Tide Flashcards

(34 cards)

1
Q

When was Tide launched and by whom?

A

Tide was launched in 1946 by Procter & Gamble, specifically designed for heavy-duty, machine cleaning.

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2
Q

Which advertising agency handed P&G’s accounts in the 1950s?

A

D’Arcy Masius Benton & Bowles (DMB&B) handled P&G’s accounts.

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3
Q

Why did DMB&B explicitly reference P&G in Tide campaigns?

A

Because market research showed consumers had high confidence in Procter & Gamble.

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4
Q

What was unique about DMB&B’s Tide advertising strategy?

A

They used print and radio concurrently to quickly build brand familiarity.

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5
Q

What character and ideology were used in both media forms for Tide ads?

A

The “housewife” character and the idea that customers “loved” and “adored” Tide.

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6
Q

What historical context influenced Tide’s advertising?

A

The 1950s post-WWII consumer boom and the rise of home technologies like washing machines.

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7
Q

Why did 1950s print ads use more copy than modern ads?

A

Because consumer culture was new, and audiences needed more information about unfamiliar products.

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8
Q

Name some media language features in the Tide ad.

A

Z-line composition, rule of thirds, bright primary colours, sans-serif for informal headings, serif for technical info.

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9
Q

What informal style is used in the comic strip section of the Tide ad?

A

Informal lexis like “sudsing whizz” and casual conversation between women.

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10
Q

How does the ad use Barthes’ Hermeneutic Code?

A

It creates suspense with the enigma of “what women want” and use multiple exclamation marks for tension.

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11
Q

How does Barthes’ Semantic Code apply to the ad?

A

Hearts and gestures connote love and relationships, suggesting women love both Tide and cleanliness.

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12
Q

How does Barthes’ Symbolic Code appear in the ad?

A

Through hyperbole, superlatives, and tripling that emphasise Tide’s superiority over competitors.

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13
Q

How is binary opposition used in the Tide advert?

A

The ad contrasts Tide with inferior rivals using statements like “Tide gets clothes cleaner than any other” and “unlike soap”.

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14
Q

What does the phrase “Tide is truly safe” imply using binary opposition?

A

It implies that other products are unsafe or less effective by contrast.

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15
Q

Which wartime adverts serve as intertexts for Tide’s representation of women?

A

WWII’s ‘Women’s Land Army’ and J. Howard Miller’s ‘Rosie the Riveter- We Can Do It!’ poster.

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16
Q

What did wartime adverts like ‘Rosie the Riveter’ represent about women?

A

They challenged stereotypes by showing women in strong, active, and industrial roles.

17
Q

How were women targeted in 1950s advertising post WWII?

A

As primary consumers for new domestic technologies, tied to roles of domestic perfection and care.

18
Q

What idealised traits were often associated with women in 1950s ads?

A

Domestic perfection, family care, servitude to the husband, speed, and convenience.

19
Q

How does the Tide ad construct representation through selection and combination?

A

By choosing a hairstyle and headband that signal practicality and focus, while also showing full makeup to maintain femininity.

20
Q

What is significant about the woman’s hairstyle in the Tide ad?

A

It reflects 1950s fashion trends influenced by film stars and the practical need for shorter hair from wartime work.

21
Q

What does the woman’s headband signify in the advert?

A

It connotes practical focus on housework, reminiscent of wartime women’s dress.

22
Q

How does Stuart Hall’s theory of representation apply to the Tide advert?

A

The domestic imagery (e.g. women hanging laundry) forms part of a “shared conceptual road map,” making the scenario relatable and meaningful to the audience.

23
Q

How does the Tide advert use Uses and Gratifications theory to target its audience?

A

By representing young, white, married women with children, the advert invites personal identification from similar consumers.

24
Q

What role does Good Housekeeping Magazine play in the Tide advert?

A

It acts as an opinion leader, reinforcing Tide’s market dominance and credibility for the target audience.

25
According to David Gauntlett's theory of identity, how does the Tide advert influence its audience?
The women shown act as role models of domestic perfection, helping viewers construct their own identities around similar ideals.
26
How does the advert support Stuart Hall's concept of a 'preferred reading'?
The use of reassuring words like "trust," "truly safe," and "miracle" encourages viewers to accept Tide as the ideal solution for house hold chores
27
How might van Zoonen's feminist theory critique the Tide advert?
The ad arguably contradicts her view that media can promote social change, as it reinforces traditional gender roles and uses domestic stereotypes.
28
What would bell hooks argue about the representation of women in the advert?
That it reinforces the Western beauty ideal by only showing lighter-skinned, "modern" white women, suggesting racialised beauty standards.
29
How could Paul Gilroy's post-colonial theory apply to the Tide advert?
The ad may reinforce colonial power by focusing exclusively on white women and ignoring diversity, despite the social changes post-WWII.
30
What social context influenced how women were targeted in 1950s advertising?
Although women worked in various wartime roles, post-war adverts refocused on women as domestic consumers of home products.
31
Who was the likely target audience for the Tide advert?
Affluent lower-middle class women in 1950s America, interested in efficient domestic products.
32
How does Stuart Hall's Reception apply to the main image of the woman?
her indirect gaze connotes a personal relationship with the product, encouraging a dominant reading that Tide meets "your" needs.
33
How does the advert use direct address to engage the audience?
Through imperative language ("Remember!") and personal pronouns ("your wash"), drawing viewers in.
34
What does George Gerbner's Cultivation Theory say about the Tide advert?
Repetition of messages like "miracle suds" and "brand leader" cultivates belief that Tide is superior and essential for modern women.