Test 2 Flashcards

(46 cards)

1
Q

In painting, the term sprang from Monet’s impression: Sun rising - used in derision by critics

A

Impressionism (art)

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2
Q

What was the goal of impressionism in art?

A

Not to paint an exact representation of things, but the artists momentary impression. Emphasis on mood not intellect

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3
Q

What was the most important element in impressionism art?

A

Light

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4
Q

Who are the impressionism artists?

A

Monet, Manet, Renoir

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5
Q

What is impressionistic literature?

A

Exact representation of words, not focus, but the imagery in sound of the words

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6
Q

Symbolist poets

A

Mallarme and Verlaine

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7
Q

What is French impressionism in music?

A

Reaction to a German romanticism in emotional drama of Wagner, etc. Sensual rather than intellectual

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8
Q

Describe impressionistic music

A

Music was more subtle Melody, more obscure, colorful harmonies in orchestration emphasized

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9
Q

Claude Debussy

A

Child prodigy, entered Paris Conservatory at 11, rebel

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10
Q

Claude Debussy

A

Acquainted with mallarme and leading impressionist painters and poets, at 32 wrote the first major orchestral work Prelude to Afternoon of the Faun

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11
Q

Claude Debussy

A

Culmination work of the 1890’s the opera Pelleas and Mellisannde catapulted him to fame, worked on it for 10 years

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12
Q

Impressionism In music

A

Traditional forms like the sonata and symphony seemed outmoded to the impressionists, focused on short lyric forms like preludes and nocturnes

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13
Q

Impressionism in music

A

Reaction to romanticism but also carried on some tradition, lyricism and emphasis on mood

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14
Q

Impressionism in music

A

Musical center of the world moved from Vienna to Paris

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15
Q

Impressionism in music

A

Elements - pentatonic and whole tone scale, church modes, Triad extension (9th chords), frequent change of tonal center and chord progressions which did not conform to functional harmony

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16
Q

Claude Debussy

A

Transparent and airy, melody and meter often obscured and Hated the term Impressionism

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17
Q

Claude Debussy

A

Faun, three nocturnes, la mer, Iberia

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18
Q

Claude Debussy

A

Piano works most important compositions, comparable to Chopin - suite bergamaque, 2 books of preludes, etudes dedicated to Chopin

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19
Q

Claude Debussy

A

Death was the end of Impressionism, confectionary, harp, Celeste, did not want to write romantic. No common practice period

20
Q

Claude Debussy

A

Chamber music - string quartet in gm, sonatas for cello and piano, flute, viola, harp, violin, piano, several art songs

21
Q

Maurice Ravel

A

Stimulated by a group of avante-guard poets and painters

22
Q

Maurice ravel

A

Typing brain surgery, finest string, quartets, greatest orchestrator, piano trio: violin, cello, piano. strong, impressionistic, strings

23
Q

Maurice Ravel

A

Music was not accepted at first by public, and critics but soon gained, popularity, composed, slowly, fairly small output

24
Q

Maurice Ravel

A

After the death of Debussy, what is Frances leading composer?

25
Maurice Ravel
More of a classicist in writing than Debussy, he was a craftsman who’s music was more academically refined he returned to classical conception of form
26
Maurice Ravel
Melodies are more distinct than Debussy
27
Maurice Ravel
Rhythmic & metric sense, more evident than Debussy
28
Maurice Ravel
Harmonies more dissonant, but sense of key stronger
29
Maurice Ravel
Master orchestrator, music brighter in general and more use of percussion
30
Maurice Ravel
Piano works - pavane, Gaspard de la nuit, sonatine
31
Maurice Ravel
Orchestra - Daphnis & Chloe Suite (from ballet) Bolero, La Valse, Mother Goose Suite, Alborado del Grazioso
32
Maurice Ravel
Concertos Dash Concerto in G, concerto for the left-hand
33
Maurice Ravel
Chamber music – string Quartet, piano Trio, introduction and allegro for flute, Clarinet, harp and strings
34
Dukas Nationality
French
35
Falla Nationality
Spanish
36
Delius Nationality
English
37
Respighi nationality
Italian
38
Griffes nationality
US
39
Erik Satie
Founder of neoclassicism, mentor. Music not often performed.
40
Erik Satie
Decided impressionism could go no further. Mentor of the French six.
41
Erik Satie
Studied at the Paris Conservatory and lived near poverty. Preoccupied with medieval rites (Rosicrucians)
42
Erik Satie
Returned to simpler melodic lines with more clarity and orchestration, harmony, devoid of emotion, return to classical form
43
Erik Satie
Strange titles, such as three pieces in the form of a pair, do not put your head under your arm, satirizing impressionist titles
44
Erik Satie
Works – Gymnopedies, parade, Socrate, symphonic drama on dialogues of Plato
45
Erik Satie
Homophonic melody & accompaniment, more diatonic, and less colorful orchestration. Mocked impressionism.
46
Erik Satie
Very eccentric but prophetic of what was to come in neoclassicism and minimalism