Terminology Flashcards

(73 cards)

1
Q

Absurd

A

A term for novels and plays which, through their lack of conventional form and structure, appear to represent the absurdity of the human condition.

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2
Q

Act

A

A major division of action, theme or setting in a play.

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3
Q

Allegory

A

One story told in the guise of another to give fresh insight to a particular situation. Many myths and religious stories are allegories.

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4
Q

Alliteration

A

Repetitive use of a letter or sound, often used in poetry, e.g. ‘leaping lightly’.

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5
Q

Allusion

A

A reference, either directly or obliquely, to something or someone assumed to be common knowledge, e.g. a well-known person, place or another work of literature.

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6
Q

Anecdote

A

Brief account of an incident or story, usually with a point to make. Essays and regular newspaper columns often begin with an anecdote to catch the reader’s attention.

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7
Q

Antagonist

A

The character who opposes the hero / Balances the protagonist. Often precipitates events which lead to their downfall.

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8
Q

Anticlimax

A

A high point in a story which appears to be the climax but falls short of expectations created (can be used as adj.) Used to great comic/dramatic effect.

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9
Q

Anti-hero

A

A protagonist who lacks heroic qualities. Defies the convention of having a hero/attractive character as protagonist of narratives/plays.

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10
Q

Archetype

A

A character, symbol or theme which recurs in literature or mythology, e.g. the search for identity, the wise old man.

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11
Q

Assonance

A

The repetition of a vowel sound for effect, e.g. ‘long days lolling’ uses ‘o’ sound repetition to lengthen words > languorous effect.

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12
Q

Atmosphere

A

The overall tone or mood of a piece of writing conveyed through description of the setting, weather and characters.

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13
Q

Audience

A

The readers of a literary text / The individuals watching the performance of a play or film.

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14
Q

Autobiography

A

A person telling his or her own life story. Expected to be a factual account.

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15
Q

Ballad

A

Traditional song from the late Middle Ages which narrates dramatic events, often in dialogue. A four-line stanza, rhyme and a refrain assisted oral transmission.

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16
Q

Belief

A

To assent to the truth of a statement or to a set of statements or propositions.

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17
Q

Biography

A

The story of a person’s life as told by a third person.

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18
Q

Blank Verse

A

Unrhymed lines of iambic pentameter.

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19
Q

Canon

A

The notion that there is a set of ‘classic’ literary works of great value / set of texts that set a representative standard.

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20
Q

Catharsis

A

The release of emotions felt by an audience witnessing a tragedy / Intense emotional experience resulting in relief afterwards.

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21
Q

Character

A

An imaginary person created in a literary form. Stock or flat characters play minor roles in a narrative or play, and round or complex characters are usually the major characters.

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22
Q

Characterisation

A

The writer’s description of how a character looks, and what they say, do and think.

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23
Q

Chorus

A

A group of actors whose dances and choral odes were an integral part of early Greek drama.

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24
Q

Class

A

The division of society into groups depending on wealth, power, education or occupation.

