THT - W3 Flashcards

1
Q

Lysistrata (Characters - Comedy/Tragedy?)

A

Comedy – do not tend to evolve

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2
Q

Antagonist (La)

A

The Magistrate
- Causing the conflict

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3
Q

Protagonist (La)

A

Lysistrata

  • Is targeted by the Antagonist
  • Has the goal
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4
Q

Lysistrata -ch- (La)

A
  • Common (X not noble)
  • Protagonist
  • Man characteristics
  • Look down on her sex
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5
Q

Lampito (La)

A
  • Beautiful
  • Powerful
  • Scottish speak (not as good as English, something wrong, other, NOTATHENIAN)
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6
Q

Dialogue (La)

A
  • Unembelished
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7
Q

Aristotle Greek Comedy (good)
- Plot

A
  • Unified, simple, universal
  • Imitation of Inferior Action
  • Necessary or probable sequence
  • Order RE-established in the end
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8
Q

Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Character

A
  • Ignoble human beings, the ridiculous / deformed
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9
Q

Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Thought

A
  • Possible and pertinent, proof and refutation
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10
Q

Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Diction

A
  • Delivery, language, vocabulary
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11
Q

Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Spectacle

A
  • Spectacular events = Set fire to the gates of the Akropolis (Gates of the virgin.)
  • Reconciliation = women in the end (being an object map)
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12
Q

Irony (3 types)

A
  • Dramatic (audience knows, not characters)
  • Situational (Conflict expected/happens)
  • Verbal (Words used mean something diff. than itended)
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13
Q

Dramatic irony

A
  • Audience knows something characters don’t
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14
Q
  • Audience knows something characters don’t
A

Dramatic irony

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15
Q

Situational irony

A
  • Discrepancy between what is expected to happen and what does
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16
Q
  • Discrepancy between what is expected to happen and what does
A

Situational irony

17
Q

Verbal irony

A
  • The words used mean something different than what is intended
18
Q
  • The words used mean something different than what is intended
A

Verbal irony

19
Q

Mix of chorus in the end (La)

A
  • Break the fourth wall
20
Q
  • Break the fourth wall
A

Mix of chorus in the end (La)

21
Q
  • Literary devices (La)
A
  • Irony
  • Symbolism
22
Q

Major Themes (La)

A
  • Arguments
23
Q

Thetrical Conceit-or effect- (La)

A

Metaphor

24
Q

Major Symbols (La)

A
  • Lysistrata’s wool
  • Clothing, cosmetics and dressing
  • 2 weapons : Reproduction
  • Chorus (History, wisdom, F/M, OLD men fight, OLD wm fight back)
  • Athena & the Acropolis
25
Q

Themes / Argument (La)

A
  • Feminine and the masculine
  • The domestic/private versus the community/public
  • War and violence
  • Power and obedience
26
Q

Metatheatricality (La)

A

Talks about other plays (in La - Elements of greek Drama)

27
Q

Talks about other plays (in La - Elements of greek Drama)

A

Metatheatricality (La)

28
Q

Peripeteia (in La)

A

When the men cave - arrival of Spartan ambassador (La - Element of Greek Drama)

29
Q

When the men cave - arrival of Spartan ambassador (La - Element of Greek Drama)

A

Peripeteia (in La)

30
Q

Hamartia (in La)

A

tragic flaw has to be in noble character
— (men): They cannot see the effect of loss of war in their
(La - Element of Greek Drama)

31
Q

tragic flaw has to be in noble character
— (men): They cannot see the effect of loss of war in their
(La - Element of Greek Drama)

A

Hamartia (in La)

32
Q
  • Hubris (in La)
A

The inhability of men to accept the equality or be better beside women. (The magistrate shows that : ‘’’Mbetter than women’’

(La - Element of Greek Drama)

33
Q

The inhability of men to accept the equality or be better beside women. (The magistrate shows that : ‘’’Mbetter than women’’

(La - Element of Greek Drama)

A
  • Hubris (in La)
34
Q

Catharsis (in La)

A

Men accept to think more logically (in La - Element of Greek Drama)

35
Q

Men accept to think more logically (in La - Element of Greek Drama)

A

Catharsis (in La)