Section 1 (Theory/Harm)- Nonharmonic Movement Flashcards

(54 cards)

1
Q

what is non harmonic movement

A

when a non chord tone creates a melodic connection between chord tones

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2
Q

where is non harmonic movement found

A

in main melody lines or within supporting voices to connect the vertical harmonic structure of a composition

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3
Q

when is a passing tone (P) used?

A

to fill the space between two chord tones in diatonic or chromatic fashion

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4
Q

what is a passing tone (P)?

A

approached diatonically or chromatically by a step (not leap) and move by step in the same direction.

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5
Q

what are passing tones located on strong rhythmic positions called?

A

accented passing tones

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6
Q

what are two connected passing tones called?

A

double passing tone

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7
Q

what are neighboring tones (N)

A

NCT’s that embellish single tones chromatically or diatonically a step above or below

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8
Q

what are the names for above and below neighbors

A

above - upper neighbor

Below - lower neighbor

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9
Q

what must neighboring tones do

A

immediately return to the tone it came from

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10
Q

what is an appoggiatura (A)?

A

NCT’s that are approached by a leap and move to chord tones by a step diatonically or chromatically in the opposite directions

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11
Q

whats another name for appoggiatura (A)

A

incomplete neighbor

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12
Q

what will appoggiaturas be approached by?

A

a chord tone

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13
Q

what is an escape tone (E)

A

NCT’s that are approached by a step and move to a chord tone by a leap in the opposite direction

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14
Q

what are escape tones also known as

A

incomplete neighbors

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15
Q

what are 3 common characteristics of an escape tone?

A
  1. shorter than a beat
  2. unaccented
  3. diatonic
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16
Q

What are the other names for a Neighboring Group (NG)?

A

cambiata or changing tones

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17
Q

what is a neighboring group (NG)

A

two consecutive non chord tones that embellish a chord tone through its upper and lower neighboring tones

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18
Q

how would you identify a neighboring groups (NG)

A
  1. approached by a step
  2. then move by a leap in opposite direction to its adjoining neighboring tone
  3. resolves to the original chord tone
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19
Q

what is anticipation (ANT)?

A

rhythmically anticipated chord change that has not yet been reached

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20
Q

characteristics of an anticipation (ANT)

A

Approached by a step or leap

Rhythmically ties, sustained or followed by a rest

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21
Q

what is a suspension (SUS)

A

hold or sustain a chord after the voices have moved to another chord

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22
Q

characteristics of a suspension?

A

can be dissonant or consonant
usually fall on rhythmically strong points
can occur in any voice

23
Q

what are the three elements of a suspension

A

preparation
suspension
resolution

24
Q

in relation to a suspension, what is preparation

A

the tone preceding the suspension is the same pitch as the suspension and will always be a chord tone

25
in relation to a suspension, what is suspension
the tone suspends the chord. may not be rhythmically tied to the prep, but will be the same note
26
in relation to a suspension, what is resolution
the resolving tone following the suspension.
27
where will the resolution be in relation to the suspension?
it will be a chord tone a 2nd below the suspension
28
how are suspensions named?
by the harmonic interval they create above the bass note
29
what is the only compound interval sus?
9-8 sus
30
the only suspension with a resolution is?
9-8
31
Common bass suspension
2-3 sus
32
what is a change of bass suspension?
when the bass moves to another chord tone with the resolution. but the bass doesn't have a suspension
33
what is an embellished suspension?
when other tones appear after the suspension and before the resolution. can contain chord tones and non chord tones
34
what is a chain of suspension?
occurs when one resolution serves as the preparation for another
35
what is a retardation (R)
when you hold on to a chord after the other voices have moved on
36
what is the difference between retardation and suspensions?
the resolution of a chord will be a 2nd above the retardations. suspension resolves down retardation resolves up
37
when do retardations occur
cadential points but can occur anywhere. | they can also occur at the same time as suspensions but don't have to
38
what is a pedal point (pedal)
a sustained tone occurring over 3 or more chords
39
2 key characteristics of pedal points
1. must begin and end as a chord tone | 2. must be a non chord tone on one chord between the first and last chord
40
where do pedal points usually occur and how is it analyzed
in the bass voice. | figured bass uses lowest moving voice for analysis
41
what is an inverted pedal point
pedal point found in the soprano voice
42
what is an internal pedal point
pedal point found in the alto or tenor voice
43
what is a double pedal point
a pedal in two voices. usually bass and another voice
44
passing tone (P) - approached and resolved by
approached by step | resolved by step in the same direction
45
neighboring tone (N) - approached and resolved by
approached by step | resolved by step in the opposite direction
46
appoggiatura - approached and resolved by
approached by leap | resolved by step in the opposite direction
47
escape tone (E) - approached and resolved by
approached by step | resolved by step in the opposite direction
48
neighboring group (NG) - approached and resolved by
approached by step, then leaps to other chord tone | resolved by step back to original chord tone
49
Anticipation - approached and resolved by
approached by step or leap | resolved by same tone
50
suspension - approached and resolved by
approached by same tone | resolved by down a step
51
retardation - approached and resolved by
approached by same tone | resolved by up a step
52
suspension - approached and resolved by
approached by same tone sustained | resolved by up a chord tone, non chord tone, to chord tone
53
four part writing can have multiple non harmonic tones simultaneously. when this occurs what are the typical intervals
3rds, 6ths, and octaves.
54
the bass voice is typically limited to what non harmonic tones?
unaccented passing tones, pedals, and neighboring tones