SLTH Flashcards

(37 cards)

1
Q

When did the hays code come into play?

A

Effective from 1934 to 1967

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2
Q

Who led the hays code?

A

Led by the catholic league of decency

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3
Q

What did the Hays office do?

A

It accepted wether or not your film was socially acceptable or not

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4
Q

The Hollywood key area was from? To?

A

1930-1990

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5
Q

What section is SLIH in?

A

A

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6
Q

Hollywood consists of…

A

Money
Glamour
Opportunities
Life changing experiences
Genre films
Big sets
Movie stars and the sign

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7
Q

Who said that “dreams are the foundation of America”

A

Lupita Nyang’ o

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8
Q

What did marlin Monroe say about Hollywood?

A

“Hollywood is a place where they’ll pay a thousand dollars for a kiss but fifty cent for your soul”

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9
Q

What did they struggle on doing when sound came?

A

They struggles to reach other audiences which spoke different languages so they decided to create dubbing.

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10
Q

What were different from the big 5 movie studios and the little 3?

A

The big 5 were vertically integrated. (Owned everything to do with the company)

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11
Q

Each studio had their own personality. Who controlled that and give an example of a studio having a personality.

A

The studio bosses (brand mogul) controlled their brands personality and MGM for example made many musicals.

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12
Q

What were some struggles in Hollywood at the time?

A
  • competition with TV and Radio
  • international cinemas started to avoid American films.
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13
Q

What is does a fordist mean?

A

A Industrial model of film making which helped to minimise risk and maximise profit.

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14
Q

How was stories standardised?

A

The beginning middle and end.

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15
Q

Who had the ultimate power for film productions

A

The film moguls.

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16
Q

What was a negative for actors at the time.

A

The 7 year long contracts they would have to obeyz

17
Q

Who made the 7 year long contracts not exist anymore?

A

Olivia de havilland (took to court and failed but did it again and won).

18
Q

What is block booking?

A

Block booking was so people could show a popular film and 2 other films which may have been less popularised for the price of one ticket.

19
Q

Which brands were apart of the big 5?

A

RKO
Warner brothers
Paramount
Fox
MGM

20
Q

Which brands were the little 3?

A

Colombia
Universal
United artists

21
Q

Moral panic consisted of?

A

Sex
Swearing
Criminality

22
Q

What underpinned the making of the hays code?

A

There was a religious under pining

23
Q

What is bootlegging?

A

A lot of ppl got alcohol illegally
Which Gangsters ran

24
Q

If there was anything which went against the hays code is would have to be…

A

Heavily coded or removed.

25
In the trailer which were the key aspects of it?
Kissing Hot surrounds Marilyn Marilyn’s name was repeated Sex Nudity and Gangsters
26
What was Tony Curtis known for?
Romance films
27
Jack Lemmon was known for…
Comedy films
28
Although the film is set in Chicago and Miami is was almost entirely filmed in…
San Diego, California
29
At the time it was one of the most successful comedy films of all time bringing … to the box office.
40 million.
30
There is a lot of breaking the fourth wall in DTRT. How does the audience respond to this.
It can give the audience a point of view like they are one of the characters or even their own character.
31
How does breaking the fourth wall interrupt films narratives?
It gives the director a chance to connect with the audience and give extra information and a perspective.
32
DTRT was spike lees ______ film after his debut with she’s gotta have it.
Third
33
How much in the box office did she’s gotta have it take? And what did the film originally cost?
$8 million (and originally cost $175,009)
34
What did school daze gain from the box office and how much did the film cost to make
box office - $14 million And cost. - $ 6.5 million
35
Why was spike lees production company called **40 acres and a mule**
This is because it is what the black slaves were promised once they got saved. They ended up never getting these promises.
36
Lee saw it as important that his next film should exceed the production budget of the previous film and he says:
‘…this is crucial; no recent black filmmaker has been able to go from film to film as the white boys do’
37