A Portrait of the Artist as a Young Man Flashcards

(55 cards)

1
Q

punished by Father Arnall; because he is a priest he can do what he wants

A

it was because he was allowed

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2
Q

Heron’s persistent use of monosyllabic imperative; echoes the church

A

admit

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3
Q

relates adolescent lust to religious lexis

A

beside the savage desire inside him

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4
Q

recalls the poetry of Shelley and invokes the image of Lucifer, the morning star

A

the stars began to crumble and a cloud of fine stardust fell through space

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5
Q

after Father Arnall’s sermon, oxymoronically describes his soul as overcome by…

A

waves of fire

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6
Q

compares himself to Adam and Eve for the sin of pride

A

believed if they ate the fruit they would ‘become as Gods, nay as God himself’

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7
Q

when he decides he cannot become a priest; he has to go through life alone

A

He was destined to learn his own wisdom apart from others or to learn the wisdom of others himself wandering among the snares of the world

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8
Q

when he decides he cannot become a priest; concept of falling, and then crosses a bridge to see a statue of the Virgin Mary

A

He would fall. He had not yet fallen but he would fall silently, in an instant. Not to fall was too hard, too hard, and he felt the silent lapse of his soul, as it would be at some instant to come, falling, falling, but not yet fallen, still unfilled, but about to fall

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9
Q

imagery of fire and water again when Father Arnall beats him

A

describes ‘scalding water’ bursting from his eyes

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10
Q

temptation to sin with the girl on the tram

A

a voice within him spoke above the noise of his dancing heart, asking him would he take her gift to which he had only to stretch out his hand

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11
Q

Heron; suggesting that his association with religion is faked

A

you can’t play the saint on me anymore

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12
Q

fears being discovered rather than wanting to repent

A

he was conscious of failure and of detection

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13
Q

argument with Heron; says Byron is the greatest poet, Heron says he was immoral, Stephen says he doesn’t care (value of aesthetic art over all else)

A

was a heretic and immoral too

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14
Q

rejection of voices that call to him, telling him what to do

A

he was happy only when he was far from them, beyond their call, alone

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15
Q

man approaches him in Dublin to tell of how his father flirted; his father dissuades him

A

Now don’t be putting ideas into his head…leave him to his Maker

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16
Q

description of the story of Lucifer

A

it was the sin of pride, the sinful thought conceived in an instant: non serviam: I will not serve.

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17
Q

when his father and grand uncle speak of family matters and Irish politics, he says they are

A

words which he did not understand he said over and over to himself till he had learnt them by heart

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18
Q

questions what it means when he sees a winged figure flying above him

A

‘a hawk-like man flying sunward above the sea…a prophecy of the end he had been born to serve…a symbol of the artist forging anew in his workshop out of the sluggish matter of the earth a new soaring impalpable imperishable being’

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19
Q

idea of leaving behind his childhood

A

his soul had arisen from the grave of boyhood

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20
Q

pun of drowning/dead; his friends yelling from the water

A

I’m drownded!

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21
Q

reflects on how Davin has been shaped to love Ireland

A

His nurse had taught him Irish and shaped his rude imagination by the broken lights of Irish myth

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22
Q

scornful of Davin’s ignorance of a world outside of Ireland

A

Whatsoever thought and feeling came to him from England or by way of English culture his mind stood armed against in obedience to a password; and of the world that lay beyond England he knew only the foreign legion of France

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23
Q

dean’s response when Stephen speaks to him of his work on aesthetics; is Stephen well trained? He doesn’t understand emotion; also links to his fear of water

A

Many go down into the depths and never come up. Only the trained diver can go down into those depths and explore them and come to the surface again

24
Q

feels affiliated to the Irish language and fearful of English

A

The language in which we are speaking is his before it is mine. How different are the words home, Christ, ale, master, on his lips and on mine! I cannot speak or write these words without unrest of spirit…My soul frets in the shadow of his language.