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25
Climax
The point of crisis and tension towards which a narrative builds. Usually towards end of narrative/play and followed by denouement.
26
Code
A system of signs, the meanings of which are mediated and understood by the group which uses them.
27
Comedy
Literature which provides amusement or provokes laughter, in a variety of styles from subtle to outrageous.
28
Connotation
The associations of a word, which vary slightly with each reader according to their culture and experience. The context and tone of the writing affect the connotation of a word.
29
Consonance
The repetition of words retaining the consonants but changing the vowels, e.g. live/love and wonder/wander.
30
Construct
The systematic formulation of an abstract term, concept or system of thought.
31
Context
The text surrounding a word, line, image, metaphor or passage of literature.
32
Convention
An accepted literary device, e.g. the flash back and the narrator in a novel.
33
Couplet
A pair of successive rhyming lines.
34
Deconstruction
A theory of textual analysis proposed by Derrida which was both an extension and critique of structuralism.
35
Denotation
The primary reference of a word. For example, the word 'tent' denotes a temporary canvas or plastic dwelling.
36
Denouement
The resolution of events post-plot-climax.
37
Deux Ex Machina
Literal: A crane which lowered a god onto the stage to sort out the tangled plot of a Greek tragedy; Any artificial solution of the plot's complications by a means external to a plot.
38
Dialogue
Speech between characters. Reveals and moves plot forward.
39
Discourse
An arena of discussion or a verbal structure with its own terminology and jargon.
40
Dramatic Irony
The tension created when the audience has more information than the characters. Used frequently in comedy to create a sense of dread as events unfold. Also present with a naive narrator.
41
Dramatic Monologue
A poem in which the poet assumes a character and speaks in that character's voice to someone 'off-stage'. Reveals the character of the speaker.
42
Dramatisation
The play or film version of a story, legend, novel or historical event.
43
Elegy
A poem lamenting the death of a friend, of a public figure, or a more general expression of grief and mourning.
44
Empathy
Imaginatively entering into the situation and feelings of a literary character.
45
Epic
A long narrative poem in elevated language about heroic figures and actions drawn from myth, legend or history.
46
Epiphany
A moment of revelation or insight in an otherwise unremarkable situation. Often the turning point in a narrative or in a character's life.
47
Essay
A short prose composition which can be expository (presentation of facts), persuasive, argumentative (advancing a point of view), or anecdotal and personal.
48
Exposition
Introductory section of a play or work of fiction in which the writer establishes the characters, setting and other information relevant to plot development.
49
Fable
A short tale with a moral point, often with animal characters, e.g. Aesop's Fables.
50
Fairy Tales
Folk tales passed on through the oral tradition, usually moral tales about good v. evil, with characters like witches, evil stepmothers, giants and resourceful children.
51
Fantasy
A story in which fantastic or unreal things happen.
52
Farce
Knockabout comedy using exaggeration, slapstick and absurd situations.
53
Fiction
Prose which is imaginative and makes no claim to be factual, although it may well be realistic/autobiographical.
54
Figurative Language
Language which uses figures of speech like simile, metaphor, or personification.
55
Flashback
Narrative technique in which reference is made to events prior to the story currently being told.
56
Foot
Metrical division in a line of poetry. Each foot has one stressed syllable and one or more unstressed syllables.
57
Form
The way a text is structured and shaped by the genre, style, content and technique.
58
59
Free Verse
Poetry without formal rhyme pattern or rhythmic structure; from French 'vers libre'.
60
Genre
An accepted style or form of writing with conventions, e.g. epic, gothic, science fiction, tragedy. Genre gives a writer an accepted structure to work within, to challenge or to satirise.
61
Gothic
A genre which has as conventions gloomy atmosphere, mystery, horror and elements of the supernatural.
62
Haiku
Japanese verse form in 3 lines with a syllable count of 5, 7 and 5 respectively. Presents a single image or contrast from nature.
63
Half Rhyme
The use of similar sounding words in poetry; also known as imperfect, oblique, slant or pararhyme, e.g. dawn/stone.
64
Hamartia
The human blindness, ignorance, error of judgement or character flaw which brings about the downfall of the tragic hero / fatal flaw in tragic hero that causes their downfall.
65
Hero
A character with heroic qualities has courage, strength, integrity, compassion, intelligence and nobility. An archetype occurring in legends, fairy tales and epics.
66
Hubris
Pride which causes the downfall of the tragic hero.
67
Hyperbole
To make a point by overstatement or exaggeration / Greek: overshooting.
68
Iamb
A metrical foot of an unstressed followed by a stressed syllable (ti-tum). Most common metrical foot in English verse.
69
Iambic Pentameter
A line of poetry with five iambic feet; a popular metre in English poetry because it approximates the rhythms of natural speech.
70
Ideology
A set of beliefs which explain reality and shape the perception and thinking of a social group.
71
Image
A clear, vivid description of an object, scene or concept. An image may pertain to any of the five senses, or may use figurative language / See also: Imagery.
72
Imagination
The faculty which produces images, creates metaphor and shapes works of literature out of a combination of experience, emotion and ideas.
73
Interior Monologue
A convention presenting a character's thoughts as if they are a monologue which can be overheard.