The Canonisation Flashcards

(10 cards)

1
Q

Context:

A
  • The context of canonisation would have been controversial in Elizabethan England where people were persecuted for practicing catholicism.
  • Donne’s brother died in the Tower of London after hiding a priest.
  • Likely to have been written after marrying Anne Moore in private.”
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2
Q

The Canonisation:

A

Within the poem the speaker highlights the power of love to transcend courtly and earthly concerns. The speaker urges for a private form of love, whilst also recognising that the love he has found has achieved such perfection, that it deserves canonisation.

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3
Q

“For God’s sake hold your tongue, and let me love”

A
  • Colloquial opening is in sharp contrast to the poems religious tidal that seems to focus on profound piety.
  • Poetic voice’s frustration and anger is implicit in the shocking opening clause.
  • Frustrated that the behaviour of the addressee is limiting his ability to lobe - liquid alliteration provides a contrast between the sharpness in his tone and the focus on love.
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4
Q

“Observe his honour, or his grace”

A
  • likely to refer to judges or those in positions of power in the church.
  • Irony in Donne’s choice of occupations as Donne trained as a lawyer in Lincolns Inn and following his rejection of courtly society after marrying Anne Moore - he was only able to take up positions in the church.
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5
Q

“Let me love”

A
  • Donne adopts a form of epistrophe - the first and last lines of the stanzas begin and end with love - indicates that love is the beginning and end of his concerns.
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6
Q

“What merchant ships have my sighs drowned?”

A
  • undermines the conventional Petrarchan image of profound emotion.
  • His sighs have not caused ships to drown or tears caused floods - claims portrayed in a petrarhcan poem
  • Donne presents a series of disasters, none of which have been caused by his love.
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7
Q

“We can die by it, if not live by love”

A
  • antithetical parallelism.
  • death being taking literally - even if they are not allowed to love in life, they can love in death.
  • liquid alliteration - eternal nature of love.
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8
Q

“And if no piece of chronicle we prove/ we’ll build in sonnets pretty rooms”.

A
  • Sonnets - traditional form of love poetry - most apt form for their immortalisation.
  • “pretty rooms” - love can eternally inhabit the verses of sonnets.
  • works as a literary pun as stanza is the Italian word for room - Donne is likely to be imagining the Italian sonnet form.
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9
Q

“and by these hymns, all shall prove us canonised for love”.

A
  • hymns - introduces a semantic field of religion to prepare the reader for the sense in which the lovers should be canonised for love.
  • Verses will functions like urns where there love will be recognisable by all - will be rewarded as miraculous lovers worthy of canonisation.
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10
Q

Form:

A
  • Regularity of the stanzas- represents the enduring nature of their love.
  • Dramatic monologue - allows Donne to confront his critics in an immediate style.
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