Unit #1 Test Flashcards

(42 cards)

1
Q

One of the stages of the archetypical historic quest in the hero’s resolve is tested

A

True

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2
Q

Spectator only take in one medium at a time

A

False

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3
Q

The revisionist stage of genre questions its convention and may reinvent or renew them

A

True

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4
Q

Story covers everything that happens from beginning to end

A

True

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5
Q

Using homage in film is not the same as stealing ideas

A

True

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6
Q

Unreliable narrator are used in stories for compelling it

A

True

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7
Q

Most American films today falls under classims

A

True

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8
Q

Age has nothing to do with whether or not a film can be considered classicism

A

True

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9
Q

Formalism is more concerned about exploring an idea/ theme than a logical point

A

true

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10
Q

Docmentary is the extreme end of realism

A

True

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11
Q

Avant Garde is the extreme end of formalism

A

True

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12
Q

Stages of genre

A

Primitve, parody, classic, revisionist

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13
Q

Story
+ Select an IDEA or THEME
Restructure time to make a point about selected IDEA or THEME
+ Look for different points of view/narrators (limited, unreliable) to make a point about selected IDEA or THEME

A

Formalist plot formula

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14
Q
Story
\+ Select an IDEA or THEME 
- Manipulation of STORY
- Manipulation of CHARACTER
- Optimism 
\+ slice of life 
=
A

Realism plot formula

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15
Q

Theme of Hugo

A

Finding your place in life

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16
Q

Theme of Inception

A

It’s okay to lie to yourself because of a dream

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17
Q

Director of Hugo

18
Q

Director of Inception

19
Q

Find the allusion of each character

A

Yusef - Joseph from the bible
Arthur- King Arthur
Mal - Bad
Ariadne - Greek mythology

20
Q

Symbol in Hugo

21
Q

Symbol in Inception

A

Kids, spinning top

22
Q

Motif in Hugo

A

Gears used in the clocks

23
Q

Motif in Inception

A

Lead into mal coming

24
Q

In hugo and Inception was the narrator reliable or unreliable, internal or external ?

A

Both external and reliable

25
Point of view in Hugo and Inception
3rd Person ominiscient
26
Did the character first refused the call to action in Hugo and Inception?
No
27
Cobb accepts Saito's job offer right away
False
28
Cobb's shadow he had to overcome is
Mal and himself
29
Where does Cobb's "dark night of the soul" takes place?
In the limbo
30
What is the "shadow" Cobb has to overcome?
Himself - Mal
31
In Inception, the point of no return is...?
When the Enter Fisher's dreams
32
In Inception, the complication/ higher stakes is...?
When Fisher's subconscious is weaponized
33
Cobb's resolve is tested when...?
Fisher gets killed
34
In Inception, the major setback...?
Fisher dies
35
In Hugo, the final push is?
Going back to the train to get the automaton
36
Dominick Cobb
I'm obessed with going home with my children
37
Robert Fisher
I have daddy issues and decided to break up my father's company
38
Eames
Im a master forger/ actor
39
Arthur
I fought in zero gravity and was shot in the head by my partner
40
Saito
I bought an airline for convience
41
Created the sleep potions
Yusef
42
Ariadne
I followed the team member into his dreams because I was afraid he was danger to the team