Theory Flashcards

Question

E-7

Answer 1

E - G - B - D

Answer 2

6 Flats - BEADGC

Answer 3

**B E** B has 5 sharps **FCGDA** _EB_

Answer 4

E7 - E Mixolydian / Dominant

Answer 5

Eb 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb 1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 6

**Only B** F# has 6 sharps **FCGDAE** _B_

Answer 7

D - F# - A - B

Answer 8

**D - F# - A# - C** aug = #5 Daug7 = D7 + #5 also written D7+5 or D7+ or D7+4+5 Built on whole tone scale

Answer 9

E - G# - B

Answer 10

E - G# - B# aug = #5 Daug or D+

Answer 11

1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 12

C# - F# - G# A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 13

C D Eb F Gb Ab A B C C - Eb - Gb - A (Bbb) C7 chord with 3, 5 and 7 flatted

Answer 14

D - F# - A# augmented = #5 built on the whole tone scale E - F# - G# - A# - C - E

Answer 15

Only F Gb has 6 flats **BEADGC** F

Answer 16

F - A - C - D

Answer 17

A - B - C - D - E - F# - G# Melodic Minor A - C - E - G#

Answer 18

C# - E# - G# - A#

Answer 19

Major Mode **Ionian** CDEFGABC **Dorian** DEFGABCD **Phrygian** EFGABCDE **Lydian** FGABCDEF **Mixolydian** GABCDEFG **Aeolian** ABCDEFGA **Locrian** BCDEFGAB

Answer 20

D - E - F - G - A - B - C# - D Melodic Minor D - F - A - C#

Answer 21

D - F# - A - C

Answer 22

W W H W W W H

Answer 23

Starting on Second (6 is Color Tone) **Ionian** CDEFGABC **Dorian** DEFGABCD **Phrygian**EFGABCDE **Lydian** FGABCDEF **Mixolydian** GABCDEFG **Aeolian** ABCDEFGA **Locrian** BCDEFGAB

Answer 24

Gb - Ab - A (Bbb) - Cb - Db - Eb - F Melodic Minor Gb - A (Bbb) - Db - F

Answer 25

E A B E has 4 sharps, F# G# C# D# Order of sharps **FCGD** _AEB_

Answer 26

Only two whole tone scales C - D - E - F# - G# - A# C# - D# - F - G - A - B

Answer 27

C# - E# - A augmented fifth chord (raised 5) C# - E# (F) - Gx (A) built on whole tone scale C# - D# - F - G - A

Answer 28

**B** 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 29

E - G# - B - D#

Answer 30

E - G# - B - D

Answer 31

F - A - C# augmented is #5 play whole tone F - G - A - B - C# - D#

Answer 32

Eb - Gb - Bb - Db

Answer 33

**A** 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 34

F - A - C - Eb

Answer 35

C - D - G A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 36

Eb - G - Bb

Answer 37

1 - b3 - 4 - b5 - 5 - b7 - 1

Answer 38

F - Bb - C

Answer 39

D - F - A - C

Answer 40

**5** ## Footnote 9-2 10-3 11-4 12-5 13-6

Answer 41

D - F# - A

Answer 42

Blues Scale

Answer 43

D - E - A A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 44

F - A - C - E

Answer 45

D - G - A - C A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 46

**F** 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb 1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 47

C# - E# - G#

Answer 48

G 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 49

**2** ## Footnote 9-2 10-3 11-4 12-5 13-6

Answer 50

Db - Eb - E (Fbb) - Gb - Ab - Bb - C Melodic Minor Db - E (Fbb) - Ab - C

Answer 51

Eb - Ab - Bb - Db

Answer 52

D - F# - A - C#

Answer 53

G7 - Dom / Mixolydian

Answer 54

D - G - A A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 55

1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 56

None Cb has seven flats **BEADGCF**

Answer 57

F# - G# - A - B - C# - D# - E# (= F) - F# Melodic Minor F# - A - C# - E# (= F)

Answer 58

definition of a sus chord: it is a dominant chord whose major third is replaced by the perfect fourth a half step higher.

