Week 3

Question 1

J. J. Grandville

Answer 1

(1803 - 1847)

• Parisian lithographer, caricaturist, satirist and book illustrator
• Absurd and occasionally unnatural designs considered the precursor to surrealism
• real name is Jean Ignace Isogore Gérard Grandville
• worked for La Caricature and Le Charivari before giving up due to censorship

Question 2

Answer 2

J. J. Grandville

No. 43, The Devil, You Always Go Backwards- Les Mètamorphoses du Jour (1828-29)

Question 3

Answer 3

J. J. Grandville

No. 66, Nouveau Language Musical- Les Mètamorphoses du Jour (1828-29)

Question 4

Answer 4

J. J. Grandville

No. 73, Famille de Scarabees- Les Mètamorphoses du Jour (1828-29)

Question 5

Answer 5

J. J. Grandville

Juggler of Universes - Un Autre Monde (1844-45)

Question 6

Answer 6

J. J. Grandville

Cauliflower Priest at Christening of Baby Mushroom - Un Autre Monde (1844-45)

Question 7

Answer 7

J. J. Grandville

Peregrinations D’une Comete - Un Autre Monde (1844-45)

Question 8

Answer 8

J. J. Grandville

Une Eclipse Conjugale - Un Autre Monde (1844-45)

Question 9

Answer 9

J. J. Grandville

Footbridge between Worlds - Un Autre Monde (1844-45)

Question 10

Gustave Doré

Answer 10

(1832 - 1883)

• Prolific and extremely gifted draftsman, engraver, illustrator, and sculptor
• Master of light and shadow, perspective, and composition of crowds

Question 11

Answer 11

Gustave Doré

Don Quixote (1863)

Question 12

Answer 12

Gustave Doré

Canto 18 - Dante’s Paradiso (1868)

Question 13

Answer 13

Gustave Doré

Paradise Lost (1868)

Question 14

Answer 14

Gustave Doré

Orlando Furioso

Question 15

Answer 15

Gustave Doré

The Children’s Crusade - Bibliotheque des Croisades (1877)

Question 16

Daniel Vierge

Answer 16

(1851 - 1904)

Called “The Father of Modern Illustration” due to revolutionizing reproduction techniques of illustration

used photos to transfer images to engraving plates persevering the original line quality

suffered a stoke at while working on Pablo de Segovia, it took two years to recover and he had to learn to draw with his left hand after losing use of his right

Question 17

Answer 17

Daniel Vierge

Pablo de Segovia (1882)

Question 18

Answer 18

Daniel Vierge

Pablo de Segovia (1882)

Question 19

Answer 19

Daniel Vierge

Don Quixote (1906)

Question 20

Answer 20

Daniel Vierge

Don Quixote (1906)

Question 21

George Cruikshank

Answer 21

(1792 - 1878)

Fairy Tales of the Brothers Grimm, Cinderella and the Glass Slipper, The History of Jack & the Bean-Stalk, Puss in Boots

Question 22

Answer 22

George Cruikshank

Fagin in his Cell - Oliver Twist

Question 23

Answer 23

George Cruikshank

Cinderella and the Glass Slipper

Question 24

Answer 24

George Cruikshank

The History of Jack & the Bean-Stalk

Question 25

Answer 25

George Cruikshank The History of Jack & the Bean-Stalk

Question 26

John Tenniel

Answer 26

(1820 - 1914) Alice in Wonderland and Through the Looking Glass Could barely get along with Lewis Carrol, but somehow got invited back to work with him

Question 27

Answer 27

John Tenniel Alice in Wonderland

Question 28

Answer 28

John Tenniel Alice in Wonderland

Question 29

Answer 29

John Tenniel Alice in Wonderland

Question 30

Answer 30

John Tenniel Alice in Wonderland

Question 31

Answer 31

John Tenniel Alice in Wonderland

Question 32

Edward Lear

Answer 32

(1812 - 1888) - Serious zoological draftsman as well as writer of silly limericks and illustrator of absurd creatures - Wrote and illustrated The Book of Nonsense, a revolutionary children’s book after getting to know children on the estate of the Earl of Derby who hired him and writing them poems and making drawings - suffered epilepsy, asthma and chronic bronchitis as a child and as a result was very withdrawn and private

Question 33

Answer 33

Edward Lear Plate from The Family Psitticidae or Parrot done at the age of 18 and was extremely successful

