WEEK 7 + 8 Flashcards
(79 cards)
How does British historian Simon Sharma think Human Imagination nad Perception has Shaped Mountains?
- Simon Shama
- british historian
- landscape is the work of the mind.
- It’s scenery is built up as much from strata of memory as from layers of rock.
How did people view mountains during the Middle Ages?
- Eg. During the Middle Ages and much of the Renaissance, many people in Europe shunned mountain ranges.
- They were believed to be dreadful places and the haunts of demonic beings like witches and trolls.
- Eg. Johann Schweitzer → his suggestion that dragons could be found in the mountains of Switzerland, was in the very early 1700s, a late example of this dark brooding tradition.
How did earlier Europeans, like the ancient Greeks or Celts, view mountains?
- For the Greeks, high peaks were the abodes of Gods and other deities.
- The 12 major gods and goddesses of mythology resided in a fortress paradise on Mount Olympus.
- Zeus was the king of Gods and he was born and raised in mountains caves.
- The Muses, who inspired music and art and literature and science, they lived in the mountains.
- Mountains were also the haunts of nymphs, and centaurs and other fantastic magical creatures.
- The wilderness and isolation of mountains also impressed the ancient Greeks.
- In the 8th century epic poem, the Iliad, one of the oldest works of Western literature, Homer vividly describes mountain weather.
- “In the Spring, snow-water torrents risen and flowing down the mountainsides hurl at a confluence their mighty waters out of gorges, filled by tributaries and far away upon the hills a shepherd hears the roar. As south wind and the southeast wind, contending in mountain groves, make all the forest thrash…”
- The mountains that figures most prominently in Greek mythology and literature is Mount Olympus is Thessaly.
- Olympus, a word that predates the Greeks, was likely used to mean peak or mountain in a generic sense, for there are a number of Greek mountains named Olympus.
- Several of these, like Mount Olympus in Thessaly, were associated with weather cults.
- Zeus after all was the god of storms and weather, presiding over both Gods and mortals from mountain heights.
How did Italy, the Romans, view mountains?
- The Apennines run its entire lengths, and the European Alps from its northern borders.
- BUT Romans didn’t generally share Greek’s appreciation for mountains, far from it.
- For the Romans, mountains were primarily viewed as obstacles for commerce and conquest.
- By Caesar’s time, Roman’s were regularly crossing the Alps and they seemed to have generally dreaded the experience,
- To appease the primarily Celtic deities of the Alpine passes to commemorate their safe passage, the Romans made offerings of coins and small bronze tablets, inscribed with the names of the deity and traveller.
- eg. famous crossing of the Alps, made by Hannibal, a Carthian general in 281 BC.
- “Here everything is wrapped in eternal frost, white with snow, and held in the grip of primeval ice. The mountain steeps are so stiff with cold that although they tower up into the sky, the warmth of the sunshine cannot soften their hardened rime… No spring comes to this region, nor the charms of Summer. Misshapen Winter dwells alone on these dread crests, and guards them as her perpetual abode. […] Here too in this Alpine home, have the winds and the tempest fixed their furious dominion. Men grow dizzy amidst the lofty crags and the mountains dissapear in the clouds.”
- knowing or not, Hannibal’s caravan may have been experiencing some of the physiological effects we discussed in lesson 4.
How did later Medieval Europeans, like their Roman predecessors see mountains and nature?
- Later, medieval Europeans, much like their Roman predecessors, seem to pay little attention to the grander aspects of nature.
- There are very few favourable references to mountains, and either the literature or the graphic art of the age.
- As Christianity spread through Europe, natural sacred sites, central to the practice of pre-Christian religions, were destroyed to a great extent.
- Mountains were now dangerous places, for the most part, sacred only in a very negative, demonic sense.
- These suspicions would continue into the 18th and 19th centuries, when medieval fears would subside to a new romantic enthusiasm.
How did the East view mountains in the past?
- Eg. Attitudes in the East greatly contrasted with those from the west.
- In the east, the appreciation of mountains began much much earlier.
- According to the origin myth of the Korean people, they are descended from a union of a sky God and a bear women on the sacred volcano Mount Paektu, the highest mountain on the Korean peninsula.
- Its larger crater lake on top is suitably named Heaven Lake.
- In Japan, China, Tibet, and India, mountains have also been long adored and worshipped.