Answer 59

C# - E# - A - B seventh augmented fifth chord Daug7 = D7 + #5 also written D7+5 or D7+ or D7+4+5

Answer 60

C# - E - G - Bb/A# lower 3, 5, 7 from the 7th chord

Answer 61

E - G# - B - C#

Answer 62

**Ab** 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb 1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 63

**E** 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 64

**3** ## Footnote 9-2 10-3 11-4 12-5 13-6

Answer 65

E Melodic Minor E - F# - G - A - B - C# - D# E - G - B - E#

Answer 66

E - F# - B A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 67

G - A - Bb - C - D - E - F# Melodic Minor G - Bb - D - F#

Answer 68

F - Bb - C - Eb

Answer 69

Gb 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb 1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 70

it is a dominant chord whose major third is replaced by the perfect fourth a half step higher. A sus chord is midway between the iim7 chord and the V7chord of a ii-V. It has the consonant, soothing quality of the ii chord which, unlike the V7, contains perfect fifths (between the root & fifth and the third & seventh) and no tritones (the major third and minor seventh of a dominant chord form a tritone). But it takes on some of the sense of movement that a dominant chord conveys. If a dominant chord feels like a voyage underway, then perhaps a sus chord feels like it is preparing to embark on a voyage. It is no coincidence that the composition in jazz that is most closely associated with sus chords is entitled Maiden Voyage! A state of “suspension” “Sus” stands for “suspended.” In Classical theory, a suspension refers specifically to the fourth—or occasionally the second—that is held over briefly from the previous chord. In classical music and in the Tin Pan Alley jazz standards, sus chords are almost always resolved quickly.

Answer 71

**CFG** Ab has 4 flats **BEAD** _GCF_

Answer 72

C - D - Eb - F - G - A - B - C Melodic Minor C - Eb - G - B

Answer 73

C# - F# - G# - B A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 74

Eb - G - Bb - Db

Answer 75

E - A - B - D

Answer 76

Given a major scale in a given key, the key / tonic of its relative minor is the 6thnote of the major scale. Using E-flat as an example, the 6th note of the Eb major scale is note C, so the relative minor scale is C natural minor scale.

Answer 77

B - D - F# - A

Answer 78

C# 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 79

C - E - G - B

Answer 80

Eb - F - Bb A suspended chord (sus chord) is a musical chord in which the (major or minor) third is omitted, replaced usually with either a perfect fourth or a major second, although the fourth is far more common.

Answer 81

F - A - C# - Eb Faug7 = F7 + #5 (Aug has raised 5th) also written F7+5 or F7+ or F7+4+5

Answer 82

**F#** 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 83

6 flats in Gb Gb (1), A (b3), Cb/B (4), C (b5), Db (5), E (b7)

Answer 84

C# - E - G# - B

Answer 85

B - C# - D - E - F# - G# - A# Melodic Minor B - D - F# - A#

Answer 86

D - F# - A# - C Seventh augmented fifth chord Aug = raised 5 D7aug, D7+5, D7+4+5 D - E - F# - G# - A# - C

Answer 87

**4** ## Footnote 9-2 10-3 11-4 12-5 13-6

Answer 88

Commonly written Cdim7 (Cº) or Cº7 1 - 3b - 5b - 6 (7bb) C - Eb - Gb - A (Bbb) C7 chord with 3, 5 and 7 flatted used to solo over Dim7 chords. The **whole half diminished scale** is used less often than the half whole diminished scale, mostly because dominant chords appear more frequently than diminished chords in modern music. Often called the “fully diminished scale,” the whole half diminished scale is built by alternating whole and half steps from any root note. Hence the name, whole half diminished scale. This scale is used to solo over Dim7 chords, and DimMaj7 chords if you ever have the occasion to see that chord in a song. When alternating whole and half steps from a root note, you produce the interval pattern for any fully diminished scale. R 2 b3 4 b5 #5 6 7 Or, if you’re playing a G fully diminished scale the notes would be. G A Bb C Db D# E F#

Answer 89

Sus = 3rd replaced by 4 C - F - G - Bb

Answer 90

Eb - G - Bb - D

Answer 91

**6** 9-2 10-3 11-4 12-5 13-6

Answer 92

D + F + Ab + B (Cbb) D7 then flat 3, 5, 7 D + (E) + F + (G) + Ab + (Bb) + B + (Db) + D

Answer 93

**Bb** 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb 1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 94

A7 - A Mixolydian / Dominant

Answer 95

G△7 - G Major

Answer 96

F - G - Ab - Bb - C - D - E Melodic Minor F - Ab - C - E

Answer 97

A7 - Mixolydian A7b9 - Mixolydian w/ b2

Answer 98

C# - E# - G# - B#

Answer 99

Only two whole tone scales C - D - E - F# - G# - A# C# - D# - F - G - A - B

Answer 100

**C - E - G - Bb**

Answer 101

Eb - Ab - Bb

Answer 102

Starting on 3 6 is the relative major **Ionian** CDEFGABC **Dorian** DEFGABCD **Phrygian** EFGABCDE **Lydian** FGABCDEF **Mixolydian** GABCDEFG **Aeolian** ABCDEFGA **Locrian** BCDEFGAB

