Sichi/nana Kyu Flashcards
(280 cards)
1
Q
Togakure-Ryun ninpo taijutsu
A
School of the hidden door
2
Q
Gokko-Ryu kosshijutsu
A
Jewelled tiger school
3
Q
Kuki shinden Happo bikenjutsu
A
School of transmission of the 9 demons.
4
Q
Koto-ryu koppojutsu
A
Knocking down tiger school
5
Q
Shinden Fudo-ryu dakentaijutsu
A
School of the immovable spirit
6
Q
Takagi yoshin-ryu jutaijutsu
A
Tall tree willow heart school
7
Q
Gikan-ryu koppojutsu
A
Loyalty, truth and justice school
8
Q
Gyokushin-ryu ninpo
A
Jewelled heart school.
9
Q
Kumogakure-ryu ninpo.
A
Hidden in the clouds school.
10
Q
Koppojutsu
A
Bone attack art
11
Q
Kosshijutsu
A
Muscle attack art
12
Q
Daikenjutsu
A
Combination of koppojutsu and kosshijutsu.
13
Q
Jutaijutsu
A
Flexible body art
14
Q
Bikenjutsu
A
Sword arts
15
Q
Ninpo
A
Stealth or perseverance art.
16
Q
Gyaku waza
A
Collection of twisting techniques
17
Q
Omote take ori
A
Outside breaking bamboo - tori grabs back of uke’s hand. Steps outside grab and lowers weight. Tori lifts hand, folds fingers towards uke’s armpit and steps onto uke’s toe to prevent escape.
18
Q
Ura take ori.
A
Inside breaking bamboo - tori cross grabs uke’s fingers drops weight and steps forward while pushing fingers back towards Uke’s elbow. Straight arm bar is on Uke’s arm by pushing elbow with other hand.
19
Q
Omote Gyaku
A
Outside twist - from kihon Happo.
20
Q
Ura Gyaku
A
Inside twist - from kihon Happo.
21
Q
Hon Gyaku
A
True twist - from Uke’s hand on lapel tori guards hand, reaches over and twists Uke’s wrist to vertical. With both hands, tori supports Uke’s wrist on their chest and leans forward.
22
Q
Omote Oni kudaki
A
Outside demon crush - uke grabs tori’s sleeve, tori steps back on same side was grabbed, raises grabbed arm to inside of uke’s arm, steps back in with same foot and brings other arm behind Uke’s arm and clasps hand. Step back with same foot whilst raising Uke’s elbow to put on lock.
23
Q
Ura Oni kudaki
A
Inside demon crush - as in omote oni kudaki but instead of free arm doing behind Uke’s arm, tori places free hand inside Uke’s elbow to lift it and apply lock.
24
Q
Musha dori
A
Warrior capture - from kihon Happo.
25
Muso dori
No intention capture - from kihon Happo.
26
O gyaku
Big twist - tori grabs Uke's wrist with one hand and the same side shoulder with the other. Tori steps outside and pulls down shoulder and raises wrist. Tori maintains grip for use as a restraint or walks through uke to throw.
27
Rokushaku bo
Six-foot staff.
28
Hira ichimonji no Kamae
Flat straight line - Stand in Hira ichimonji with the bo held horizontally in front of you.
29
Ichimonji no Kamae
Straight line - as for Hira ichimonji no Kamae but with head and front foot pointing towards uke.
30
Jodan no Kamae
High level - from ichimonji raise bo so that back hand is above your head. Bo is angled to the ground.
31
Ihen no Kamae
Changing - To the side of the body, rear hand at ear level, front hand at waist level. Angle the bo across the body.
32
Chudan no Kamae
Mid level - Bo is held under armpit and bo is horizontal towards uke.
33
Seigan no Kamae
Correct eyes - From chudan, drop rear hand to waist level and angle the front end to Uke's eyes.
34
Gedan no Kamae
Low level - from segan front hand is on the front end of the bo, with 2/3 of it behind rear hand. Rear end of bo is at ground level.
