UNIT 3: PERCEPTION Flashcards

(55 cards)

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6
Q

Perception:

A

A method by which sensations experienced from the outside world are interpreted and organized to give them meaning.

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7
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THE CONSTANCIES

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They are constant and unchanging.

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8
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Size Constancy

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Tendency to interpret an object as always being the same actual size, regardless of its distance.

Size remains similar even if it gets bigger or smaller with distance.

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9
Q

Shape Constancy

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Tendency to interpret the shape of an object as being constant, even when its shape changes on the retina.

The shape of an object remains the same regardless of the angle it is viewed.

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9
Q

GESTALT PRINCIPLES

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  1. Figure-Ground Relationships
  2. Grouping
    a. Proximity
    b. Similarity
    c. Closure
    d. Continuity
    e. Contiguity
    f. Common Region
    g. Elemental Connectedness
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10
Q

Brightness Constancy

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Tendency to perceive the apparent brightness of an object as the same even when the light conditions change.

Light lets us see different colors, but even if the light is off, the object still has the same color.

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10
Q

FIGURE-GROUND RELATIONSHIPS

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Tendency to perceive objects or figures as existing on a background or in finer detail.

Reversible figures are visual illusions in which the figure and ground can be reversed.

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11
Q

GROUPING

A

Describe how humans group similar elements, recognize patterns and simplify complex images.

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12
Q

PROXIMITY

A

Tendency to perceive objects that are close to each other as part of the same grouping.

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12
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SIMILARITY

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Tendency to perceive things that look similar to each other as being part of the same group.

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13
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CONTIGUITY

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Tendency to perceive two things that happen close together in time as being related.

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13
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CLOSURE

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Tendency to complete figures that are incomplete.

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14
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CONTINUITY

A

Tendency to perceive things as simply as possible with a continuous pattern rather than with a complex, broken-up pattern.

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15
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COMMON REGION

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Tendency is to perceive objects that are in a common area or region as being in a group.

16
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ELEMENTAL CONNECTEDNESS

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Tendency to perceive objects that are connected overrides both elements of similarity and proximity.

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LINEAR PERSPECTIVE
Both the lines of the trees and the sides of the road appear to come together or converge in the distance.
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PICTORIAL DEPTH CUES
Linear Perspective Texture Gradient Atmospheric/Aerial Perspective Relative Size Interposition/Overlap Motion Parallax
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TEXTURE GRADIENT
Causes the viewer to assume that as the texture of the pebbles gets finer, the pebbles are getting farther away.
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RELATIVE SIZE
Causes smaller objects to be perceived as farther away from the viewer.
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ATMOSPHERIC/AERIAL PERSPECTIVE
The farther away something is the hazier it appears because of fine particles in the air between the viewer and the object.
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INTERPOSITION/OVERLAP
If one object seems to be blocking another object, people assume that the blocked object is behind the first one, and therefore, farther away.
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MOTION PARALLAX
The discrepancy in motion of near and far objects.
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CONVERGENCE
Distance of an object depends on how relaxed your eye is. When objects are far away, the eye muscles are more relaxed; when objects are close, the eye muscles move together, or converge.
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BINOCULAR DISPARITY
What you see from your left eye may be different from your right eye. Because your eyes are separated by several centimeters, each eye sees a slightly different image of the object in front of you.
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Hallucination:
makes people think that a stimulus is present when in fact it is non- existent (originates in the brain and not reality).
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Illusion:
When perception does not correspond to reality; a distorted perception of a stimulus that is really there.
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MÜLLER-LYER ILLUSION
Two lines, with one appearing to be longer than the other. In reality, both lines are equal in length.
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HERMANN GRID
Gray dots appear in the intersections of the squares.
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EBBINGHAUS ILLUSION
The visual context effects of the surrounding circles influence our perception. The gray circles are both the same size.
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MOON ILLUSION
When this moon is high in the night sky, it will still be the same size to the eye as it is now. However, it is perceived to be much larger when on the horizon. ## Footnote In the sky, there are no objects for comparison, but on the horizon, objects such as this tree are seen as being in front of a very large moon.
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PERCEIVED MOTION
Illusions that have perceived movement.
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APPARENT MOVEMENT
Illusion that still objects are moving when the image is not. ## Footnote The eyes are accommodating a lot of info so the lenses are constantly contracting and constricting.
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PHI PHENOMENON
Apparent motion created by lights flashing in sequence.
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AUTOKINETIC EFFECT
Perceived motion of a single object. ## Footnote As you become so focused on the object, then it causes eye movement as your retinas become strained.
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STROBOSCOPIC EFFECT
Created by a rapid series of still pictures. ## Footnote Combining images so that it may seem like they are moving.
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PERCEPTUAL EXPECTANCY
Perception may be influenced by previous experiences.
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BOTTOM-UP PROCESSING
We allow the stimulus itself to shape our perception, without any preconceived ideas.
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THE AMES ROOM ILLUSION
Our expectation is that the shape of the room is rectangular in nature from prior experiences. ## Footnote In reality, the room is a trapezoid with angled walls and floors.
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TOP-DOWN PROCESSING
We use our background knowledge and expectations to interpret what we see.
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DEVIL’S TRIDENT
At first glance, this seems to be an ordinary three-pronged figure. But a closer look reveals that the three prongs cannot be real as drawn.
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SUBLIMINAL PERCEPTION
The notion that we may respond to stimuli that are below our level of awareness. Research shows that the effect only occurs in controlled laboratory studies. ## Footnote Brands usually use this in their logos where they hide hidden “easter eggs”.
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EXTRA SENSORY PERCEPTION
Perception that occurs independently of the known sensory processes.
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CLAIRVOYANCE
Awareness of an unknown event. ## Footnote There are signs that you are able to read that other people show.
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TELEKINESIS
Mental movement or motion of solid matter due to the direct influence of mind on a physical system that cannot be entirely accounted for by the mediation of any known physical energy. ## Footnote Moving objects with our mind.
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Knowledge of someone else’s thoughts or feelings. Communication through means other than the senses, as by the exercise of an occult power. | Communication through senses. ## Footnote Ex. Twin Telepathy
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PRECOGNITION
Foreknowledge of future events. ## Footnote Predicting what will happen in the future.