Womans Hour Flashcards

1
Q

Radio

A

The oldest and most traditional media industries
Rapid progress of digital technology
Very accessible
it reaches 88% of the population
in the past the bbc had a niche market, but the growth of podcasting and rival stations such as times radio has transform the radio industry.

“Radio is the original social media”

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2
Q

Social and cultural

A
  • The role of the programme in reflecting the changing roles of women in the past
  • Woman’s Hour was originally broadcast in the 1940s,- shifts from the 1950s housewife towards the independence of young women in the 1960s and comparing this with the present day.
  • These shifts are evident in the topics discussed and the guests featured over the years, showcasing the changing priorities and challenges faced by women
  • For instance, as societal expectations of gender roles have evolved, so have audience interpretations of the program.
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3
Q

Historical context

A
  • Woman’s Hour was first broadcast in the 1940s,
    so it’s worth considering the historical and social shifts that have occurred since the show’s inception.
  • The original show could be said to reflect tokenism (a show set aside for women might imply all other radio content was oriented towards men).
  • However, this format has continued and has developed into an important part of Radio 4’s schedule.
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4
Q
  • Recent technological change and media production, distribution/circulation
  • The impact of digitally convergent media platforms:
    Changes to radio
A

[OLD SCHOOL]
* Fm radio = Frequency Modulation: gives radio users high fluidity
* DAB [Digital Radio Broadcasting system] radio service in many countries around the world
* Interactive radio - digitally convergent platforms such a - viewers can interact via the TV - significant changes.
* The boom in downloading and streaming.
* Technological convergence as Sounds is available on PCs, laptops, tablets and phones.
- The slogan ‘Listen without Limits’ reflects the fact that the way in which the BBC distributes its content has changed in order to address developments in technology and audience consumption of content.

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5
Q

BBC Mission and Values

A
  • The BBC is a public service broadcaster
  • a reliable and trustworthy - high-quality
    Mission:
  • to enrich peoples lives with programmes & services that inform,educate and entertain

VISION:
- To be the most creative organisation in the world

Values:
- trust in the foundation of BBC - independent, honest etc
- Respect each other and celebrate our diversity

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6
Q

Commercial Radio

A

A private broadcasting/ independent radio which is free to air service

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7
Q

PSB- PUBLIC SERVICE BROADCASTING

A

Designed to serve the public. It is a concept, an approach to broadcasting
reithium
Bbc doesn’t rely on advertising

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8
Q

how will the audience respond to its social and contextual factors

Listening to Woman’s Hour - Audiences

neale

A

Oppositional response:
may not be in favour as the topic issue will not apply to them I.e. men etc

Negotiated Response:
Younger women would appreciate the productts but may not relate

Intended response:
* consists of young middle aged feminist females
* Engage & feel liberated & heard
* more educated
* thos who are intrested in female centre issue, they will believe its a good thing

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9
Q

Van zoonens theory

A

The media portrays images of stereotypical women
WH challenges stereotypes by giving woman more space
Female dominant radio

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10
Q

Bell Hooks

A
  • Woman’s Hour, actively challenges the notion of a homogenous female experience by showcasing guests and addressing issues that reflect the diversity of its audience. = odcom diveristy - inc;usin p;an
  • While Radio 4’s audience is often stereotyped as white and middle class
  • Woman’s Hour broadens the conversation by highlighting the experiences of women from different ethnicities and class
  • By amplifying voices that are often marginalized or overlooked, the program serves as a platform for intersectional feminism, acknowledging that women face unique challenges based on factors such as race, class, and ethnicity.
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11
Q

Emma Barnett

A
  • Has experience
  • Won award
  • Her book is about ‘taboo’ women’s topics [e.g. Period. Its About bloody time]
  • Encourages inclusitivity - diversity on show
  • Her style is therefore light-hearted yet unafraid to explore emotionally sensitive and controversial issues: ‘her iron confidence is reassuring for the listeners …(www.the guardian. co.uk Jan 2021).
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12
Q

Anita Rani

A
  • A familiar face that allows cultural diversity
  • Encourages greater discussions around ethnicity
  • She is one of the lead presenters on BBC One’s Countryfile and has become a familiar face on British television, presenting a range of explorative documentaries for the BBC including Bollywood: The World’s Biggest Film Industry and My Family, Partition and Me: India.
  • The choice of Anita Rani addresses one of the key purposes in the creative remit of the BBC – ‘To reflect, represent and serve the diverse communities of all’ (BBC annual report 2021/22)
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13
Q

The woman on Woman’s hours

A

Having two female presenters helps to target modern female audience. It reflects women in the media industry
Reflects the rise in feminism
Target audiences educated 35+

