UNIT 3: HOW EFFECTIVE WAS THE SOVIET GOVERNMENT'S USE OF CULTURE AND THE ARTS? Flashcards

1
Q

What was the “new Soviet man”?

A

An ideal socialist who thinks and acts accordingly to scoialist values.

The government aimed to use artists and writers to construct a new culture that would remove the culture associated with the Tsarist regime.

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2
Q

What were the Bolshevik’s attitude towards the arts and popular culture?

A

Lenin’s cultural tastes were conservative but saw culture as subordinate to the retention of power and class conflict.

Commissariat of Enlightenment set up to replace the heavy restrictions and censorship of the old regime.

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3
Q

Describe the difference in the approach of using culture and the arts between Lenin and Stalin.

A

Lenin was slow to see the potential of using arts and culture so wasn’t able to use it at his advantage

Stalin used art and culture to promote idealised images of life under socialism

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4
Q

Describe the features of Prolekult

Proletarian culture

A

New group of proletarian artists created to serve a political and social purpose e.g. Constructivists aimed to create a new socialist culture.

Great emphasis on workers and peasants where they were encouraged to produce their own culture e.g. writing stories, thearte productions.

The government used festivals to develop new culture and bribed people to attend with extra food rations

The anniversary of the revolution in 1920 was celebrated by a re-enactment of the storming of the winter palace.

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5
Q

Describe the features of Avant-garde.

A

Avant-garde was the experimentation of ways of expressing culture and beliefs, to convey visions of a new futuristic world.

V. Mayakovsky produced slogans and posters for the government as propaganda.

In paintings and sculpture, K. Malevich and V. Kandinsky represented examples of ‘fellow travellers’ - there was a stong use of visual arts to accomodate the low literacy rates.

Lenin emphasised the importance of cinema as a tool for promoting political messages

Vyacheslav Meyerhold produced Mystery Bouffe (1918) which was a fantasy based on workers defeating their exploiters.

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6
Q

Describe the features of the cultural revolution.

A

Part of the attempt to get rid of the bourgeois elements in society

Full-scale assault on traditional writers and artists, fellow travellers replaced by artists whose loyalty to socialism was not in question

Russian Association of Proletarian Writers (RAPP) criticised fellow travellers and preferred the works that emphasised the achievements of workers aka the cult of the little man- for example, Kataev’s novel Time Forward (1932) recounted the story of the shift in Magricogorisk Steelworks

RAPP closed in 1932 replaced by Union of Soviet writers

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7
Q

What was socialist realism?

A

Art that presented idealised images of life under socialism to inspire the population to work towards its achievement.

It was controlled by the Union of Soviet Writers.

Writers who confromed e.g. Mikhail Zoshchenko, meant the quality of their work suffered.

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8
Q

How was art used to promote socialist realism?

A

Abstract art and other avant-garde styles rejected

Projected ideal images of life under the Five Year Plan

Presented images of the workers and peasants working for socialism

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9
Q

How was literature used to promote socialist realism?

A

Changes of emphasis away from the cult of the ‘little man’ to heroes connected to the party

The standard plot of novels in 1930s was of a hero from the people who is guided by the party to greater things

‘Low brow’ literature was usually concerned with heroes from Russian history where they thwart the evil capitalists

Low book prices of books ensured the population had easy access to this material

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10
Q

How was music used to promote socialist realism?

A

The government favoured military songs more than jazz

Saxaphone banned in 1940s

In 1953, Stalin walked out of Shostakovich’s opera Lady Macbeth of Mstensk due to discordant notes

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11
Q

How was architecture used to promote socialist realism?

A

Promoted the style ‘Stalinist baroque’ which made use of classical lines eg Moscow university

Features were decorated with chandeliers, murals showing the endeavours of the workers

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12
Q

How was film used to promote socialist realism?