- In China, they were considered sacred at least 2,000 years before the birth of Christ.
What was the impact of mountains on early Chinese cultures?
- China
- The impact of mountains on early Chinese cultures was huge.
- The great ranges of that country were seen to be the body of a cosmic being.
- According to some, a dragon, the rocks were it’s bones, the water was its blood, the vegetation its hair, the clouds and mess were its breath.
- In many Asian culture, dragons don’t generally have an evil connotation as they do in the West.
- Dragons are benevolent creatures, controlling the elements and guarding sources of wisdom.
- Until the 3rd century AD, the Chinese regarded mountains as dangerous places of supernatural power, places that only those with proper spiritual training could safely enter.
- But that changes around the 4th century: a shift in the Chinese capitals to the more mountains in the south, as well as a growing discontentment with imperial bureaucracy, mean that people were increasingly traveling to mountains for leisure purposes.
- They were now pursuing painting and poetry.
- They were seeking inspiration in the beautiful mountain landscape.
- A similar transformation wouldn’t happen for a thousand years in the West.
- Chinese 5th c poem shows this re-imagining of mountain landscape → “In the mountains all is pure, all is calm; all complication is cut off. Rare are they who know to listen; happy they who possess wisdom. If the cold wind stings and bothers you, sit in the sun; it is always warm there. Its hot rays burn like flames, While, opposite, in the shade, all is frost and snow.”
- “Here is the realm of harmony and joy, Where the past and the present becomes eternal.”
What was the connection between mountains and pilgrimage in the East?
- For many people in the East, sacred mountains were a focus for religious pilgrimmage.
- One related site was Mount Kailash in Tibet
- perhaps the most holy mountains on Earth
- Kailash is sacred to adherents of the Hindu, the Buddhist, and the Jain and the Bon religions. → about 1/4 of the world’s population.
- For Hindus, Kailash is home to Lord Shiva, one of the 3 major deities.
- For Buddhists, it’s the deity Demchog, who represents supreme bliss.
- The summit of Kailash remains untrodden to this day, no one has ever stood on its summit.
- To climb the mountain would be sacreligious
- Instead, it is a favourite for circumambulation, which is the act of walking around a sacred object or idol
- One related site was Mount Kailash in Tibet
- Many of the higher peaks of the Himalayas are considered sacred by the people of that region.
- With the arrival of tourism and mountaineering in particular, governments have had to restrict access to particular areas.
- Eg. in Nepal, the summits of Kanchanjunga and Machipuchare are both off-limits for religious reasons.
- Airplane flights are also prohibited over certain peaks.
- This restriction would relax with the advent of jet travel in the 1960s, but when aviation first began, a planned English flight over Mount Everest in the 1930s caused enormous controversy in both Tibet and Nepal.
- Mount Everest is known to the Nepalese as Sagarmatha, meaning forehead in the sky.
- To Tibetans, the mountain is Chomolungma, “mother goddess of the world.”
When exactly did settlement in mountains begin?
- We don’t know exactly when settlement in mountains began.
- In the European Alps and the mountains of the Middle East, archaeological sites indicate the presence of humans as far back as the Stone age, 100,000 years ago.
- In the Americas, radiocarbon dating of bone, shells and artifacts reveal a human presence in mountains in 10 or 11,000 years, almost as long as humans are known to have inhabited the Americas.
What do the Andes show of human settlement?
- The Andes contain perhaps the most spectacular display of human settlement in the mountains
- Here, thousands of years ago, at elevations nearing 4,500 meters, these flourished civilizations that remain a marvel to the modern world.
- The culmination of these cultures is reflected in the stone ruins of Machu Picchu, a 15th-century Inca settlement located high in the Peruvian Andes.
- Machu Picchu appears to lie at the centre of a network of related sites and trails, and many landmarks, both human-made and mountainous appear to align with astronomical events like the Solstice sunset for example.
- The Incas had no written language and so they left no record as to why they built the site or how they used it before it was abandoned in the early 16th c.
- We know among their deities was the sun, the moon, stars, and mountains.
- Today, Machu Picchu is among the greatest artistic, architectural and land-use acheivements anywhere and the most significant tangible legacy of the Inca civilization.
What is the western romantic enthusiasm of mountains?
