Chapter 3 - Principles of Design Flashcards

1
Q

Six principles of design

A
  1. Balance
  2. Harmony and Unity
  3. Rhythm
  4. Emphasis and Focus
  5. Contrast and Variety
  6. Proportion
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2
Q

The arrangement of elements in a composition to achieve visual equilibrium

A

Balance

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3
Q

Balance depends on the idea of

A

visual weight

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4
Q

Three types of balance

A

symmetrical, asymmetrical, and radial

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5
Q

______ depends on equalizing the visual, or optical, weights of non-similar elements in a composition

A

asymmetrical balance

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6
Q

_______ is considered informal and dynamic

A

asymmetrical balance

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7
Q

Explain visual weight as it relates to balance

A

some objects appear “heavier” than others by the nature of their size, shape, complexity, color, texture, or location in space

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8
Q

____ consists of identical elements arranged equally about a common axis.

A

Symmetrical balance

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9
Q

Symmetrical balance is very ____ and connotes_____

A

stable

formality

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10
Q

_____ balance is a type of symmetrical balance in which elements are arranged uniformly about a central point

A

Radial

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11
Q

_____ in a composition is the agreement of the parts to each other and to the whole.

A

Harmony

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12
Q

What is one of the most difficult design principles to apply because there are no fixed rules and because it includes the opposing concepts of . unity/variety and rhythm/emphasis

A

Harmony

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13
Q

How is harmony most often achieved?

give some examples

A

by relating a number of different elements through a common characteristic

  • harmony using a common element
  • harmony using a common shape
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14
Q

Which design principle is the repetition of elements in a regular pattern?

A

Rhythm

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15
Q

What is the simplest kind of rhythm?

A

repetition of identical objects

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16
Q

Examples of complex rhythm?

A
  • irregular spacing
  • emphasizing or changing elements and regular intervals
  • uniformly increasing or decreasing the size of the elements
  • gradation
17
Q

The design principle describing make some objects more important than others

A

Emphasis and Focus

18
Q

The juxtaposition of dissimilar elements

A

Contrast

19
Q

______ is the way we perceive the difference between things, create importance, and add interest and variety to our environment

A

Contrast

20
Q

Lighting can be a dramatic way in which ____ is created

A

contrast

21
Q

For critical visual tasks, maximum brightness ratio of ___:___ task surface: its background

A

3:1

22
Q

For critical visual tasks, maximum brightness ratio of ___:___ task surface: surrounding surfaces

A

5:1

23
Q

It is not desirable to work on a _____ surface in a _____ room

A

dark

bright

24
Q

To use light contrast as a principle of design and avoid glare and undesirable brightness ratios, limit bright lighting to highlighting _____, ______, and ______

A

painting, sculptures, or other small accent pieces

25
Q

________ is the relationship between one part of an object or composition and another part and to the whole, or between on element and another

A

Proportion

26
Q

Proportion by definition is

A

relative

27
Q

Throughout history, mathematicians, artists, and others have attempted to discover and quantitfy the ideal proportioning system. The result?

A

The golden ratio

28
Q

What is the golden ratio?

A

A single line is divided into two unequal segments such that the ratio of the smaller part is to the larger part as the larger part is to the whole

29
Q

The golden ratio, when translated into a rectangle, is the

A

golden section

30
Q

The ratio developed by dividing a line according to these proportions is an irrational number designated by

A

the Greek letter phi Ø or ϕ

31
Q

The golden ratio is approximately equal to

A

1.618

32
Q

Related to the Golden Ratio is the

A

Fibonacci series

33
Q

What is the Fibonacci series?

A

sequence of numbers beginning with 0 and 1. Each successive number in the series is the sum of the previous two.

0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55

34
Q

In the Fibonacci series, when any number is divided by the previous term, the quotient approximates

A

the golden ratio

35
Q

Another well known proportioning system?

A

The Modulor system developed by Le Corbusier based on the human body and loosely on the golden ratio

Corbusier believed the dimensions could be used to maintain human scale in design and create unity with diversity. He also thought his system could be used to facilitate prefabrication of building elements while avoiding the repetitive monotony of a modular system with identical dimensions.