A

Conveyed the achievements of the revolution eg Eisentein’s October (1927) presented a heroic version of the storming of the winter palace

It led to deaths when making the film because of the use of live ammunition

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13
Q

Describe culture during Stalin’s last years.

A

After WW2 the government allowed artists and writers greater freedom e.g. writers such as Boris Paternak and Anna Akhmatova gave public readings of their unorthodox poetry in Moscow 1946.

However signs of greater freedom was removed by the Zhdanovschina campaign which condemned elements of Western culture.

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14
Q

What are the features of de-Stalinisation of culture?

A

Previously banned work could now be published e.g. work by Isaac Babel and the book by Solzhenitsyn One Day in the Life of Ivan Denisovich which was an account on experiences in the gulag.

Writers explored new themes such as alcoholism and the bleakness of rural life.

Non-conformity amongst the youth grew in the late 1950s as they became more influenced by music such as pop and rocknroll from the West in which they were smuggled into the country and Western fashions such as short skirts.

Alexander Galich - guitar poet who addressed the socially alienated.

Tape recordings became a probelm for authorities.

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15
Q

Desribe culture under Brezhnev.

A

The boundaries were more narrow than Khrushchev’s but artists and writers found it easy to work with but still attempted to push boundaries.

Culture focused on propagandaand the achievements of socialism and the Soviet state.

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16
Q

What were the features of Non-conformity under Brezhnev?

A

Although Soviet culture was more conservative, writers and artists still touched on sexual themes rather than political ones.

The Derevenshchiki school of village prose highlighted the values of simple rural life which the government saw as a critique of urban Soviet life.

Vladimir Vysotsky - guitar poet whose songs about sex and delinquency were popular with young people. The widespread grief amongst the young highlighted how they were alienated from Soviet society.

17
Q

What were the clashes with Khrushchev?

A

The book ‘Doctor Zhivago’ by Boris Pasternak was a story set during the Russian civil war, contained criticisms of the revolution

Khruschev banned it so it was smuggled abroad in Italy in 1957.

It received the 1958 Nobel Prize in literature but Khrushchev refused to allow Pasternak to travel to Sweden to receive his prize

When Khrushchev visited the exhibition hall in the Kremlin to view work by young artists he criticised them

In 1961, a conference was held to deem some dance moves as non-permissible- this failed.

18
Q

What was the trial of Joseph Brodsky 1964?

A

Brodsky wrote poetry and read it aloud at secret gatherings

Secret police found out and arrested him for parasitism because he was not licensed under the Witer’s Union. He was senteced to 5 years in hard labour prison.

Fellow writers campaigned for his release which was granted 2 years later.

19
Q

What was the trial of Andrei Sinyavsky and Yuri Daniel 1966?!

A

They wrote novels of how life in the Soviet Union was harsh and surreal.

They were arrested by the KGB for anti-Soviet propaganda under Article 70 of the criminal code.

Arrests resulted in a demonstration of over 200 students from Sinyavsky institute and a letter sent to the 23rd Party Congress asking for the case to be reviewed.

10th February- Sinyavsky sentenced to 7 years, Daniel sentenced to 5 years in labour camps.

20
Q

How did the government control and further clamp down artists?

A

The government attempted to control cultural output by a system of state subsides.

Awards and privileges were given to artists and writers who served the interests of the State. Employment could be withdrawn from those who don’t.

Solzhenitsyn was expelled from Writer’s Unon in 1969 but still continued to write about the harshness of Soviet life.

Abstract and experimental art posed a problem for the government. In 1975, unlicensed artists put up an exhibition of their work. Brezhnev’s government launched a propaganda campaign against the artists using recruited hooligans to attack the work which was destroyed by bulldozers. This reached the foreign press and the government allowed it to be restored.

Songs not composed by official Soviet composers were restricted to 20% radio airtime.

There was a commission to vet rock groups.

Clashes between non-conformist artists caused bad publicity for the Soviet Union

Most artists conformed and the general public was happy that the government provided traditional culture.