Test 2 Flashcards
(25 cards)
Baroque
the traditional blanket term for European art from 1600 to 1750, stylistic term describes art featuring dramatic theatricality and elaborate ornamentation. May derive from Portuguese word barroco, meaning irregularly shaped pearl
Camera Obscura
Latin for “dark room”, predecessor to the modern camera in which a pinhole acted as a lens, projecting an inverted and reversed image onto a surface
Vanitas
Latin for “vanity”, describes paintings that include references to death, especially 17th century Dutch still lifes
Enconchado
technique involving inlaying mother-of-pearl into an oil painting
Rococo
a style, primarily of interior design, that appeared in France around 1700, featuring lavish decoration. Derived from French “rocaille”, meaning pebble, referring to the small stones and shells used to decorate grotto interiors
Fete galante
French for “amorous festival”, a type of Rococo painting depicting the outdoor amusements of French upper-class society
Enlightenment
the Western philosophy based on empirical evidence which dominated the 18th
century. a new way of thinking critically about the world and
humankind–independently of religion, myth, or tradition
Grand tour
the traditional trip of multiple European destinations undertaken by aristocrats, the
wealthy, and diplomats. This “pilgrimage” was meant to be a kind of cultural rite of passage
Exemplum virtutis
Latin for “example or model of virtue”
Yamato-e
also known as native-style painting, a purely Japanese style that often involved
colorful, decorative representations of Japanese narrative or landscapes
Shogun
in 12th- through 19th-century Japan, a military governor who managed the country on
behalf of a figurehead emperor
Chan Buddhism (Zen)
a Buddhist sect that emphasized enlightenment through intuition and
introspection rather than study of scripture
Wabi
a 16th-century Japanese art style characterized by refined rusticity and an appreciation of
simplicity and austerity
Sabi
the value found in the old and weathered, suggesting the tranquility of old age
Wabi-Sabi
a composite of two interrelated aesthetic concepts, wabi (侘) and sabi (寂), derived from the Buddhist teaching of the three marks of existence (三法印, sanbōin), specifically impermanence (無常, mujō), suffering (苦, ku) and emptiness or absence of self-nature (空, kū). Characteristics of wabi-sabi aesthetics and principles include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and the appreciation of both natural objects and the forces of nature. Richard Powell, “Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect.”
Tokonoma
a shallow alcove in a Japanese tea room, which is used for decoration, such as a
painting or stylized flower arrangement
Ukiyo-e
Japanese for “pictures of the floating world,” these woodcut prints made during the Edo
period depicted brothels, popular entertainment, and beautiful women
Romanticism
a Western cultural phenomenon, beginning around 1750 and ending about 1850,
that gave precedence to feeling and imagination over reason and thought
Incubus
a demon believed in medieval times to prey, often sexually, on sleeping women (inverse: succubus)
Realism
a movement that emerged in mid-19th century France. Realist artists represented the
subject matter of everyday life, especially subjects that had been considered inappropriate for
depiction, in a relatively naturalistic mode
Palette knife
a flat tool used to scrape off the palette. Artists can also use the palette knife in place of a brush
Lithography
a printmaking technique in which the artist uses an oil-based crayon to draw directly on a stone plate and then wets the stone. When ink is rolled onto the stone, it adheres only to the crayon drawing
Modernism
a movement in Western art that developed in the second half of the 19th century and sought to capture the images and sensibilities of the age, goes beyond simply dealing with the present and involves artist’s critical examination of art itself
Edouard Manet
known as the “father of modernism” as he pushed the social boundaries of art at the time