Test 2 Flashcards

(33 cards)

1
Q

Who invented the first mic? When? How does it work?

A

Berliner, 1877, intended for telephones. An electric acoustic device that converts to acoustical

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2
Q

Who invented the first capacitance mic? When? How does it work?

A

E.C Wente, 1916, 1st condensor. 2 thin plates, 1 move, 1 is fixed with charge applied. The acoustic pressure changes the capacitance

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3
Q

Who invented the first moving coil mic? When? How does it work?

A

E.C Wente, 1928, better bandwidth. It moves through the magnetic field in response to the sound waves hitting the diaphragm, and it produces voltage proportional to sound

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4
Q

Who invented the ribbon mic? When? How does it work?

A

Harry Olsen, 1932. It uses a medal ribbon attached to a fixed magnet, ribbon then vibrates from the pressure of the sound waves so voltage is generated

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5
Q

Phantom Power

A

Convenient power source for condenser microphones

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6
Q

What does linear mean?

A

Having an output that varies in direct proportion to the input

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7
Q

2 switches that exist on some mics? Explain

A

Bass Roll Off- reduces less frequency

Pad- cuts the volume

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8
Q

Polar pattern

A

A microphones sensitivity with respect to direction and frequency

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9
Q

3 different polar patterns

A

Omni- all around
Bi directional- front and back
Cardiod- front (heart shaped)

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10
Q

Microphones frequency response

A

Range of frequency a mic can produce

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11
Q

3 types of stereo mixing

A

Spaced Pair- 2 identical mics spaced 3-30ft from each other
Deca Tree- uses 3 omni mics, placed in T 8-20in apart
Coincident (X/Y)- 2 identical mics, capsules aligned 90-135 degrees

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12
Q

Pros and Cons of close and distant microphone techniques

A

Distant- >3ft from source, high probability of phase cancellations, room tone/ambiance
Close-<3ft from source, adds presence and gives isolation to the sound, few phase cancellations

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13
Q

ORTF

A

2 identical mics, near coincident that are at an angle of 110 degrees

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14
Q

M/S

A

mid-side

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15
Q

3:1 Rule

A

Each microphone must be at least 3 times farther apart from the source

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16
Q

On axis vs. off axis

A

On- talking directly in front of the mic

Off- off center of the mic

17
Q

What part of the mic give its sound?

18
Q

3 types of loudspeakers

A
Moving coil (most common)
Ribbon
Electrostatic
19
Q

Frequency response

A

Measure of an audio systems ability to reproduce a range of frequencies with the same loudness

20
Q

Distortion

A

Signal in a reproduced sound that wasn’t part of the original

21
Q

Polar Response

A

How a loudspeaker focuses sound at a listening position

22
Q

Far field vs. Near field

A

Far- larger and full range, but in wall and several feet from the listener
Near-maller and limited range, set on stands and console bridges, near listener

23
Q

Headphone Monitoring

A

Eliminates influence of room acoustics on what you hear

24
Q

High vs. Low frequencies

A

Low is larger and travels further, high is opposite

25
Signal flow
When patch audio takes through a system
26
Overdub
Adding instruments that were not present during the original performance
27
Block diagram
The use of signals to describe the signal flow
28
Pan pot
Allows a creation of stereo imaging (L & R speakers to give the image- drums in one, guitar in other)
29
Insert vs. Send return
Insert- seral, compression and EQ, will go with signal flow | Send- parallel, reverb, adds another chain to signal flow
30
What is the first revered chamber patent date?
1935
31
How did the focus of making a music recording change in the 1940's?
Changed from capturing to creativity
32
Who developed stereo recording and the stereo disk?
Alan Blumlein of EMI
33
What are the playing speeds of LPs?
33 1/3, 45, 78 RPM