The abodes of gods, sacred embodiments, the focus of pilgrimage all of these ideas persists in today’s widespread romantic enthusiasm for mountains, a landscape commonly celebrated for its beauty and its wildness
What are mountains as “wild landscapes”?
- The Western attraction to wild landscape is relatively new.
- Eg. 250 years ago, North Americans and Europeans were not seeking wilderness experiences, something that’s very much in vogue today.
- As late as the 1700s, the most common usage of the word, wilderness, in the english language referred to landscapes that generally carried adjectives far different from the ones used today.
- Wilderness meant things like: desolate, deserted, savage, or barren
- Wilderness was considered a waste or a wasteland.
- people were likely to feel bewilderment or terror in wild landscapes and mountains.
- In only a couple hundred years, mountains would be transformed in popular Western thinking from sites of wild desolation to sites of wild splendor.
What ideas changed the way the west saw mountains, from wild desolation to sites of wild splendour?
- Two ideas really remade the way we think about wild landscapes:
- The doctrine of the sublime
- older, more pervasive
- one of the most important expressions of that transatlantic romantic movement.
- the sublime is an aesthetic concept → first articulated by Edmund Burke in the mid 18th century, which referred to the thrill and the danger of confronting untamed nature. → one might meet devils and run the risk of losing one’s soul in such landscapes, but one might also meet God and for some, that thrill possibility was worth any price.
- These were typically landscapes of a vast and immense scale. → were places where one couldn’t help but feel insignificant in the face of it all and be reminded of one’s own mortality.
- The sense of mountains as a landscape where the supernatural lay just beneath the surface was increasingly expressed in the literature and the poetry, the art of the day.
- God was on the mountaintop, in the chasm, in the waterfall, in the thundercloud and mists.
- The myth of the frontier
- North American, specifically, American.
- The doctrine of the sublime
- The sites North Americans chose for their first national parks:
- Yellowstone was the first national park in the US in 1872.
- it was the first officially designated national park anywhere
- it’s best known for its geothermal features, especially its geysers.
- Yosemite National Park
- Grand Canyon
- Mount Rainier
- Canada’s first was Rocky Mountains National Park, Banff.
- It was followed by Yoho and Glacier National Parks.
- Yellowstone was the first national park in the US in 1872.
- These are all sublime landscapes, and they were nearly all in mountains.
- They’re all places of tremendous physical relief.
- Less sublime places weren’t yet seen as worthy of celebration and protection.
What was The Doctrine of the Sublime?
- older, more pervasive
- western thinking
- one of the most important expressions of that transatlantic romantic movement.
- the sublime is an aesthetic concept → first articulated by Edmund Burke in the mid 18th century, which referred to the thrill and the danger of confronting untamed nature. → one might meet devils and run the risk of losing one’s soul in such landscapes, but one might might also meet God and for some, that thrill possiblity was worth any price.
- These were typically landscapes of a vast and immense scale. → were places where one couldn’t help but feel insignificant in the face of it all and be reminded of one’s own mortality.
- The sense of mountains as a landscape where the supernatural lay just beneath the surface was increasingly expressed in the literature and the poetry, the art of the day.
- God was on the mountaintop, in the chasm, in the waterfall, in the thundercloud and mists.
What was the Myth of the Frontier?
- North American, specifically, American.
- The sites North Americans chose for their first national parks:
- Yellowstone was the first national park in the US in 1872.
- it was the first officially designated national park anywhere
- it’s best known for its geothermal features, especially its geysers.
- Yosemite National Park
- Grand Canyon
- Mount Rainier
- Canada’s first was Rocky Mountains National Park, Banff.
- It was followed by Yoho and Glacier National Parks.
- Yellowstone was the first national park in the US in 1872.
- These are all sublime landscapes, and they were nearly all in mountains.
- They’re all places of tremendous physical relief.
- Less sublime places weren’t yet seen as worthy of celebration and protection.
What kind of Experiences did Sublime Places Evoke?
- For the earlier romantic writers and artists in the 1700s, to enter the sublime was far from pleasing.
- eg. William Wordsworth on recounting his experience in the Alps: “The immeasurable height of woods decaying, never to be decayed. The stationary blasts of waterfalls, And in the narrow rent at every turn. Winds thwarting winds, bewildered and forlorn, The Torrents shooting from the clear blue sky, The rocks that muttered close upon our ears.”