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14
Q

How does it appeal to the Audience - digital convergence

A
  • broadcast at 10am mon-fri, - clever timetable, with an omnibus of ‘ best bitsof the week on a saturday - Aged 55+ woman close to retirement and families possibly have moved away. = gives them the opportunity to listen
  • The programme airs a range of serious and
    more light-hearted stories to appeal to the demographic.
  • This is a pro: reduces competition with its 10am slots
  • Advances in technology have enabled radio audiences to access content across a range of digital platforms to suit their needs.
  • in the use a of digital convergence, audiences have a range of ways they can access, this is through bbc website or bbc sound
  • digital convergences offer opportuntities of interactionism,at the start of the episode presenter emma barnet invites the audience to contribute their opions by a range of platforms i.e. Audiences can respond to Woman’s Hour on Twitter, through the website and on other social media platforms.
  • Audience’s often offer very different viewpoints in their responses, which are read out at the end of sections of the programme during the live broadcast and at the end of the Saturday omnibus edition.
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15
Q

how audiences interpret media like Woman’s Hour on BBC Radio,

audience

A
  • They are different demographics that may have varying responses to the content.
  • For instance, a male listener might feel somewhat alienated by the show’s focus on issues primarily concerning women, especially if they’re used to media with more gender-balanced representation.
  • Conversely, some female listeners may find the all-female composition of the show appealing, as it could provide a space where their concerns are prioritised and addressed without being overshadowed/underrepresentd by male perspectives.
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16
Q

Woman’s Hour topics

A
  • The ages of motherhood
  • Returning to work
  • Abandoning the bra
  • Turning your passion into a business
  • Marriage
  • Period & menopause
  • The topics discussed on Woman’s Hour are
  • not strictly based around female experiences. Although subjects like IVF, mastectomy and women’s safety are female-centric, other discussions about grief, adult literacy and disaster planning offer a female perspective on issues that would also interest male listeners.
17
Q

regulation

Ofcom

Regulation – Livingston and Lunt

A
  • the bbc is regulated by ofcom
  • The role of Ofcom includes ensuring that services such as radio are of high quality and appeal to a wide audience and to protect audiences from offensive or harmful material.
  • As a PSB, the BBC has strict guidelines about what content can be broadcast or published.
  • TV AND RADIO - follows the watershed - meaning the time where TV programmes might be unsuitable for children.
  • The developments of technolgy across different digital platforms has made regulation more complex.
  • However, the BBC’s role as a self-regulator seemingly challenges Livingston and Lunt’s assumption that ‘new media’ is harder to regulate.
  • e.g. The BBC took down the clip after recieveing the complaints - islamaphobia - interview with Zara Mohammed, the first female leader of the Muslim Council of Great Britain.
  • The main issue was an accusation of bias and the hostile questioning style of presenter Emma Barnett
18
Q

what are the The Bbc ethos/remit

A

Inform
Educate
Entertain

have a particular duty to provide all audienvces and to remian impartial, e.g. farming, in touch (for the blind) = niche audiences

IEE

19
Q

dec 14th episode - misha parisa

A
  • the segemnt later shifts to interviewing soul singer misha paris, which illustartes other aspects of woman’s hour appeal = listeners are familiar with her and her thoughts/career will likely be older
  • a black female performer paris offers a sense of diversity to what is often percieved as a white show. this intereview discusses about her eperience as a female performer and womans hr gives a platform to femalw perspectives to female issues that are not really talked about in the media. = hence a specialised show, similar to alternative present anita rani
20
Q

Industry

Curran an Seaton

A
  • It could be argued that womans hour challenges the idea that the media is controlled by a small number of companies driven by the logic of profit and power
  • The Woman’s Hour podcast format may also be used to support Curran and Seaton’s idea that socially diverse patterns of ownership help create conditions for varied and adventurous productions. = illustrates the broadcaster’s willingness to produce a programme targeting a specific social group
21
Q

Van Zoonen

A
  • The program’s emphasis on featuring female voices - challenges traditional gender roles but also provides a platform for women to shape and control the narrative surrounding issues that affect them.
  • By showcasing women in various roles, from guests to presenters and producers, Woman’s Hour actively contributes to breaking down gender stereotypes and promoting gender equality in the media.
22
Q

economic context

A
  • public service broadcasting by prioritizing content that serves diverse audiences without commercial pressures. = afford both niche and big programmes
  • Supported by a not-for-profit, license fee-funded model, Woman’s Hour can focus on quality, informative, and inclusive content rather than profit.
  • This funding model allows for investment in programming valuable to society, distributed widely across platforms, ensuring accessibility and contributing to an informed and engaged public.
  • Overall, the BBC’s economic model enables programs like Woman’s Hour to fulfill their mission of informing, educating, and entertaining the public with content reflecting diverse needs and interests.