Basic Terminology of CI Programming Flashcards

(31 cards)

1
Q

What domains do we make changes?

A

Intensity
Frequency
Time
*Adjusted to the specific patient bc every one is different

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2
Q

What parameters affect the signal coding in the intensity domain?

A

Stimulation levels
Amplitude
Pulse width
Electrical DR
Input DR
Sensitivity
Compression
Channel gain
Volume

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3
Q

What are stimulation levels?

A

Minimum stimulation levels - least amount of stimulation a recipient can detect when electrical signal (biphasic pulses) are delivered to individual electrode contacts
Upper stimulation levels -upper limit of electrical stimulation (deal with most of the time bc this is typically where you start)
*Called something different by each manufacturer

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4
Q

What is current amplitude and pulse width?

A

Amplitude is the height of the biphasic signal
Pulse width is the duration of the biphasic signal
*Can either increase amplitude or duration to increase stimulus intensity (loudness)

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5
Q

How do you calculate the total energy of the stimulus?

A

(Current amplitude)(pulse width) = total charge in nanocoulombs (unit of charge)

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6
Q

What is the electrical dynamic range?

A

The difference between the CI users perceptual threshold and the most comfortable level for electrical stimulation

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7
Q

What parameters influence how acoustic inputs are mapped into the recipient’s electrical dynamic range?

A

Input dynamic range
Sensitivity
Compression
Channel gain
Volume control

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8
Q

What is the input dynamic range?

A

Defines the range of acoustic inputs that are mapped to the users electrical dynamic range
Lower end of the IDR maps to the threshold of electrical stimulation
Upper end of the IDR maps to the maximum electrical stimulation level
Typical IDR of contemporary Ci systems ranges from 40 to 60 dB
*Acoustic stimulation fitting into the patient’s dynamic range
*In current CIs, the lower end of the IDR is usually set between 20 and 30 dB SPL, and the upper end is set between 65 and 85 dB SPL

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9
Q

Will very soft sounds be completely omitted?

A

Yes, due to input dynamic range
Sound above the max stimulation level will be compressed and not omitted

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10
Q

What is sensitivity?

A

Microphone gain in the sound processor
Adjusts the input signal level before frequency analysis
Works in conjunction with the IDR to shape how acoustic signals are mapped into the user’s electrical DR
Increasing sensitivity allows softer sounds to be included in the mapped input range, while decreasing it excludes lower-level sounds

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11
Q

What compression system is used for CIs?

A

Automatic gain control (used by all current CI systems)

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12
Q

Do all the manufacturers allow automatic gain control settings be adjusted by the clinician?

A

No, only AB and Med-El
Nucleus systems use a specialized input processor called ASC (Adaptive Sound Control), which acts like a slow-acting compressor for moderate to high-level input noise
Nucleus also applies additional compression for moderate-to-high inputs that exceed the upper limit of the IDR

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13
Q

What is involved at mapping acoustic inputs into the the electrical dynamic range?

A

Channel gain - controls the amplification provided to the signal in a channel specific (frequency specific manner) - gain occurs prior to the processing of the signal
Volume control - a change in the volume control setting produces a change in the upper level of stimulation the recipient receives from the implant

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14
Q

What parameters affect signal coding in the frequency domain?

A

Electrode contact vs channel
Virtual electrodes (current steering)
Frequency allocation

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15
Q

What are the differences between the electrode contact and the channel?

A

Electrode contact - describes a physical contact in the internal device electrode array where stimulation is delivered to the auditory nerve fibers
Channel - describes a discrete frequency range over which sound is analyzed for eventual delivery to an electrode contact (channels are defined by bandpass filters); frequencies it stimulates - set by and comes from the speech processor
*frequency information is primarily conveyed by the place of stimulation within the cochlea

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16
Q

Can channels match the electrode assignment?

A

Yes, or they could not
In other rare cases, the channel number and electrode number may be different
Channel to electrode assignment should be switched to restore tonotopicity
Contacts not in the correct place

17
Q

What is frequency allocation?

A

Controls how frequencies are delivered across the active channels
Can be automatically determined by the programming software or can be changed by the clinician in some softwares (cochlear and med-el)
Cochlear allows clinicians to adjust the upper frequency limit and the bandpass filters widths - allows clinicians to manually define the cut-off frequencies for each channel
Mel-El allows clincians to adjust the lower (70-350 Hz) to upper (3500-8500 Hz) frequency limits in 10 and 500 Hz steps - can choose from 4 frequency allocation tables
If an electrode is turned off, its frequencies are reallocated to the remining active electrodes
*Anatomy-based fitting

18
Q

What parameters affect signal coding in the time domain?

