True or False Flashcards
(35 cards)
The ring shout was a form of piano recital music.
False
Richard Allen was one of the pre-Civil War black American composers.
False
Crooked Shanks is an opera composed by Edmund Dede.
False
Joseph Neketia was an African scholar who wrote the book titled Anti-Slavery Harp.
False
One of the labels for Eshu is the Master of Style
True
Joseph Bologne was not only a noted composer but also an excellent fencer.
True
Polyrhythm and syncopation carry the same definition.
False
Eileen Southern was the only known black female composer before the Civil War.
False
The Fisk Jubilee Singers were established at Fisk College (now University) after the end of the Civil War.
True
The only African-derived trait not found or used in the ring shout is the portamento.
False
Edwin Hill was a pre-Civil War composer.
True
Louis Gottschalk was a concert pianist and composer of classical music.
True
The use of African-made instruments is one of the African-derived musical traits.
False
A sorrow song is a type of spiritual.
True
Samuel Coleridge-Taylor was a widely known British-born composer who never visited the United States.
False
The Great Migration was about the movement of African Americans from northern states to southern states.
False
Although sociologist WEB DuBois contributed to black modernist thought in the early 20th century, he was criticized for being a segregationist.
False
The only African-derived trait associated with ragtime music is syncopation.
True
Compared with the spiritual, which was associated with slavery and group performance, the blues represents a movement in African music towards the thoughts and moods of the individual.
True
Robert Nathaniel Dett’s Symphony No. 1 was the first known orchestral work to incorporate the blues form.
False
Paul Dunbar was important to black composers in the early 20th century in that his poetry was used as lyrics for art songs and choral works.
True
Although James Europe is credited for being one of the earliest pioneers of jazz, his music incorporates none of the African-derived musical traits.
False
According to Floyd, Joplin’s opera Treemonisha was the single musical work of the first decade of the 20th century that embodied the spirit of black modernism.
True.