Question 34

Answer 34

Edward Lear

Question 35

Answer 35

Edward Lear

Question 36

Answer 36

Edward Lear

Question 37

Answer 37

Edward Lear

Question 38

Answer 38

Edward Lear

Question 39

Answer 39

Edward Lear

Question 40

Edmund Evans

Answer 40

Inventor of chromoxylography allowed for mass-produced color prints that imitated watercolors

Question 41

Walter Crane

Answer 41

(1845 - 1915) - With full-color engraver, Edmund Evans, he transformed children’s books by applying design skills to an advanced method of production - Inspired by Pre-Raphaelites, Japanese woodcuts and the Arts & Crafts movement - The Frog Prince, The Baby’s Opera, Household Stories from Grimm, The Wonder Book for Girls & Boys, Faerie Queene, Blue Beard, Arabian Nights

Question 42

Answer 42

Walter Crane Baby’s Own Aesop

Question 43

Answer 43

Walter Crane Beauty and The Beast

Question 44

Answer 44

Walter Crane Beauty and The Beast

Question 45

Answer 45

Walter Crane The Alphabet of Old Friends (1874)

Question 46

Answer 46

Walter Crane Cinderella

Question 47

Randolph Caldecott

Answer 47

(1846 - 1886) - The Caldecott Medal (the annual award given to a children’s book illustrator by the American Librarian’s Association) is named in his honor - Also worked with engraver Edmund Evans from 1878 - 1885 - Often made country-inspired art and landscapes

Question 48

Answer 48

Randolph Caldecott The Diverting History of John Gilpin (1879)

Question 49

Answer 49

Randolph Caldecott The Three Jovial Huntsmen (1880)

Question 50

Answer 50

Randolph Caldecott The Frog He Would A-Wooing Go (1883)

Question 51

Answer 51

Randolph Caldecott The House That Jack Built (1887) This was the last book he worked on before dying in 1886 on a sketching trip to the US due to his lifelong health issues

Question 52

Kate Greenaway

Answer 52

(1846 - 1900) - Famous for her drawings of young children in ruffled smocks and bonnets. - Her work became synonymous with style throughout Europe. - lost work due to impersonators of her work - had to support both herself and her family, never became really wealthy because of this

Question 53

Answer 53

Kate Greenaway The Birthday Book (1880)

Question 54

Answer 54

Kate Greenaway Mother Goose (1881)

Question 55

Answer 55

Kate Greenaway Marigold Garden (1885)

Question 56

Answer 56

Kate Greenaway The Pied Piper of Hamelin (1888)

Question 57

The Arts & Crafts Movement

Answer 57

Flourished between 1860-1910, continuing into the 1930s - Highly influenced by the Pre-Raphaelites, especially Dante Gabriel Rossetti, and led by William Morris - Believed in honest craftsmanship over industrialism. Influenced aspects of design not only in illustration, but also in typography, architecture, textile, furniture and printing, along with championing social and economic reform.

Question 58

William Morris

Answer 58

(1834 - 1896) - Textile designer, artist, writer, publisher, utopian socialist, and lecturer - Both his design firm, Morris & Co., and his publishing company, Kelmscott Press, are still highly influential to the decorative arts

Question 59

Answer 59

William Morris Design for Trellis wallpaper (1862)

Question 60

Answer 60

William Morris Peacock and Dragon woven fabric (1878)

Question 61

Answer 61

William Morris Tulip and Willow fabric design (1873)

Question 62

Answer 62

William Morris Title page design for Kelmscott Press ed. of Chaucer (1894-96)

Question 63

Sir Edward Burne-Jones

Answer 63

(1833 - 1898) - Painter known for his Pre-Raphaelite influences - Founding member of Morris & Co. and Illustrator of many books published by Kelmscott Press - Lifelong friend and business partner of William Morris - mentor to Aubrey Beardsly

Question 64

Answer 64

Sir Edward Burne-Jones The Beguiling of Merlin (1874)

Question 65

Answer 65

Sir Edward Burne-Jones The Golden Stairs (1880)

Question 66

Answer 66

Sir Edward Burne-Jones Illustration for The Wood Beyond the World (1894)

Question 67

Answer 67

Sir Edward Burne-Jones Illustration for The Wood Beyond the World (1894)