Answer 103

**D** 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 104

F - Ab - C

Answer 105

C# - E# - G# - B

Answer 106

Eb - G - B augmented = #5 also written Eb+ Eb - F - G - A - B - C#

Answer 107

**Db** 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb 1. G 2. D 3. A 4. E 5. B 6. F# 7. C#

Answer 108

Technically **none** C# has all 7 sharps **FCGDAEB**

Answer 109

F# - A# - D (C##) **F#+** Raised 5 whole tone F# - G# - A# - C - D - E

Answer 110

Augmented (raised 5) 7 F# - A# - C - E also written F#7aug or F#7+5 F# - G# - A# - C - D - E

Answer 111

G - B - D# - F# also written G7+ aug (+5) + b7 G - A - B - C# - D# - F

Answer 112

G - B - D# (raised 5) whole tone G - A - B - C# - D# - F

Answer 113

A - C# - D# (raised 5) A - B - C# - D# - F - G

Answer 114

G augmented 7 G - B - D# - F (raised 5) G - A - B - C# - D# - F

Answer 115

C - Eb - Gb each note a minnor third higher than the last (3s) C - D - Eb - F - Gb - G# - A - B R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished Diminished = Flat 1, 3, 5

Answer 116

C# - E - G - A# 1 - b3 - b5 - (6) bb7 C# - D# - E - F# - G - A (G##) - A# - B# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished Diminished = Flat 1, 3, 5 Cdim - Cdim7 - C⁰7

Answer 117

Dimished - Flat 3 - Flat 5 - 6 (bb7) C - Eb - Gb - A (Bbb) diminished triad + diminished 7th each note a minnor third higher than the last (3s) C - D - Eb - F - Gb - G# - A - B R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 118

Dimished - Flat 3 - Flat 5 - 6 (bb7) D - F - Ab - B (Cbb) diminished triad + diminished 7th each note a minnor third higher than the last (3s) D - E - F - G - Ab - Bb - B - C# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 119

Dimished - Flat 3 - Flat 5 - 6 (bb7) Eb - Gb - A (Bbb) - C (Dbb) diminished triad + diminished 7th each note a minnor third higher than the last (3s) Eb - F - Gb - Ab - A (Bbb) - B - C - D R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 120

Dimished - Flat 3 - Flat 5 - 6 (bb7) E - G - Bb - Db diminished triad + diminished 7th each note a minnor third higher than the last (3s) E - F# - G - A - Bb - C - C# - D# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 121

Dimished - Flat 3 - Flat 5 - 6 (bb7) F - Ab - B (Cb) - D (Ebb) diminished triad + diminished 7th each note a minor third higher than the last (3s) F - G - Ab - Bb - B (Cb) - C# - D - E R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 122

Dimished - Flat 3 - Flat 5 - 6 (bb7) Gb - A (Bbb) - C (Dbb) - Eb diminished triad + diminished 7th each note a minor third higher than the last (3s) Gb - Ab - A (Bbb) - Cb - C (Dbb) - D - Eb - F R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 123

Dimished - Flat 3 - Flat 5 - 6 (bb7) F# - A - C - Eb diminished triad + diminished 7th each note a minnor third higher than the last (3s) F# - G# - A - B - C - D - D# - E# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 124

Dimished - Flat 3 - Flat 5 - 6 (bb7) Db - E (Fb) - G - B diminished triad + diminished 7th each note a minnor third higher than the last (3s) Db - Eb - E - Gb - G - A - B - C R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 125

Dimished - Flat 3 - Flat 5 - 6 (bb7) G - Bb - Db - E diminished triad + diminished 7th each note a minnor third higher than the last (3s) G - A - Bb - C - Db - D# - E - F# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 126

Dimished - Flat 3 - Flat 5 - 6 (bb7) Ab- B - D - F diminished triad + diminished 7th each note a minnor third higher than the last (3s) Ab - Bb - B - Db - D - E - F - G R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 127

Dimished - Flat 3 - Flat 5 - 6 (bb7) Bb - Db - E - G diminished triad + diminished 7th each note a minnor third higher than the last (3s) Bb - C - Db - Eb - E - F# - G - A R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 128

Dimished - Flat 3 - Flat 5 - 6 (bb7) A - C - Eb - F# diminished triad + diminished 7th each note a minnor third higher than the last (3s) A - B - C - D - Eb - F - F# - G# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 129

Dimished - Flat 3 - Flat 5 - 6 (bb7) B - D - F - Ab diminished triad + diminished 7th each note a minnor third higher than the last (3s) B - C# - D - E - F - G - G# - A# R - 2 - b3 - 4 - b5 - #5 - 6 - 7 known as Whole-Half Diminished scale or Fully Dimished

Answer 130

Diminished seventh is a semitone lower than the Minor 7

Answer 131

Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - 2 - b3 - 4 - b5 - 6 - b7 C - Db - Eb - F - Gb - Ab - Bb - C B - C - D - E - F - G - A - B - C b2 b3 b5 b6 b7 **Symbol: Cø** Chord same as: Cmi7(b5), C—7b5 Chord Construction: **1 - b3 - b5 - b7**