35
Heito no Kamae
From gedan, move the bo back behind the body.
36
Tenchijin no Kamae
Heaven-earth-man - feet are closer together, bo is held to the right side vertically. Right palm held flat against Bō at head height and left hand at waist level.
37
Tentō Uchi
Vertically downward strike to top of head.
38
Kasumi Uchi
Diagonally rising temple strike.
39
Yokomen Uchi
Horizontal temple strike
40
Do Uchi
Horizontal body strike
41
Kote Uchi
Vertical downwards strike to the wrists.
42
Ashi Barai
Sweeping strike to the legs.
43
Age Uchi
Vertical rising strike (to groin, hands, head, etc.)
44
Toki Uchi
Striking top of the foot.
45
Tsuki
Thrusting forwards strike.
46
Furi
Spinning the Bō to strike or take distance.
47
Kenjutsu
Sword art
48
Bikenjutsu
Sword work
49
Tsuka
Hilt
50
Tsuba
Hilt guard
51
Sageo
Cord attaching sword to belt.
52
Kashira
Rounded end of hilt.
53
Kashiragane
Rounded end of hilt.
54
Ha
Edge of blade
55
Hi
The blood gutter.
56
Kissaki
Point of the blade.
57
Mune
The back of the blade.
58
Tsuka Ito
Criss cross cord wrapping the tsuka.
59
Same
The ray or shark skin under the tsuka Ito.
60
Hamon
The wavy edge pattern down the blade.
61
Saya
Scabbard
62
Nuki
To draw
63
Lai
Draw (the blade)
64
Laido
The way in which you draw the sword.
65
Noto
To sheath
66
Chuburi
To clean blood from the blade.
67
Daisho
To wear short and long swords together.
68
Seigan no Kamae
Right leg forward, weight towards rear foot, sword pointing towards Uke's eyes.
69
Chudan no Kamae
As for seigan but with sword pointing at stomach of uke.
70
Gedan no Kamae
As for segan, but with sword pointing at feet of uke.
71
Ichi no Kamae
Seigan with arms extended at shoulder level sword straight.
72
Daijodan no Kamae
Left leg forward, sword raised above head, this is attacking position for a vertical cut down.
73
To-Sui no Kamae
Left leg forward, weight on front leg, head forward as a false target. Sword held low, blade edge may be up. "Clear water cut"
74
Hasso no Kamae
Feet together, sword held at side with tsuba at level of ear. On right hand side blade is facing uke, on left, away from uke.
75
Kasumi no Kamae
Seigan with arms crossed and sword held horizontally in front of face.
76
Totoku hyoshi no Kamae
Tori kneels on the left knee (toes up) the right knee faces uke. The sword is held in the right hand and is vertical (left hand can hold the saya) sword is held in front if face to protect it.
77
Happō giri
Sword cuts.
78
Kesa giri
Sash cut - cut from shoulder to hip.
79
Gyaku kesa giri
Reverse sash cut
80
Dō giri
Torso cut
81
Kiri age
Cut rising (rising cut)
82
Tentō kiri
Heavens sword cut - to the top of the head.
83
Tsuki
Thrust.
84
Yokomen kiri
Side of head cut.
85
Uke Nagashi
How to deal with attacks.
86
Uke
Receive or parry.
87
Nagashi
Shedding or washing away.
88
Bikenjutsu Uke Nagashi
Methods of blocking with a sword.
89
Kyūsho
"Points of vulnerability" - pressure points.
