week 6 Flashcards
(24 cards)
How many new academy members joined Oscars since 2016?
8000 (inlcuding Kendrick Lamar, J.K.Rowling)
Director’s greatest 6 movies
- A Space Odyssey
- Dr. Strangelove
- Barry Lyndon
- Goodfellas
- Taxi Driver
- The Departed
Oscar campaigns costs
100m-500m
72000 dollars for an ad in The Hollywood Reporter
2 main film magazines
- Variety
- The Hollywood Reporter
Issues with academy awards
- best picture doesn’t = good or bad
- 15% are women nominees
a. female screen time in Oscars 37%, speaking 27% (screen time Hollywood movies 36%, speaking 35%)
female lef films make 16% more than men
Geena Davis
Inclusion quotation (GD-IQ) = automated analysis of the media content
Mulan, US, 1998
Mushu, protector dragon spoke 50% more than Mulan
Hollywood’s purpose
to make money
2 extremes about Hollywood
- Hollywood is the only cinema
- only commercial cinema
the American dream
coined by James Thrushlow Adams (Epic of America)
The Godfather, 1972, US -> I believe in America
Reinhold Wagnleither “Hollywood is a text of power”
The American dream became big after WWII -> happiness by consumption
Why is Hollywood so different? 3 factors
- studio system -
- the star system
- genre
the studio system
method of film production and distribution, dominated by a few large productions companies that compete against each other (Paramount, Walt Disney)
auteur theory - director is the major creative force
vertical integration - maximizing profit, all layers of industry conform to the same efficient
The Wizard of Oz, 1939 - organization of studies
Taylorism - each employee has own tasks - Charles Chaplin, Modern Times, 1936, US
the star system
The star - private life is scripted to maximize adoration from audiences
The biograph girl - Florence Lawrence, Canada 1886-1938 = first Hollywood star
most influential = Mary Pickford (founded a studio with Charles Chaplin, Douglas Fairbanks)
genre
category of film based on set of stylistic criteria
musicals - based on songs (Singing in the Rain, 1952, US)
Classic Hollywood movie recap, 3 stages (during Golden age 20s-60)
- presentation - explaining the story
America, America, Elia Kazam, US, 1963 - why he emigrated. dropping the Turkish hat in the water, and saying he’ll buy a new one in America
- crisis -
Gone with the Wind, Victor Fleming, US, 1939 (most profitable movie in Hollywood history) - Hattie Mcdaniel, the server won an Oscar, but could not attend - resolution
Frank Capra, Prelude to War, US, 1942
It’s a Wonderful life, US, 1946
boxing movies
Rocky, 1976, US “no pain, no gain”
Rocky IV, 1985- symbolizes the cold war, the Russian boxer was on steroids
Creed - franchise
Raging Bull, Martin Scorsese, 1980, US
-the “other” America
-doesn’t praise boxing, but asks how much one is willing to do to become the greatest
- Jake the raging bull = trapped in the system, in the rink, like an animal
-nothing to glorify, because he is trapped without a choice, all he can do is fight
road movies
about the journey, not the destination
Thelma and Louisa, 1991, US
Dennis Hopper - drugs, rock, sex
made Hollywood popular again
Easy Rider, US, 1969
-Hollywood was losing popularity
-not a typical ending
-Up to the audience to decide if it is happy or not
the new Hollywood
-movement/generation at the end of 70’s - authorial approach, directors were specialists (went to film schools)
Steven Spielberg, Jaws, 1975, US
- not costly but profitable -> blockbusters = feature films - very profitable, popular and financially successful
Francis Ford Coppola
Revolutionized Hollywood
The Godfather, 1972, US (based on a book by Mario Puzo, 1969)
didn’t want to produce, but did it so he could make the movie Apocalypse Now, 1979 (19th best)
- non-diegetic sound -> orchestra while US army flies over Vietnam and kills civilians to surf at the beach -> shows the absurdity of war
- the “other America”
- not typical or happy ending
The Irish community portrayed in Hollywood
Gangs of New York, Martin Scorsese, 2002, US
the american dream –> not for immigrants
-Goodfellas, 1990, US
-The Irishman
Hollywood vs. TV –> new Hollywood
- the rise of African American filmmakers - Spike Lee, Do the Right Thing, 1989, US
blaxploitation - early-mid 70’s feature black actors in effort to appeal to black urban audiences to tap into a new profit source
Women filmmakers
Sofia Cappola, The Virgin Suicides, 1999