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From Flashcardlet > Architectuurgeschiedenis worden > Flashcards

Architectuurgeschiedenis worden Flashcards

This flashcard deck was created using Flashcardlet's card creator

0
Q

Trabeated

A

A mechanism which includes a past beam system

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1
Q

Lintel

A

A beam inserted in a wall to support the wall above

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2
Q

Cantilever

A

Beam which rests over at the end of the column

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3
Q

Empathy

A

Imaginating ourselves inside an object and feeling how gravity works on it

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4
Q

Engaged column

A

Merging a column to a wall

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5
Q

Pilaster

A

A flat, pierlike projection on the wall

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6
Q

Balloon frame

A

Used in commercial construction

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7
Q

Voussoirs

A

Parts of an arch

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8
Q

Keystone

A

Locks the voussoirs into place

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9
Q

Arcade

A

Several arches in a row

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10
Q

Arcuated structure

A

One built of arches alonga flat plane

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11
Q

Pendentive

A

Adjecent places that still held a pherical segment

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12
Q

Ribvault

A

First building ribs, along the lines of intersection

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13
Q

Perceptual space

A

The space that can be percieved or seen

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14
Q

Conceptual space

A

Plan stored in our memory

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15
Q

Behavorial space

A

The space we can move through and use

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16
Q

Physical space

A

Imagined as a volume or airbounded by the walls

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17
Q

Directional space

A

Direct movements to a single focus

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18
Q

Non dimensional

A

Is no one obvious compelling path through the building; a variety to choose from

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19
Q

Postive space

A

Percieved as a void. Erected to difine and contain it

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20
Q

Negative space

A

Hollowing out a solid;simply left over after construction

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21
Q

Personal space

A

Distance that species put up for themselves

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22
Q

Proximity

A

Objects are seen to represent a pattern

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23
Q

Repitition

A

Equalities of spacing

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24
Q

Simplest to largest

A

Continuity and closure

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25
Q

Figure to ground relationship

A

Choose what you want to see

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26
Q

Anechoic chambers

A

Are lined with pyramidal wedges to absorb sound

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27
Q

Acoustical hotspots

A

Areas where there is much more echo

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28
Q

Ostraka

A

Flat flakes of limestone chipped off larger building blocks

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29
Q

Ichonographia

A

Ground plans

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30
Q

Orthographia

A

Laid out with a compass and ruler, of elevation drawings. Being vertical image

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31
Q

Scaenographia

A

Perspectives with shading and retreating converging to a vanishing point

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32
Q

Bernoulli effect

A

Wind slows down from a particular side of a building

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33
Q

Perfunctionary

A

Buildings built since the industrial revolution

34
Q

Naus (cella)

A

Central area of a temple

35
Q

Anta

A

Two collumns infront of the temple

36
Q

Double anta

A

Two columns front and back of the temple

37
Q

Tholos

A

A round temple with collumns around it

38
Q

Prostyle

A

Four columns infront of the temple

39
Q

Amphiprostyle

A

Four columns front and back of the temple

40
Q

Opisthodomos

A

Other side of the temple.

41
Q

Peripteral

A

Columns all around a rectangular temple

42
Q

Dipteral

A

Two sets of collumns around a rectangular temple

43
Q

Council of Nicea

A

To settle the question of the Arian heresy

44
Q

Basilica

A

Public gatherings, symbolic connotation

45
Q

Caesaropapism

A

Imperial civil authority and control over the chruch became throroughly intertwined

46
Q

Quincunx plan

A

Large squares were divided into nine component squares

47
Q

Early middle ages (450-1000)

A

End of the roman empire and the rise of charlemagne

48
Q

High middle ages (1000-1150)

A

Stable feudal system, gradual resumption of travel and trade across europe, emergence of cities and cultural and economic forces, revival of building on a large scale, especially churches with an emerging gothic style

49
Q

Late middle ages (1150-1500)

A

Invaders from the north and east, maturation of gothic art, black death and husred years war

50
Q

Donjon

A

Typical walled castle of the twelfth century

51
Q

Gothic architecture

A

Life herafter, light, physical expression, large windows, higher, barrel vaults, bright, walls are thinner, more pointy

52
Q

Romanesque

A

Robust,thick walls, smaller windows, dim

53
Q

Bourgeois

A

Middleclass person living in the city

54
Q

Side elevation

A

Side of a building

55
Q

Front elevation

A

Front of a building

56
Q

Section AA

A

Side elevation cut

57
Q

Axonometric

A

90degrees from above

58
Q

Isometric

A

Side view of a house

59
Q

Philebus

A

Forma generated by straight lines and circles, as well as solids created by these dimensions

60
Q

University space

A

All purpose space

61
Q

Sculpted architecture

A

Buildings became sculpted into singular and unique forms

62
Q

High tech

A

Extreme accentuation and exageration of structure and mechanical system

63
Q

Baretts

A

Exoskeleton of exposed steel on a building

64
Q

Mega structures

A

Extra large buildings, height and economic pressure

65
Q

Ironic classicism

A

Architects use forms that are widly recognizable, image of a reasurring destabilized world

66
Q

Populist modernisme

A

Architects use forms that are widly understandable, comforting and reassured

67
Q

Latent classicim

A

Erased classical langauage

68
Q

Fundamental classicim

A

Abstract classical forms,

69
Q

Cast iron

A

Is brittle and cannot be wrought, it must be shaped using a cast

70
Q

Wrought iron

A

Commercially pure iron that can easily be hand welded

71
Q

Eclecticism

A

The informed and selective borrowing of historical building forms and details rooted in associationalism

72
Q

Associationalism

A

Democracy when human ideas and wealfare are best served

73
Q

Synthetic Eclecticism

A

Resulting unusual designs and even bizzare fantasies

74
Q

Electic Revivals

A

Greek and Gothic revivals, architecta travelled more

75
Q

Academic Eclectism

A

A planned analysis clothed in thoroughly and expectly understood historical detail

76
Q

Romantic National Eclecticism

A

Architectural traditions of each particular region or nation to create a style which is recognizable

77
Q

Ahistorical modernism

A

Ideological link with the efficient processes of industrial production

78
Q

Revivalism

A

Appropraiteness of historical correctness

79
Q

Creative eclectism

A

Intensive use of traditional forms and details

80
Q

Caconic classicism

A

Pure abstract geometric forms

81
Q

Creative postmodern traditionalism

A

Focused on essential characters of building

82
Q

Neoexpressionism

A

Honest approach to materals and how it can express themselves

83
Q

Deconstructivism

A

De construction, the pulling out of a building to exaggerate itself

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