90
Tentō
Top of the head
91
Happa
Inner ear (eight leaves)
92
Kasumi
Temple (mist)
93
Jinchū
Under the nose (middle of the person)
94
Ryūfu
Windpipe (willow wind)
95
Dokkotsu
The Adam's apple (independent bone)
96
Hadome
Root of the teeth, sinus below cheekbone (tooth stop)
97
Uko
Side of neck (rain door)
98
Mira Same
Hollow of the throat (village rain)
99
Matsu Kaze
Hollow above collar (pine tree wind)
100
In
Cheekbone (shadow)
101
Asagasumi
Under chin (morning mist)
102
Butsumetsu
High on ribs beneath arm, or liver. (The day Buddha died)
103
Suigetsu
The solar plexus (moon reflected in water)
104
Gorin
Points around navel (five rings)
105
Kage
Sternum (shadow)
106
Waki Tsubo
The armpit (underarm pot)
107
Jujiro
Hollow between shoulder and chest (crossroads)
108
Kimon
Pectoral muscle (devil gate)
109
Ura kimon
Ribs below pectorals (reverse devil gate)
110
Inazuma
Liver (lightning)
111
Ushiro Inazuma
Liver from the back (outside lightening)
112
Kosei
Testicles (power of the tiger)
113
Suzu
Testicles (bell)
114
Shichibatsu
Top of the hip
115
Hiji
Elbow
116
Hiji Hoshi
Crease of the elbow (elbow star)
117
Setaki
Humerous (star)
118
Nagare
Forearm nerve (flow)
119
Jakkin
Between bicep and tricep, inside (weak muscle)
120
Yubitsubo
Hollow between thumb and fingers (finger pot)
121
Ura gyaku
Inside twist on wrist
122
Omote gyaku
Outside twist point on hand.
123
Sai
Thigh
124
Koe
Groin (sound)
125
Yaku
Inside calf muscle (bad luck)
126
Kaku
Knee
127
Toki
Instep
128
Hajutsu Kyū Hō
9 ways of escape
129
Te hodoki
Untying the hand
130
Tai hodoki
Untying the body
131
Yubi kudaki
Finger crushing
132
Oya goroshi
Killing the father (finger crushing)
133
Koshi kudaki
Crushing the hip
134
Keri Gaeshi
Turning the kick
135
Keri Kudaki
Crushing the kick.
136
Ken kudaki
Crushing the weapon.
137
Happō Geri
Kicking in all (8) directions
138
Sokki ken
Swinging any part of the leg (usually knee)
139
Kakato
Heel kick - type of soku gyaku (kick not push) using heel in. Front stamping kick or using heel to impact thigh.
140
Sokuto
Foot sword / edge of the foot.
141
School of the hidden door
Togakure-Ryun ninpo taijutsu
142
Jewelled tiger school
Gokko-Ryu kosshijutsu
143
School of transmission of the 9 demons.
Kuki shinden Happo bikenjutsu
144
Knocking down tiger school
Koto-ryu koppojutsu
145
School of the immovable spirit
Shinden Fudo-ryu dakentaijutsu
146
Tall tree willow heart school
Takagi yoshin-ryu jutaijutsu
147
Loyalty, truth and justice school
Gikan-ryu koppojutsu
148
Jewelled heart school.
Gyokushin-ryu ninpo
149
Hidden in the clouds school.
Kumogakure-ryu ninpo.
150
Bone attack art
Koppojutsu
151
Muscle attack art
Kosshijutsu
152
Combination of koppojutsu and kosshijutsu.
Daikenjutsu
153
Flexible body art
Jutaijutsu
154
Sword arts
Bikenjutsu
155
Stealth or perseverance art.
Ninpo
156
Collection of twisting techniques
Gyaku waza
157
Outside breaking bamboo - tori grabs back of uke's hand. Steps outside grab and lowers weight. Tori lifts hand, folds fingers towards uke's armpit and steps onto uke's toe to prevent escape.
Omote take ori
158
Inside breaking bamboo - tori cross grabs uke's fingers drops weight and steps forward while pushing fingers back towards Uke's elbow. Straight arm bar is on Uke's arm by pushing elbow with other hand.
Ura take ori.
159
Outside twist - from kihon Happo.
Omote Gyaku
160
Inside twist - from kihon Happo.
Ura Gyaku
161
True twist - from Uke's hand on lapel tori guards hand, reaches over and twists Uke's wrist to vertical. With both hands, tori supports Uke's wrist on their chest and leans forward.
