West Side Story Flashcards

1
Q

<i>West Side Story</i> is a modern retelling of which story?

A

<i>Romeo and Juliet</i> by Shakespeare

“star-crossed lovers”

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2
Q

Where is <i>West Side Story</i> set in?

A

New York City in 1950s

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3
Q

Who are the two rival street gangs in <i>West Side Story</i>?

A

Jets (American),

Sharks (Puerto Rican)

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4
Q

Who are the star-crossed lovers in <i>West Side Story</i>?

A

Maria (Puerto Rican)

Tony (American)

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5
Q

How did <i>West Side Story</i> differ from the broadway world?

A

it’s tragic conclusion was different from the cheerful and frothy musicals

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6
Q

What is the genre of <i>West Side Story</i>?

A

musical theatre

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7
Q

What is the date of <i>West Side Story</i>?

A

1957

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8
Q

Who are the librettists for <i>West Side Story</i>?

A

<b>Arthur Laurents</b> (playwright),

<b>Stephen Sondheim</b> (lyricists)

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9
Q

Who was the choreographer for <i>West Side Story</i>?

A

<b>Jerome Robbins</b>

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10
Q

Who directed the 1961 film of <i>West Side Story</i>?

A

<b>Robert Wise,</b>

Jerome Robbins</b>

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11
Q

Who is <b>Maria</b> in <i>West Side Story</i>?

A

soprano

Puerto Rican girl, sister of <b>Bernardo</b>

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12
Q

Who is <b>Tony</b> in <i>West Side Story</i>?

A

tenor

member of Jets

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13
Q

Who is <b>Bernardo</b> in <i>West Side Story</i>?

A

baritone

leader of Sharks

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14
Q

Who is <b>Riff</b> in <i>West Side Story</i>?

A

baritone

leader of Jets

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15
Q

Who is <b>Anita</b> in <i>West Side Story</i>?

A

mezzo soprano

girlfriend of Bernardo

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16
Q

What happened when the two gangs fight in <i>West Side Story</i>?

A

<b>Bernardo</b> stabs <b>Riff</b>

then <b>Tony</b> stabs and kills Bernardo (Maria’s brother)

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17
Q

What is the tragic end of <i>West Side Story</i>?

A

<b>Tony</b> is stabbed by a a Sharks member

<b>Maria</b> arrives but <b>Tony</b> is already dead

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18
Q

Who sings in <u>"Maria"</u> in <i>West Side Story</i>?

A

<b>Tony</b> (tenor)

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19
Q

Where was <u>"Maria"</u> in <i>West Side Story</i> set in?

A

outside the gymnasium, where <b>Tony</b> has just fallen in love with <b>aria</b>

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20
Q

What are the sentiments in <u>"Maria"</u> in <i>West Side Story</i>?

A

he reflects rapturously on her name

21
Q

What is the key in <u>"Maria"</u> in <i>West Side Story</i>?

A

B major - E flat major

22
Q

What is the time signature in <u>"Maria"</u> in <i>West Side Story</i>?

A

C

23
Q

How is the opening melody sung in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

chant-like intonation

suggest <b>Tony’s</b> worshipful adoration

24
Q

How are the <b>repeated D’s<b> supported in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?</b></b>

A

by modal harmony and free rhythm

25
Q

How is the verse sung for “Ma-ri-a” in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

begins on a <b>tritone interval</b>
angular motive:
Eb(D#) - A natural - Bb

26
Q

What does the angular motive convey in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

strife (disagreement),
yearning,
star-crossed love

27
Q

What does the melody do before returning to the opening theme in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

it traces a broad arc

28
Q

What does the return of the opening them do in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

it serves as a <b>postlude</b> (conclude)

29
Q

How are the strings related to the voice in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

the lush strings doubles the voice throughout

30
Q

How is the musical climax heightened in the <b>Introduction</b> of <u>"Maria"</u> in <i>West Side Story</i>?

A

timpani is used

31
Q

Who sings in <u>"America"</u> in <i>West Side Story</i>?

A

<b>Anita</b> (mezzo soprano),
<b>Rosalia</b> (soprano),
other Puerto Rican girls

32
Q

Where is <u>"America"</u> in <i>West Side Story</i> set in?

A

an alley behind <b>Bernardo</b> and <b>Maria’s</b> house

33
Q

What are the sentiments in <u>"America"</u> in <i>West Side Story</i>?

A

Rosalia is homesick for Puerto Rico

Anita defiantly declares love for new home, Manhattan

Sondheim’s lyrics praise both <u>virtues and false promises</u> of the American Dream

34
Q

What is the formal structure of <u>"America"</u> in <i>West Side Story</i>?

A

Verse-Chorus structure,

preceded by introduction

35
Q

What is the tonality like in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

ambiguous tonality with modal inflections

36
Q

How is the <b>Latin ambiance</b> established in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

<i>claves</i> (wood blocks),
<i>guiro</i> (ribbed gourd),
cross-rhythms,
rhythmic <i>ostinato</i>

37
Q

What do the <u>Spanish guitar and celesta</u> provide in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

undulating lines in parallel thirds in rising and falling triplets

38
Q

What does Rosalie’s long phrases and free rhythm convey in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

yearning and nostalgia

39
Q

What is Anita’s response to Rosalie in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

Anita expresses her loathing of Puerto Rico and her love for Manhattan

40
Q

How is word painting on “breezes” achieved in the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

arched motive based on whole-tone scale

<i>Glissandi</i> on string harmonics

41
Q

How does the rest of the song generally go after the <b>Introduction: “Puerto Rico, you lovely island . . .”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

rest of the song unfolds in <u>series of choruses and verses</u> played at a faster tempo

42
Q

What is the key in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

C major, with sudden (jazzy) modulations

43
Q

How is the word “America” repeated in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

versus use syncopated phrases

44
Q

How is the argumentative exchange conveyed in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

verses call and response pattern between Rosalie and Anita

45
Q

How is the <i>Hemiola</i> effect established in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

choruses and verses alternate a 6/8 and 3/4 pattern

46
Q

How is rhythmic energy provided in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?

A

snappy syncopations

47
Q

How is the Latin flavour achieved in the <b>Chorus: “I like to be in America”</b> of <u>"America"</u> in <i>West Side Story</i>?

A
guitar,
claves,
maracas,
additional percussion instruments,
texture: trumpets &amp; drums give in intensity to overall sound
48
Q

How does the colorful orchestration help paint the vivd portraits in <i>West Side Story</i>?

A

in the opening, Rosalie is doubled sweetly by a flute,

Anita is accompanied by a mournful oboe