- To enter into the sublime was to have a religious experience, but one with a wrathful God. No mortal was meant to linger long in these places.
- Wordsworth detected in this wild landscape were more supernatural than natural.
- To enter this sublime was to also come face to face with the abyss, the absolute other of philosophical inquiry in the period of the European Enlightenment.
- In 1816, a group of English literary writers gathered together at a rental house in Geneva, Switzerland, and challenged one another to write a new kind of story.
- they all travelled that summer, but not altogether, to the largest glacier in France, Mer De Glace, high above Hamonix, and marvelled at the vision of a world made waste by endless life-destroying ice.
- This was during the tail end of the Little Ice Age, when fears of advancing glaciers and a future ice age gripped their Western imagination.
- The group believed that this particular way of experiencing the conceptual abyss could lead to profound changes in the way that writers told ghost stories, for example, or stories of romantic isolation, or stories of unforgettable horror.
- They were right.
What does Stephen Slemon the subject of the sublime have to say about mountains>
- The ideas that come out of that mountain-fed meeting in Geneva have come to the centre of literature and popular culture and they have stayed there.
- Percy Bishelli’s long poem Mont Blanc made the idea of mountain landscapes a necessary part of the romantic sublime.
- Lord Byron’s dramatic play, Manfred, established the figure of the brooding, reclusive, bironic hero. → he is standing high on the mountaintop in the Alps and planning to throw himself off, but you can find that bironic hero in fictional characters like Emily Bronte’s Heathcliff or Severus Snape of the Harry Potter books or Edward Cullen of the Twilight series.
- That Geneva gathering in 1816 led to the publication of the first ever vampire story, John Polidori’s short prose work, The Vampire, and it led to the publication of what is probably the most influential horror novel ever written, Mary Shelley’s “Frankenstein.” in 1818
- in early sections of that novel, young Dr. Victor Frankenstein appears as a lover of the mountain landscape.
- His first glimpse of the Mer De Glass brings him to a sublime ecstasy that gives wings to the soul.
- This sunny disposition soon gives way to a much darker view of the mountain sublime.
- When Victor Frankenstein crosses the Mer De Glass alone beneath mountains belonging to another earth, the habitation of another race of beings and on that glacier encounters for the first time since its escape from the lab, the hideous monster he has created and at the nearby hut at Montever the monster tells the doctor his story and it’s a gloomy, doom-ridden vision that emerges from the telling.
- The word of this novel will conclude itself in vision of endless ice.
- Frankenstein begins with one vision of mountain sublimity, the solemn silence of this glorious presence chamber of imperial nature.
- The novel ends with a very different vision of waste and science, culture, and human reason made waste with it.
When did we see a change in wilderness and why?
- Wilderness areas throughout North America, especially in the United States, were being tamed throughout the 1800s.
- Settlement and railways were all changing the character of these places
- Add to that all of the people who, by centuries end, were now coming to bask in the non-human beauty, maybe to collect fossils, or to see glaciers, or to catch views.
- The terrible awe captured by Wordsworth and his contemporaries began to adopt a much more comfortable, sentimental demeanor.
- Wild landscapes were still sacred, but the religious sentiment that they evoked was much more that of, say, a pleasant parish church than a grand cathedral.
- Also change due to the Myth of the Frontier
How does John Muir feed into the late romantic sense of mountains in the 19th c?
- best captures this late romantic sense was John Muir, a Scottish-American naturalist whose description of the Sierra Nevada mountains of California brought him considerable fame.
- “No pain here, no dull hours, no fear of the past, no fear for the future. These blessed mountains are so compactly filled with God’s beauty, no pretty personal hope or experience has room to be. Drinking Champagne water is pure pleasure, so is breathing the living air, and every movement of limbs is pleasure, while the body seems to feel beauty when exposed to it as it feels the campfire or sunshine…”
- The emotions that Muir experiences and evokes in this passage welcome ecstasy are very different from Wordsworth’s awe-filled bewilderment.
- both are participating in the same cultural tradition, both are contributing to that same myth, the mountain as cathedral.
What do both Wordsworth and John Muir’s descriptions of mountains contribute to?
- The emotions that Muir experiences and evokes in this passage welcome ecstasy and very different from Wordsworth’s awe-filled bewilderment.