Hon Gyaku
162
Outside demon crush - uke grabs tori's sleeve, tori steps back on same side was grabbed, raises grabbed arm to inside of uke's arm, steps back in with same foot and brings other arm behind Uke's arm and clasps hand. Step back with same foot whilst raising Uke's elbow to put on lock.
Omote Oni kudaki
163
Inside demon crush - as in omote oni kudaki but instead of free arm doing behind Uke's arm, tori places free hand inside Uke's elbow to lift it and apply lock.
Ura Oni kudaki
164
Warrior capture - from kihon Happo.
Musha dori
165
No intention capture - from kihon Happo.
Muso dori
166
Big twist - tori grabs Uke's wrist with one hand and the same side shoulder with the other. Tori steps outside and pulls down shoulder and raises wrist. Tori maintains grip for use as a restraint or walks through uke to throw.
O gyaku
167
Six-foot staff.
Rokushaku bo
168
Flat straight line - Stand in Hira ichimonji with the bo held horizontally in front of you.
Hira ichimonji no Kamae
169
Straight line - as for Hira ichimonji no Kamae but with head and front foot pointing towards uke.
Ichimonji no Kamae
170
High level - from ichimonji raise bo so that back hand is above your head. Bo is angled to the ground.
Jodan no Kamae
171
Changing - To the side of the body, rear hand at ear level, front hand at waist level. Angle the bo across the body.
Ihen no Kamae
172
Mid level - Bo is held under armpit and bo is horizontal towards uke.
Chudan no Kamae
173
Correct eyes - From chudan, drop rear hand to waist level and angle the front end to Uke's eyes.
Seigan no Kamae
174
Low level - from segan front hand is on the front end of the bo, with 2/3 of it behind rear hand. Rear end of bo is at ground level.
Gedan no Kamae
175
From gedan, move the bo back behind the body.
Heito no Kamae
176
Heaven-earth-man - feet are closer together, bo is held to the right side vertically. Right palm held flat against Bō at head height and left hand at waist level.
Tenchijin no Kamae
177
Vertically downward strike to top of head.
Tentō Uchi
178
Diagonally rising temple strike.
Kasumi Uchi
179
Horizontal temple strike
Yokomen Uchi
180
Horizontal body strike
Do Uchi
181
Vertical downwards strike to the wrists.
Kote Uchi
182
Sweeping strike to the legs.
Ashi Barai
183
Vertical rising strike (to groin, hands, head, etc.)
Age Uchi
184
Striking top of the foot.
Toki Uchi
185
Thrusting forwards strike.
Tsuki
186
Spinning the Bō to strike or take distance.
Furi
187
Sword art
Kenjutsu
188
Sword work
Bikenjutsu
189
Hilt
Tsuka
190
Hilt guard
Tsuba
191
Cord attaching sword to belt.
Sageo
192
Rounded end of hilt.
Kashira
193
Rounded end of hilt.
Kashiragane
194
Edge of blade
Ha
195
The blood gutter.
Hi
196
Point of the blade.
Kissaki
197
The back of the blade.
Mune
198
Criss cross cord wrapping the tsuka.
Tsuka Ito
199
The ray or shark skin under the tsuka Ito.
Same
200
The wavy edge pattern down the blade.
Hamon
201
Scabbard
Saya
202
To draw
Nuki
203
Draw (the blade)
Lai
204
The way in which you draw the sword.
Laido
205
To sheath
Noto
206
To clean blood from the blade.
Chuburi
207
To wear short and long swords together.
Daisho
208
Right leg forward, weight towards rear foot, sword pointing towards Uke's eyes.
Seigan no Kamae
209
As for seigan but with sword pointing at stomach of uke.
Chudan no Kamae
210
As for segan, but with sword pointing at feet of uke.
Gedan no Kamae
211
Seigan with arms extended at shoulder level sword straight.
Ichi no Kamae
212
Left leg forward, sword raised above head, this is attacking position for a vertical cut down.
