Task 3: Perceiving colour Flashcards

1
Q

Colour of light

A

wavelengths in the visible spectrum

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2
Q

Colour of objects

A

which wavelengths are reflected (for opaque objects) or transmitted (for transparent objects)

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3
Q

Differences in pigment underlie

A

different absorption spectra => colour perception

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4
Q

Subtractive colour mixture

A

mixing paints
- fewer wavelengths are reflected
=> only the WL that is in both colours appears

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5
Q

Additive colour mixture

A

mixing lights
- more wavelengths are reflected
=> white

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6
Q

The perceptual dimensions of colour

A
  1. Hue = colour on spectrum (dominant wavelength)
  2. Saturation or chroma = more white leads to a desaturated colour (spread of WL)
  3. Value or brightness = value decreases as colour become darker (amplitude of WL)
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7
Q

Trichromatic theory of colour vision (Young-Helmholtz)

A
  • occurs at the receptor level (retina)
  • offers ratio information (receptors respond to different WL)
  • does not fully explain colour blindness (dichromacy)
  • three colours : green cone, blue cone, red cone
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8
Q

Colour matching experiments

A
  • just amount of 3 different wavelengths mixed together in a comparison field until one single WL is perceived
  • possible with 3 WL but not 2
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9
Q

Metamerism

A

two different stimuli (different WL) are perceived as being the same

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10
Q

Principle of unvariance

A
  • a photon of light is absorbed => identity of WL is lost

- absorption of a single photon has the same effect no matter the WL or receptor type

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11
Q

Different receptors can give different responses to the same wavelength because

A

different receptors have different pigments => different absorption spectra

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12
Q

Population or distributed coding

A

analysis of stimulus by multiple types of receptor

  • not ambiguous
  • colour changes if ratio of activity between the 3 WL changes
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13
Q

Opponent-process theory (Hering)

A
  • neural level process (lateral geniculate nucleus)
  • difference information
  • colour experience is arranged into two opponent pairs
    Yellow -Blue
    Red-Green
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14
Q

The two opponent pairs are linked through

A

lateral inhibition

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15
Q

Complementary afterimage

A

seeing the opposite colour of the colour circle
1 - looking at red => L cones get used up
2- L cones less active => green afterimage seen on a white surface

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16
Q

Hue cancellation procedure

A

how much of a opponent colour needs to be added to cancel all perception of the opponent colour (opponent pairs)

17
Q

Difference information

A

neurons integrate inhibitory (-) and excitatory (+) signals of receptors

18
Q

Opponent LGN-Neurons

A
  • in the retina and lateral geniculate nucleus
  • excitatory response to light from one part of the spectrum => inhibitory response to the opponent light
  • cones send excitatory or inhibitory input to bipolar cell
19
Q

Types of opponent neutrons in the cortex

A

Single-opponent neurons

Double-Opponent neurons

20
Q

Single-opponent neurons

A
  • colours within broad regions
  • centre-surround antagonism
  • ganglion cells, LGN, visual cortex
  • best stimulus = higher firing rate
21
Q

Double-opponent neurons

A
  • boundaries between colours
  • colour contrast
  • colour constancy
  • visual cortex
  • side by side receptive fields
22
Q

Chromatic adaptation

A

prolonged exposure to chromatic colour

- adaptation to red light => reduced sensitivity of L-cones => a less saturated red

23
Q

Chromatic adaptation leads to

A

colour constancy

24
Q

Colour constancy

A

perceiving the colours of objects as relatively constant even under changing illumination

25
Actual reflected light depends on
object reflectance curve and illumination
26
Other factors influencing the way we perceive colour
a) Surroundings (colour constancy works best when object is surrounded by many colours) b) Memory and prior knowledge (familiar objects have a more saturated colour than other objects that reflect the same WL)
27
Dual-process theory
1. Trichromatic stage (photoreceptors) 2. Opponent-process stage (ganglion cells, LGN, VC) 3. Cortical processing
28
"The dress" experiment explains
individual variability => perceived colour depends on the context Warm illumination = blue/black dress Cool illumination = white/gold dress