Subject specific vocab Flashcards

(111 cards)

1
Q

Accessory

A

An additional item of costume, for example gloves

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2
Q

Actions

A

What a dancer does

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3
Q

Acceleration

A

Speeding up the movement

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4
Q

Accompaniment

A

The sound that you hear during a dance, for example: percussion

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5
Q

Accumulation

A

When a dancer performs a series of movements and others join in at different times until all perform in unsion

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6
Q

Air pattern

A

A design that is traced in the air by part of the body

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7
Q

Alignment

A

Correct placement of body parts in relation to each other

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8
Q

Appreciation

A

Recognition and understanding of the qualities of dance

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9
Q

Artistic intention

A

The aim of a dance; what the choreographer aims to communicate

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10
Q

Artistry

A

Creative skill

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11
Q

Auditory

A

Relating to sound

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12
Q

Aural setting

A

An audible accompaniment to the dance such as music, words, song and natural sound (or silence)

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13
Q

Balance

A

A steady or held position achieved by an even distribution of weight.

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14
Q

Binary

A

A composition in two parts or sections

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15
Q

Canon

A

When the same movements overlap in time

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16
Q

Choreographic approach

A

The way in which a choreographer makes the dance

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17
Q

Choreographic devices

A

Methods used to develop and vary material

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18
Q

Choreographic intentions

A

The aim of the dance; what the choreographer aims to communicate

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19
Q

Choreographic processes

A

Activities involved in creating dance such as improvisation, selection and development

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20
Q

Choreography

A

The art of creating dance

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21
Q

Climax

A

The most significant moment of the dance

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22
Q

Complementary

A

Perform actions or shapes that are similar to but not exactly the same as another dancer’s

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23
Q

Constituent features

A

Characteristics of choreography such as style, stimulus, subject matter, number/gender of dancers, action content, choreographic principles, form and structure, physical and aural settings

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24
Q

Contrast

A

Movements or shapes that have nothing in common

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25
Control
The ability to start and stop movement, change directions and hold a shape efficiently
26
Coordination
The efficient combination of body parts
27
Costume
Clothing worn by dancers in performance
28
Counterpoint
When dancers perform different phrases simultaneously
29
Critical appreciation
Evaluation of dance based upon knowledge and understanding, including original insights
30
Dance films
Where dance and film are both integral to a work; this includes documentary, animation, dance for camera and a screen adaption of a stage work
31
Dance for camera
Where the choreographer collaborates with the film-maker; where the intention is to produce a dance work in a multi-media form that cannot be achieved in live performance
32
Dancewear
What the dancer wears for class and rehearsal
33
Deceleration
Slowing down the movement
34
Development
The way in which movement material is manipulated
35
Direction
The facing of a movement
36
Dynamics
The qualities of movement based upon variations in speed, strength and flow
37
Elements of dance
Actions, space, dynamics and relationships
38
Elevation
The action of "going up" without support, such as in a jump
39
End-stage
A performance space with the audience on one side; also known as "end-on"
40
Episodic
A choreography with several sections, linked by a theme
41
Execution
Carrying out actions with the required intentions
42
Expressive skills
Aspects that contribute to performance artistry and that engage the audience, such as focus and musicality
43
Extension
Lengthening one or more muscles or limbs
44
Facial expressions
Use of the face to show mood, feeling or character.
45
Features of productions
Lighting, set, properties, costume and aural setting
46
Flexiblity
The range of movement in the joints
47
Focus
Use of the eyes to enhance performances or interpretive qualities
48
Form
The overall shape and structure of a dance
49
Formations
Shapes or patterns created in space by dancers
50
Fragmentaion
Use of parts of a phrase or motif
51
Highlights
Important moments of a dance
52
Ideational
Relating to ideas or concepts
53
Improvisation
Exploration or generation of movement without planning
54
In-the-round
A performing area with the audience seated on all sides
55
Intentions
Aim or desired outcome
56
Interpretation
Finding the meaning that is in the movement or finding the movement that is in the idea
57
Isolation
An independent movement of part of the body
58
Kinaesthetic
Sensory perception of movement and position
59
Levels
Distance from the ground: low, medium or high
60
Lighting
The illumination of the performance area
61
Logical sequence
The flow of phrases or sections of a dance
62
Manipulation of number
How the number of dancers in a group is used
63
Mental rehearsal
Thinking through or visualising the dance
64
Mental skills
Commitment, confidence etc.
65
Mobility
The range of movement in a joint; the ability to move fluently from action to action
66
Motif
A movement phrase encapsulating an idea that is repeated and developed throughout the dance
67
Motif development
Ways in which a movement phrase can be varied
68
Movement material
The matter of dance: action, space, dynamics and relationships
69
Musicality
The ability to make the unique qualities of the accompaniment evident in performance
70
Narrative
Dance that tells a story
71
Pathways
Designs traced in space
72
Performance
The presentation of dance to an audience
73
Performance (personal)
Acquisition and development of physical and expressive skills
74
Performance environments
Different settings for dance such as in-the-round, proscenium arch and site sensitive
75
Phrase
A short sequence of linked movements
76
Phrasing
The way in which the energy is distributed in the execution of a movement or phrase
77
Physical skills
Aspects enabling effective performance such as posture, alignment, balance, coordination, control, flexibility, mobility, strength, stamina, extension and isolation
78
Posture
The way the body is held
79
Professional work
Original choreography by an individual or company that is recognised nationally and internationally.
80
Projection
The energy the dancer uses to connect with and draw in the audience
81
Prop
A portable object that is used in a dance, for example suitcase
82
Proscenium
The arch or opening that creates the effect of a picture frame and separates the stage from the auditorium
83
Rehearsal discipline
Attributes and skills required for refining performance such as commitment, systematic repetition, teamwork, responsibility and effective use of time
84
Repitition
Performing the same action or phrase again
85
Relationships
The ways in which dancers interact; the connections between dancers
86
Retrograde
Reversing a movement phrase
87
Rhythmic content
Repeated patterns of sound movement
88
Rondo
A music or dance from with alternating and repeating sections (ABACA)
89
Safe execution
Carrying out actions safley
90
Safe working practice
Personal care, respect for others, safe executions and preparation and recovery from dancing
91
Sensitivity to other dancers
Awareness of and connection to other dancers
92
Site sensitive
Dances that are designed for non-theatre spaces
93
Space
The "where" of movement such as levels, directions, pathways, shapes, designs and patterns
94
Spatial awareness
Consciousness of the surrounding space and its effective use
95
Staging/set
The presentation of dance in the performing space including set, furniture, props, projection and backdrop
96
Stamina
Ability to maintain physical and mental energy over periods of time
97
Stimulus
Inspiration for an idea or movement
98
Strength
Muscular power
99
Structure
The way in which material is organised to create the whole
100
Structuring devices
The ways in which a dance is made, built, ordered or organised
101
Style
Characteristic way of dancing
102
Style fusion
The combination of features of two or more styles
103
Tactile
Relating to the sense of touch
104
Technical skills
These include accuracy of actions, timing, dynamic, rhythmic and spatial content and the reproduction of movement in a stylistically accurate way
105
Ternary
A composition in three parts (ABA)
106
Timing
The use of time or counts when matching movements to sound and/or other dancers
107
Transitions
Links between dance phrases or sections
108
Types (of music)
Genres of music including orchestral, electronic, percussion, vocal and found sound
109
Unison
Two or more dancers performing the same movement at the same time
110
Unity
A sense of "wholeness" or harmony
111
Visual
Relating to sight