Daijodan no Kamae
213
Left leg forward, weight on front leg, head forward as a false target. Sword held low, blade edge may be up. "Clear water cut"
To-Sui no Kamae
214
Feet together, sword held at side with tsuba at level of ear. On right hand side blade is facing uke, on left, away from uke.
Hasso no Kamae
215
Seigan with arms crossed and sword held horizontally in front of face.
Kasumi no Kamae
216
Tori kneels on the left knee (toes up) the right knee faces uke. The sword is held in the right hand and is vertical (left hand can hold the saya) sword is held in front if face to protect it.
Totoku hyoshi no Kamae
217
Sword cuts.
Happō giri
218
Sash cut - cut from shoulder to hip.
Kesa giri
219
Reverse sash cut
Gyaku kesa giri
220
Torso cut
Dō giri
221
Cut rising (rising cut)
Kiri age
222
Heavens sword cut - to the top of the head.
Tentō kiri
223
Thrust.
Tsuki
224
Side of head cut.
Yokomen kiri
225
How to deal with attacks.
Uke Nagashi
226
Receive or parry.
Uke
227
Shedding or washing away.
Nagashi
228
Methods of blocking with a sword.
Bikenjutsu Uke Nagashi
229
"Points of vulnerability" - pressure points.
Kyūsho
230
Top of the head
Tentō
231
Inner ear (eight leaves)
Happa
232
Temple (mist)
Kasumi
233
Under the nose (middle of the person)
Jinchū
234
Windpipe (willow wind)
Ryūfu
235
The Adam's apple (independent bone)
Dokkotsu
236
Root of the teeth, sinus below cheekbone (tooth stop)
Hadome
237
Side of neck (rain door)
Uko
238
Hollow of the throat (village rain)
Mira Same
239
Hollow above collar (pine tree wind)
Matsu Kaze
240
Cheekbone (shadow)
In
241
Under chin (morning mist)
Asagasumi
242
High on ribs beneath arm, or liver. (The day Buddha died)
Butsumetsu
243
The solar plexus (moon reflected in water)
Suigetsu
244
Points around navel (five rings)
Gorin
245
Sternum (shadow)
Kage
246
The armpit (underarm pot)
Waki Tsubo
247
Hollow between shoulder and chest (crossroads)
Jujiro
248
Pectoral muscle (devil gate)
Kimon
249
Ribs below pectorals (reverse devil gate)
Ura kimon
250
Liver (lightning)
Inazuma
251
Liver from the back (outside lightening)
Ushiro Inazuma
252
Testicles (power of the tiger)
Kosei
253
Testicles (bell)
Suzu
254
Top of the hip
Shichibatsu
255
Elbow
Hiji
256
Crease of the elbow (elbow star)
Hiji Hoshi
257
Humerous (star)
Setaki
258
Forearm nerve (flow)
Nagare
259
Between bicep and tricep, inside (weak muscle)
Jakkin
260
Hollow between thumb and fingers (finger pot)
Yubitsubo
261
Inside twist on wrist
Ura gyaku
262
Outside twist point on hand.
Omote gyaku
263
Thigh
Sai
264
Groin (sound)
Koe
265
Inside calf muscle (bad luck)
Yaku
266
Knee
Kaku
267
Instep
Toki
268
9 ways of escape
Hajutsu Kyū Hō
269
Untying the hand
Te hodoki
270
Untying the body
Tai hodoki
271
Finger crushing
Yubi kudaki
272
Killing the father (finger crushing)
Oya goroshi
273
Crushing the hip
Koshi kudaki
274
Turning the kick
Keri Gaeshi
275
Crushing the kick.
Keri Kudaki
276
Crushing the weapon.
Ken kudaki
277
Kicking in all (8) directions
Happō Geri
278
Swinging any part of the leg (usually knee)
Sokki ken
279
Heel kick - type of soku gyaku (kick not push) using heel in. Front stamping kick or using heel to impact thigh.
Kakato
280
Foot sword / edge of the foot.
Sokuto
