standard in romanesque architecture
41
Verisimilitude
Remarkably lifelike
42
Chiaroscuro
Treatment and use of light and dark
43
Flying buttress
Arch that counters lateral thrust of vault by spanning gap over roofs of side aisles and external buttresses
44
Transept
Space perpendicular to the nave
45
Late medieval | Gero crucifix
Reliquary Different conception of christ from lindau gospels Instead of youthful christ triumphant over death we see his suffering Characterizes intense agony of middle ages Meant to inspire empathy
46
Late medieval Virgin and child enthroned Giotto di bondone
Sometimes regarded as first renaissance painter Displaces byzantine style Naturalistic approach Scientific observation Replaces slender fragile mary with weighty figure Asserted body Figure has dimensionality
47
Groin vault
Intersection of two barrel vaults
48
Humanism
System of thought attaching prime importance to human rather than divine matters
49
Central plan
Plan that is symmetrical in all directions
50
Baroque David Gian lorenzo bernini
``` Reaches out into viewers space Not content to remain separate from us More real version of david Not meant merely for contemplation Reaction is in our body, not mind ```
51
Gothic | Plan of the choir of saint denis
Birthplace of gothic architecture Retains romanesque pilgrimage features with radiating chapels Adds gothic features like pointed groin vaults and external buttressing Creates open flowing space enclosed by load bearing walls of colorful stained glass
52
Romanesque Plan of cathedral of saint james Santiago de compostela
Pilgrimage plan accommodates crowds of pilgrims and allows easy movement to venerate relics Pilgrimage plan is model of functional planning and traffic control Aisled nave paired with aisled transepts and additional radiating chapels Entered through ends of transept rather than nave
53
Romanesque Last judgement tympanum at autun Gislebertus
Dramatic vision of last judgement Christ presides over separation of blessed and damned One of most frightening depictions of weighing souls in art history Inspired terror
54
Byzantine | Church of hagia sophia
Characteristic byzantine exterior Brick Dome appears to rest on halo Uses pendentives to transfer dome weight to piers and not walls Placement of circular dome over square base made possible union of longitudinal and central plans