A

Stimulation rate - the number of biphasic pulses that are delivered to an individual electrode contact within 1 second; changes can affect pitch and loudness perception (high rates can result in a higher pitch percept and increase loudness due to temporal summation)
Total stimulation rate - overall max rate of stimulation possible across all active electrodes within 1 second; calculated by multiplying the per channel stimulation rate by the number of active channels

19
Q

What factors can influence optimal stimulation rate?

A

Varies across individuals
Varies on the basis of CI hardware - must support narrow pulse widths and high current amplitudes to achieve high stimulation rates
Electrode spacing - closer spacing and higher stimulation rates increases the risk of temporal channel interaction, which can degrade performance

20
Q

What are the theoretical benefits of high stimulation rates?

A

Improved access to fine temporal details in sound
Enhanced temporal resolution (which supports better speech understanding in noise, improved music perception and appreciation, recognition of vocal pitch, and potential for improved pitch perception)

21
Q

When spectral cues are limited, do fine temporal cues become especially important for distinguishing between similar speech sounds?

22
Q

What is electrode coupling strategy/stimulation mode?

A

Indicates how channels are connected to form an electrical current through which current can be delivered to the auditory nerve
Monopolar - active intracochlear electrode and an extracochlear electrode serves as the return (travels a longer distance)
Bipolar - active intracochlear electrode and a neighboring intracochlear electrode serving as the return (shorter distance = less channel interaction)

23
Q

What does monopolar stimulation provide?

A

Provides relatively broad spread of electrical current
Requires less current
Gradual change in stimulation levels from one electrode to the next (interpolation can be viable option)

24
Q

What does bipolar stimulation provide?

A

Provides relatively narrow spread of electrical current
Requires higher current/drain battery
Stimulation requirements may change drastically from one electrode to the next (interpolation is not an option and CL must measure stimulation levels for all active Els

25
What is common ground coupling?
An electrode coupling mode used for diagnostic purposes but is not used for stimulation in contemporary signal coding strategies Electrical current is delivered to an active intracochlear electrode, and all of the remaining intracochlear electrodes serve as the collective return Most sensitive mode for detecting shorted electrodes during electrode impedance assessment (due to all of them being coupled and electrical resistance across electrodes can be referenced to an extracochlear electrode serving as the ground)
26
What is sequential stimulation vs simultaneous stimulation?
Sequential - in most contemporary CI systems, presentation of pulses occurs one after another; reduced or prevents channel interaction Simultaneous - presentation of an electrical signal to several electrodes at one time
27
What is interpolation?
Strategy designed to allow for quick programming within sacrificing sound quality or performance Refers to the estimation of stimulation levels on the basis of measured values from neighboring channels Example, if the measured T levels for electrodes 6 and 8 were 70 and 90, respectively, the estimated T level for electrode 7 would be 80 Measured channels are called anchor channels *clinicians should consider measuring stimulation levels when a large difference exists in the measured values of two anchor channels
28
What is sweeping?
Refers to the sequential presentation of the programming stimulus across the active electrodes at a given stimulation level Typically performed at the upper-stimulation level and can be performed at lower
29
What is the purpose of sweeping?
Ensure equal loudness for lower level inputs (and across electrodes) Ensure that none of the electrodes are too loud or result in unfavorable sound quality Verify that the perceived pitch is progressively higher if sweeping is performed from the apical to basal direction Identify any electrodes producing distorted or undesirable sound quality  Identify electrodes causing nonauditory side effects (e.g., facial nerve stimulation)
30
What is loudness balancing?
Successive presentation of a programming stimulus to two or more active electrodes to ensure that they are perceived equally loud at a defined percentage of the dynamic range Typically performed near upper stimulation level (100 or 80%) Adjustments are made based on the patient's feedback
31
What is the mixing ratio?
Controls the relative strength of the signal from the speech processor microphone and the direct auditory input (DAI) source All contemporary CI sound processors have a DAI port for the direct delivery of an external input Allows the clinician to choose from a variety of ratios ranging in a graded manner from an equal emphasis on signals from the sound processor mic and the DAI to DAI only