25
declaration in a conversation with Cranly; like Icarus, he sees himself as being imprisoned but like Icarus, does he also go too far in renouncing them completely
You talk to me of language, nationality and religion. I shall try to fly by those nets
26
description of Ireland
Ireland is the old sow that eats her farrow
27
Believes to be an artist you have to confine yourself from the world around you and allow none of it to influence you
the aesthetic image is first luminously apprehended as shelfbounded and self-contained upon the immeasurable background of space or time which is not it.
28
at the end of the novel, he utters Lucifer's pride in his own words
I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church
29
Cranly questions why he doesn't want to please his mother, Stephen doesn't understand when asked if he loves her
Your mother brings you into the world, carries you first in her body...what are our ideas or ambitions? Play.
30
dreams of Europe
dreams of the 'black arms of tall ships' of Europe; 'the air is thick with their company as they call to me, their kinsman, making ready to go, shaking the wings of their exultant and terrible youth'
31
believes he has to isolate himself to truly become like the great artificer Daedalus, whom he appeals to at the end of the novel
to forge in the smithy of my soul the uncreated conscience of my race
32
anxiety of seeing birds
What birds were they?
33
feels like he doesn't belong with his family
feels he is 'in the mystical kinship of fosterage'
34
epigraph
Et ignotas animum dimittit in artes (And he applied his mind/spirit to obscure arts)
35
Ovid- Daedalus having to stay in Crete even though he hates it
Homesick for homeland, Daedalus hated Crete/And his long exile there, but the sea held him.
36
Ovid- Icarus watching Daedalus, unaware of the fate he is creating for him
Icarus, his son, stood by and watched him,/Not knowing he was dealing with his downfall.
37
Ovid- stars, link to Lucifer
No steering by star or constellation
38
Ovid- when Icarus leaves
And the boy/Thought This is wonderful! and left his father
39
Ovid- Daedalus hating himself for his own work
And saw the wings on the waves, and cursed his talents
40
Ovid- partridge of niece Daedalus threw off cliff
A noisy partridge, from a muddy ditch,/looked out, drummed with her wings in loud approval
41
Ovid- fear of heights
The bird, it seems, remembers, and is fearful/of all high places
42
feels power of the water and moves back from it after he is pulled towards it
He seemed to feel a flood slowly advancing towards his naked feet and to be waiting for the first faint timid noiseless wavelet to touch his fevered skin
43
repetitively describes himself as ? during beach scene
alone
44
description of the girl like a bird at the beach
'delicate as a crane's' 'featherings of soft white down', 'dovetailed'
45
beach scene revelation
to throw open before him in an instant of ecstasy the gates of all the ways of error and glory
46
sees himself with use of language of the Eucharist (ironic)
a priest of eternal imagination, transmuting the daily bread of experience into the radiant body of everliving life
47
Ovid- bad to change nature?
changing the laws of nature
48
Ovid- the Golden Mean
fly a middle course
49
William York Tindall, 'A Reader's Guide to James Joyce'; Stephen's perception of an artist
Stephen is an artist, he thinks and the artist is godlike, distant and alone
50
Michael Seidel, 'James Joyce: a Short Introduction'; language of Ireland
He still speaks and writes the language of his father in Ireland
51
Michael Seidel, 'James Joyce: a Short Introduction'; flight and crash
The Daedalus-Icarus myth is poised between flight and crash. So is Portrait.
52
Matthew 26:26 (Eucharist)
Jesus took bread, spoke a blessing and broke it, and gave it to the disciples, saying, "Take and eat; this is My body."
53
Genesis 3:5 (spoken by the serpent)
For God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods, knowing good and evil.
54
Isaiah 14:12 (Lucifer's fall)
How art thou fallen from heaven, O Lucifer, son of the morning! how art thou cut down to the ground, which didst weaken the nations!
55
Isaiah 14:14 (Lucifer's pride)
I will ascend above the heights of clouds; I will be the most High.