- both are participating in the same cultural tradition, both are contributing to that same myth, the mountain as cathedral.
How did the Myth of the Frontier transform wild places in the American context?
- In the American context, the second cultural movement that helped transform wild places into sacred icons was the myth of the frontier.
- American Historian Frederick Jackson Turner near end of 1880s about this myth: Turner’s thesis was that the best antidote to the ills of an overly refined and civilized modern world, was a return to a simpler, a more primitive living.
- The Myth:
- in moving to the wild, unsettled lands of the Western American frontier, Easterners and Europeans shed the trappings of civilization. They rediscovered their primitive energies and reinvented direct democratic institutions.
- They re-infused themselves with a vigour, an independence, which to this day, remains a source of American democracy and national character.
- Wild country in the American instance became not just a place of religious redemption, but one of national renewal - the quintessential place for experiencing what it meant to be American.
- Built into the frontier myth from the very beginning was the idea that the frontier was passing away.
- Those who have celebrated the frontier myth have almost always looked backwards, and as they did so, mourned an older, a simpler, somehow a truer world that was on the brink of disappearing forever.
- Now this is an old, pervasive story, whereas the American West, the Wild West, was mythologized this way during the 19th century.
- During the 20th century and still today, ideas of the North and Alaska are often romanticized in the same way.
- In the late 1880s, the myth of the disappearing frontier laid the seeds for the first conservation movement.
- If wild lands were so crucial in making a nation than surely wild places needed to be protected.
- the movement to set aside national parks and wilderness areas began to gain real momentum at precisely the time that laments about passing the frontier reached their peak.
What was the trend in terms of interest in mountains in the late 19th century?
Health and Boredom
- The rejuvenating power attributed to mountains can also be witnessed in late 19th c tourism trends
- Mountains now provided city dwellers with that which they most lack: health and relief from boredom.
- Throughout Europe and North America, health resorts sprang up, and health sanitariums were often built to accommodate sufferers from the ailments of the modern age.
- The dry, clean air, just being in nature was believed to have excellent therapeutic results.
- And so too did bathing in hot mineral springs, which could be found everywhere in the mountains.
- the supposed curative powers of the warm thermal waters created a whole bathing culture at the turn of the century.
- “Invalids carried to the springs in chairs by friendly hands, and when I returned from the Pacific Coast, I saw the same people able to walk down themselves and they were basking in the sunshine on the mountainside. “
- Popular image of mountains was now that of an attractive, healthy environment.
- Canadians have a long tradition of using their mountains to revive body and spirit.
- In fact, the warm mineral springs, those on the slopes of sulfur mountain in Banff, were actually the birthplace of our entire national park system.
Other than Health and Boredom what trends were seen in terms of interacting with mountains in the late 19th c.?
Mountain Art and Lit
- The romantic enthusiasms for mountains in the 19th c stimulated the proliferation of mountain art and literature.
- English artists such as J. M. W. Turner eg sought to re-evaluate the natural world, depicting nature and mountains as a divine creation as opposed to human artifice.
Sports
- Other unique cultural forms too: elaboration of sporting practices, which also emerged from this re-imagining of mountain landscapes.
- Today mountains play host to a number of sporting and recreational activities from hiking to skiing to mountain biking and rock climbing.
- One of the earliest institutionalized mountain sports was mountain climbing, or mountaineering.
- which was first promoted by a British club formed in London in 1857, The Alpine Club.
- other alpine clubs were soon established throughout Europe and some huge organizations
- eg. by the 1880s, the Austro-German Alpine Club had over 18,000 members
- Mountains were now imagined as a playground and had become an unlimited field for adventure.
Who were the early climbers who formed the early alpine club and why were they climbing?
- Members of the early alpine club were largely drawn from the professional urban middle classes.
- It was first a gentleman’s dining club, a sort of learned society in which members would read peer-reviewed articles outlining their climbing exploits at meetings, articles that were subsequently published and circulated in Alpine journals.
- Interest in geology, glaciology, and cartography motivated much of the early exploration of the European Alps and the continuation of this tradition meant that a large portion of Victorian mountaineers had a decidedly scientific bend.
- Many climbed for geographical information, adopting the language and zeal of imperial explorers
- Others were artists and writers inspired by romanticism, ascending mountains in contemplation of the sublime