The Modern Era terms Flashcards

1
Q

modal scales

A
  • the use of scales (modes) in which the pattern of whole steps and half steps is different from conventional major and minor scales; for example, dorian, lydian, mixolydian
  • common in music of the Middle Ages and renaissance, rediscovered by 20th century composers
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2
Q

whole tone scale

A
  • a non traditional scale employed by composers of the late 19th and 20th centuries
  • consists of six different pitches, all spaced a whole tone (whole step) apart; for example, c-d-e-fsharp-g-sharp-a-sharp-c
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3
Q

pentatonic scale

A
  • a scale consisting of five different pitches, for example, c-d-f-g-a
  • easily rendered by playing the five black keys on the piano
  • common to the folk music of many European and asian cultures
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4
Q

expanded tonality

A
  • the use of extremely chromatic harmony while still maintaining allegiance to a tonal center
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5
Q

polytonality

A

the simultaneous use of two or more tonal centres

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6
Q

atonality

A
  • the total absence of any tonal center
  • characterized by unresolved dissonances
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7
Q

changing meter

A
  • shift of metrical groupings
  • manifested through changes of time signature
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8
Q

polyrhytm

A

the simultaneous use of two or more conflicting rhythms

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9
Q

symphonic poem

A
  • one of the most important forms of orchestral program music
  • a single- movement work, generally free in form, with literary or pictorial associations
  • invented by franz liszt
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10
Q

impressionsm in music

A
  • parallel the French movement in visual art
  • employs expanded harmonic vocabulary: whole tone, modal, pentatonic scales, parallel chords
  • suggests images rather than directly depicting them
  • features innovative orchestral colours, including individual treatment of instruments and use of muted instruments.
  • metric pulse is frequently obscured
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11
Q

symbolism

A
  • a French literary movement of the late 19th century
  • symbolist writers include Paul Verlaine and Stephane Mallarme
  • authors sought to suggest subject matter rather than depict it specifically
  • stresses the beauty of the word itself
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12
Q

ballet

A
  • a highly stylized type of dance that often interprets a story
  • first developed in the 17th century at the court of Louis xiv; flourished in the 19th century Russian court
  • many significant composers, including Tchaikovsky, Stravinsky, Debussy, and Prokofiev, composed music for ballets
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13
Q

choreography

A

the art of designing the dance steps and movements in a ballet (or musical)

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14
Q

primitivism

A
  • an effect created largely through rhythm
  • use of strong accents, heavy syncopation, polyrhythms, expanded percussion section
  • desmontrated best in Stravinsky’s the rite of spring
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15
Q

musical

A
  • a unique genre developed in the united states
  • a play with spoken dialogue but featuring musical numbers: songs, dances, choruses
  • Staging (sets, costumes, lighting) is often spectacular
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16
Q

jazz

A
  • a musical style that developed in the early 20th century in the united states
  • combined elements of African, popular, and European music
  • based on improvisation
17
Q

verse- chorus structure

A
  • a common song structure in popular music
  • verses develop the character/ storyline, while the chorus acts as a tuneful refrain
18
Q

mambo

A
  • a dance of afro cuban origins popular in the 1940s and 1950s
  • moderately fast 4/4
  • usually characterized by rhytmic ostinato as well as riff passages for wind instruments
19
Q

hemiola

A
  • a temporary shift of the metric accents
  • notes grouped in threes are momentarily grouped in twos or vice versa
20
Q

minimalism in music

A
  • a musical style that evolved in the late 20th century
  • associated with compositions by Steve reich, Philip glass, John adams
  • characterized by the repetition of melodic, rhythmic, and harmonic patterns with little variation