Answer 132

**Chord same as:** **C^ø** Half Dimished Construction: 1 - b3 - b5 - b7 C - Eb - Gb - Bb C - D - Eb - F - Gb - A - Bb

Answer 133

**o** Fully Diminished has Dimished 7 (7bb = 6) above dim triad ## Footnote **ø** Half Diminished has Minor 7 (7b) above dim triad scale also has b2 CHORD fully dim: 1 - b3 - b5 - 6 (d7) half dim - 1 - b3 - b5 - b7

Answer 134

C half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 C - Db - Eb - F - Gb - Ab - Bb b2 b3 b5 b6 b7 Symbol: Cø Chord same as: Cmi7(b5), C—7b5 Chord Construction: 1 - b3 - b5 - b7 C - Eb - Gb - Bb

Answer 135

C# Half Diminished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 C# - D - E - F# - G - A - B b2 b3 b5 b6 b7 Symbol: Cø Chord same as: Cmi7(b5), C—7b5 Chord Construction: 1 - b3 - b5 - b7 D - E - G - B

Answer 136

Db half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 Db - D - E - Gb - G - A - B b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 Db - E - G - B Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 137

D half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 D - Eb - F - G - Ab - Bb - C b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 D - F - Ab - Bb Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 138

Eb half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 Eb - E - Gb - Ab - A - B - Db b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 Eb - Gb - A - Db Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 139

E half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 E - F - G - A - Bb - C - D b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 E - G - Bb - C Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 140

E half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 E - F - G - A - Bb - C - D b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 E - G - Bb - D Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 141

F half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 F - Gb - Ab - Bb - B - Db - Eb b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 F - Ab - B - Eb Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 142

F# half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 F# - G - A - B - C - D - E b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 F# - A - C - D Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 143

Gb half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 Gb - G - A - Cb - C - D - E b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 Gb - A - C - E Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 144

G half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 G - Ab - Bb - C - Db - Eb - F b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 G - Bb - Db - F Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 145

Ab half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 Ab - A - B - Db - D - E - Gb b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 Ab - B - D - G Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 146

A half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 A - Bb - C - D - Eb - F - G b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 A - C - Eb - G Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 147

Bb half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 Bb - B - Db - Eb - E - Gb - Ab b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 Bb - Db - E - Ab Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 148

B half dimished Locrian - 7th Mode - Enharmonic Equivalent to 2 1 - b2 - b3 - 4 - b5 - b6 - b7 B - C - D - E - F - G - A b2 b3 b5 b6 b7 Chord Construction: 1 - b3 - b5 - b7 B - D - F - A Symbol: Cø Chord same as: Cmi7(b5), C—7b5

Answer 149

1 - 2 - **3** - 4 - 5 - 6 - 7 - 8 A - B - **C** - D - E - F - G - A C# 3 sharps in A - FCG

Answer 150

1 - 2 - 3 - **4** - 5 - 6 - 7 - 8 A - B - C - **D** - E - F - G - A D sharps in A - BEA

Answer 151

1 - 2 - 3 - 4 - **5** - 6 - 7 - 8 A - B - C - D - **E** - F - G - A sharps in A - FCG

Answer 152

1 - 2 - 3 - 4 - 5 - **6** - 7 - 8 A - B - C - D - E - **F** - G - A F# sharps in A - FCG

Answer 153

**6** 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 154

just F has 6 flats 1. G 2. D 3. A 4. E 5. B 6. F# 7. C# 1. F 2. Bb 3. Eb 4. Ab 5. Db 6. Gb 7. Cb

Answer 155

Bb 1 - **3** - 5 - 7 G - **B** - D - F 6 flats in Gb

Answer 156

n. the procedure when two parties are involved in a lawsuit overthe right to collect a debt from a third party, who admits themoney is owed but does not know which person to pay. Thedebtor deposits the funds with the court ("interpleads"), asks thecourt to dismiss him/her/it from the lawsuit, and lets theclaimants fight over it in court.

Answer 157

Prevents bias against outsider Ds Democratic participation theory As they work, the rules don’t track these concerns well.

Answer 158

* The Constitution only requires “Simple Diversity” Art. 3, § 2, Cl 1 * whereas * the Supreme Court has construed The term “Citizens of Different States” as used in **28 USC § 1332(a)** statute as requiring “Complete Diversity.” **Complete Diversity,** means that no plaintiff can be a citizen of the same state as any defendant. If Complete Diversity is not satisfied → then there is no Federal Subject Matter Jurisdiction, unless the parties can establish a basis other than Diversity Jurisdiction (For example, they could establish Federal Question Jurisdiction)

Theory Flashcards

(266 cards)